WINNER OF THE DRINK BOOK AWARD AT THE FORTNUM & MASON FOOD AND DRINK AWARDS 2017. Pete Brown has visited hundreds of pubs across the UK and is uniquely placed to write about pubs that ooze atmosphere, whatever the reason, be it food, people, architecture, location or decor. The best pubs are those that always have a steady trade at any time on any day of the week, and where chat flows back and forth across the bar. They're the places where you want to drink weak beer so you can have several pints and stay longer. Some are grand Victorian palaces, others ancient inns with stunning views across the hills. Some are ale shrines, others gastropubs (though they probably don’t call themselves that any more). A precious few are uniquely eccentric, the kinds of places that are just as likely to have terrible reviews on Trip Advisor as great ones, because some people don't realize that the outside toilets, limp sandwiches on the bar and really disturbing full-size mannequin glaring at you from the corner are all part of the charm. This charming collection of 300 pubs explores what makes each one ooze atmosphere, be it food, people, architecture, location or décor, and looks at the quirks of local history as well as different trends and types of pub. Full of pen portraits of punters or publicans, legends, yarns and myths, this entertaining book is the perfect gift for regulars of that well-loved British institution, the pub.

P.G. Wodehouse saw his first article published when still at school, and went on to become the leading humour writer of the twentieth century. He created characters famous across the English-speaking world, such as Rupert Psmith, Stanley Ukridge, Uncle Fred, the inhabitants of the Drones Club, Bertie Wooster and Jeeves, and Lord Emsworth and his beloved Empress, all of whom remain as popular today as they were when they first appeared all those years ago. But behind all the brilliant metaphors that make us laugh out loud, there is a surprising background of reality. Wodehouse didn't create his stories from scratch; he used real settings and exaggerated the characteristics of people he knew. With examples of Wodehouse's unique imagery, the P.G. Wodehouse Miscellany follows the development and progress of his legendary characters, tells us where Wodehouse got his ideas from and demonstrates why his admirers included Bertrand Russell, Berthold Brecht, George Orwell, Rudyard Kipling and the Kaiser. This informative little miscellany will be a must for all fans of P.G. Wodehouse.

This is a series of short stories written by the Writer/Storyteller/Time Traveler sharing his findings after visiting five different Worlds. Each World is a Chapter. Chapter One, will be covering a period of time from 1937, through World War Two and into the new age of the 1950's. An only child's perception of the world around him. Chapter Two, will be stories about the beginning of the 50's into the 60's. The Time Traveler will be growing into a different person than he was in the beginning. Chapter Three, The Time Traveler is a State Trooper. This will be a series of Police & Investigation Stories as the Time Traveler/Writer begins to change his beliefs. The world of the Time Traveler will change and he begins his travels into yet, another world, one most do not realize it exists. Chapter Four and Five, in these Chapters the Time Travelers enters the world of Greed, Deception, and selfness. It will be about truths about life, what it is, and how it relates to each person.

Garda and guardian. Protector and punisher. This is 'Lugs' Branigan: the man, the legend. The story of 'Lugs' Branigan is a tale that is long overdue. It is a story of extraordinary courage and compassion, a story of heroism and altruism, a story of crime, punishment and redemption. The legend of 'Lugs''s career as Ireland's most famous garda (police officer), founded on his physical strength and the manner in which he faced up to the criminal gangs of Dublin over the course of fifty years, is part of Dublin's folk history. In The Legendary 'Lugs' Branigan, bestselling historian Kevin C. Kearns presents a revealing and unvarnished portrait of the man and his life, authenticated by the oral testimony of family members, friends and Garda mates who stood with him through the most harrowing and poignant experiences. Born in the Liberties of Dublin in 1910, Jim Branigan was, by his own admission, a shy, scrawny 'sissy' as a lad. Cruelly beaten by bullies in the railway yard where he worked during his teens, he refused to fight back. Yet he went on to become a heavyweight boxing champion and to earn the 'undisputed reputation as the country's toughest and bravest garda'. Chief Superintendent Edmund Doherty proclaimed him 'one of those people who become a legend in his own time'. As a garda he refused to carry a baton, relying upon his fists. He took on the vicious 'animal gangs' of the 1930s and 40s and in the 'Battle of Baldoyle' broke their reign of terror. In the 1950s he quelled the wild 'rock-and-roll riots' and tamed the ruffian Teddy boys with their flick-knives. All the while, he was dealing with Dublin's full array of gurriers and criminals. As a devotee of American Western films and books, Branigan emulated the sheriffs by doling out his unique 'showdown' brand of summary justice to hooligans and thugs on the street. In the 1960s his riot squad with its Garda 'posse' patrolled Dublin's roughest districts in their 'black Maria'. They contended with the most dangerous rows and riots in the streets, dancehalls and pubs. The cry 'Lugs is here!' could instantly scatter a disorderly crowd. Ironically, for all his fame as a tough, fearless garda, he was most beloved for his humanity and compassion. His role as guardian of the battered women of the tenements and as protector and father figure of the city's piteous prostitutes—or 'pavement hostesses', as he called them—was unrecorded in the press and hushed up by the Garda brass. Yet, Garda John Collins vouches, 'Women ... oh, he was God to them!' Upon retirement he entered his 'old gunfighter' years; ageing and vulnerable, he became a target for old foes bent on revenge and for 'young guns' seeking a quick reputation. A man with a reputation powerful enough to echo through generations of Dubliners, the legendary 'Lugs' Branigan finally has a book worthy of his story.

Gives a unique and fascinating insight into some of Ipswich’s famous and infamous pubs, taverns and inns

'Sympathetic and wonderfully perceptive . . . a heartbreaking read' NICK COHEN, Critic 'Wise, witty and empathetic . . . outstanding' JIM CRACE 'A fascinating treatment of the age-old problem of writers and drink which displays the same subtle qualities as William Palmer's own undervalued novels' D. J. TAYLOR An 'enjoyable exploration of an enduringly fascinating subject . . . [Palmer] is above all a dispassionate critic, and is always attentive to, and unwaveringly perceptive about the art of his subjects as well as their relationship with alcohol . . . [his] treatment is even-handed and largely without judgement. He tries to understand, without either condoning or censuring, the impulses behind often reprehensible behaviour' SOUMYA BHATTACHARYA, New Statesman 'A vastly absorbing and entertaining study of this ever-interesting subject' ANDREW DAVIES, screenwriter and novelist 'In Love with Hell is a fascinating and beautifully written account of the lives of eleven British and American authors whose addiction to alcohol may have been a necessary adjunct to their writing but ruined their lives. Palmer's succinct biographies contain fine descriptions of the writers, their work and the times they lived in; and there are convincing insights into what led so many authors to take to drink.' PIERS PAUL READ Why do some writers destroy themselves by drinking alcohol? Before our health-conscious age it would be true to say that many writers drank what we now regard as excessive amounts. Graham Greene, for instance, drank on a daily basis quantities of spirits and wine and beer most doctors would consider as being dangerous to his health. But he was rarely out of control and lived with his considerable wits intact to the age of eighty-six. W. H. Auden drank the most of a bottle of spirits a day, but also worked hard and steadily every day until his death. Even T. S. Eliot, for all his pontifical demeanour, was extremely fond of gin and was once observed completely drunk on a London Tube station by a startled friend. These were not writers who are generally regarded as alcoholics. 'Alcoholic' is, in any case, a slippery word, as exemplified by Dylan Thomas's definition of an alcoholic as 'someone you dislike who drinks as much as you.' The word is still controversial and often misunderstood and misapplied. What acclaimed novelist and poet William Palmer's book is interested in is the effect that heavy drinking had on writers, how they lived with it and were sometimes destroyed by it, and how they described the whole private and social world of the drinker in their work. He looks at Patrick Hamilton ('the feverish magic that alcohol can work'); Jean Rhys ('As soon as I sober up I start again'); Charles Jackson ('Delirium is a disease of the night'); Malcolm Lowry ('I love hell. I can't wait to go back there'); Dylan Thomas ('A womb with a view'); John Cheever ('The singing of the bottles in the pantry'); Flann O'Brien ('A pint of plain is your only man'); Anthony Burgess ('Writing is an agony mitigated by drink'); Kingsley Amis ('Beer makes you drunk'); Richard Yates ('The road to Revolutionary Road'); and Elizabeth Bishop ('The writer's writer's writer').