The history of modern Spain is dominated by the figure of Francisco Franco, who presided over one of the longest authoritarian regimes of the twentieth century. Between 1936 and the end of the regime in 1975, Franco’s Spain passed through several distinct phases of political, institutional, and economic development, moving from the original semi-fascist regime of 1936–45 to become the Catholic corporatist “organic democracy” under the monarchy from 1945 to 1957. Distinguished historian Stanley G. Payne offers deep insight into the career of this complex and formidable figure and the enormous changes that shaped Spanish history during his regime.

On 20th November 1975, General Francisco Franco died in Madrid, just before his 83rd birthday. At the time of his death he had been the head of a dictatorial regime with the title of 'Caudillo' for almost 40 years. In this book, Enrique Moradiellos redraws Franco in three dimensions - Franco, the man; Franco, the Caudillo and Franco's Spain. In so doing, he offers a reappraisal of Franco's personality, his leadership style and the nature of the regime that he established and led until his death. As a dictator who established his power prior to World War II and maintained it well into the 1970s, Franco was one of the most central figures of twentieth-century European history. In Spain today, he is a spectre from a regrettable recent past, uncomfortable yet still very real and significant. Although a realtively minor dictator in comparison with Mussolini, Hitler or Stalin, Franco was more fortunate than them in terms of survival, long-lasting influence and public image. A study of his regime and its historical evolution sheds new light on fundamental questions of European history, including the social and cultural bases for totalitarian or authoritarian challenges to democracy and sources of political legitimacy grounded in the charisma of a leader. In this book, Enrique Moradiellos Garcia examines the dictatorship as well as the dictator and, in doing so, reveals new aspects to our understanding of General Franco, the Caudillo.

During the Spanish Civil War many groups on the European right were galvanised by the Nationalist cause. This book recounts the experiences of a number of foreign volunteers, all of whom saw their engagement in Spain as a means of promoting their own political causes at home.

Since the late twentieth century, the Venetian courtesan Veronica Franco has been viewed as a triumphant proto-feminist icon: a woman who celebrated her sexuality, an outspoken champion of women and their worth, and an important intellectual and cultural presence in sixteenth-century Venice. In Veronica Franco in Dialogue, Marilyn Migiel provides a nuanced account of Franco’s rhetorical strategies through a close analysis of her literary work. Focusing on the first fourteen poems in the Terze rime, a collection of Franco’s poems published in 1575, Migiel looks specifically at back-and-forth exchanges between Franco and an unknown male author. Migiel argues that in order to better understand what Franco is doing in the poetic collection, it is essential to understand how she constructs her identity as author, lover, and sex worker in relation to this unknown male author. Veronica Franco in Dialogue accounts for the moments of ambivalence, uncertainty, and indirectness in Franco’s poetry, as well as the polemicism and assertions of triumph. In doing so, it asks readers to consider their ideological investments in the stories we tell about early modern female authors and their cultural production.