A re-issue of the 1926 classic by James Churchward, The Lost Continent of Mu: Motherland of Men supplemented with fresh research and new material by the author's great-grandson. In the 1920s, James Churchward wrote a series of groundbreaking books about the lost continent of Lemuria which he called the land of Mu. The basic premises are these: • The Garden of Eden was not in Asia, but on a sunken continent in the Pacific Ocean. • The Biblical story of creation came not from the peoples of the Nile, but from this now submerged continent of Mu—the Motherland of Men. • Mu was an advanced civilization of 64 million inhabitants… He obtained the information by living with monks and translating unknown manuscripts. Over the years, his books have come to be considered occult classics. Now his great-grandson, Jack Churchward, has resurrected this valuable work and added his own research. Included: · The Lost Continent · The Land of Man’s Advent on Earth · Egyptian Sacred Volume, Book of the Dead · Symbols of Mu · North American’s Place Among the Ancient Civilizations · The Geological History of Mu · Ancient Religious Conceptions · Ancient Sacred Mysteries, Rites and Ceremonies

Traces the historical dimensions of Native North American drama using a critical perspective.

This Companion provides an original and authoritative surveyof twentieth-century American drama studies, written by some of thebest scholars and critics in the field. Balances consideration of canonical material with discussion ofworks by previously marginalized playwrights Includes studies of leading dramatists, such as TennesseeWilliams, Arthur Miller, Eugene O'Neill and Gertrude Stein Allows readers to make new links between particular plays andplaywrights Examines the movements that framed the century, such as theHarlem Renaissance, lesbian and gay drama, and the soloperformances of the 1980s and 1990s Situates American drama within larger discussions aboutAmerican ideas and culture

A study of post-colonial drama and theatre. It examines how dramatists from various societies have attempted to fuse the performance idioms of their traditions with the Western dramatic form, demonstrating how the dynamics of syncretic theatrical texts function in performance.