Monte was raped by a Catholic priest for two years beginning in 1972 when he was 15. His story looks behind the curtain of what priest sexual abuse really is and how it permanently destroys lives.

Boys with everything to live for ... A community betrayed ... The whistle-blower priest who paid the ultimate price **Shortlisted for the 2020 Walkley Book Award** **Shortlisted for the 2021 NSW Premier's Community and Regional History Prize** ** Shortlisted for the 2021 Prime Minister's Award** Glen Walsh and Steven Alward were childhood friends in their tight-knit working-class community in Newcastle, NSW. Both proud altar boys at the local Catholic church, they went on to attend the city's Catholic boys' high schools: Glen to Marist Brothers, Hamilton, and Steven to St Pius X. Both did well: Steven became a journalist; Glen a priest. But their lives came to be burdened by secrets kept and exposed. Glen discovered that another priest was sexually abusing boys and reported the offender to police, breaking his vows to the Catholic 'brotherhood' in the process. His decision to give evidence regarding the cover-up of clerical abuse at a landmark trial ended in tragedy. Meanwhile, Steven was fighting his own battle to overcome a traumatic past, a battle that also ended in tragedy. Ensuing investigations revealed that at least 60 men in the region had taken their own lives. What had happened, and why were so many of those men from the three Catholic high schools in the area? By six-time Walkley Award-winning investigative reporter Suzanne Smith and shortlisted for the 2020 Walkley Book Award, The Altar Boys is the explosive expose of widespread and organised clerical abuse of children in one Australian city, and how the cover-up in the Catholic Church in Australia extended from parish priests to every echelon of the organisation. Focusing on two childhood friends, their families and community, this gripping story is backed by secret documents, diary notes and witness accounts, and details a deliberate church strategy of using psychological warfare against witnesses in key trials involving paedophile priests.

The tragic death of 13-year-old Danny Croteau in 1972 faded from headlines and memories for 20 years until the Boston abuse scandal--a string of assaults within the Catholic Church--exploded in the early 2000s. Despite numerous indications--including 40 claims of sexual misconduct with minors--pointing to him as Croteau's killer, the Reverend Richard R. Lavigne remains "innocent." Drawing on more than 10,000 pages of police and court records and interviews with Danny's friends and family, fellow abuse victims, and church officials, the author uncovers the truth--church complicity in a cover up and the masking of priests' involvement in a ring of abusive clergy--behind Croteau's death and those who had a hand in it.

A Kirkus Reviews Best Book About the Past, and selected as an Honor Book by the Society of School Librarians International Teddy can't believe how fast his life has changed in just two years. When he was twelve, his father took off, and then his mother married Henry, a man Teddy despises. But Teddy has no control over his life, and adults make all the decisions, especially in 1959. Henry decides that Teddy should be sent to St. Ignatius Academy for Boys, an isolated boarding school run by the Catholic church. St. Iggy's, Teddy learns, is a cold, unforgiving place — something between a juvenile detention center and reform school. The other boys are mostly a cast of misfits and eccentrics, but Teddy quickly becomes best friends with Cooper, a wise-cracking, Wordsworth-loving kid with a history of neglect. Despite the priests' ruthless efforts to crack down on the slightest hint of defiance or attitude, the boys get by for a while on their wits, humor and dreams of escape. But the beatings, humiliation and hours spent in the school's infamous "time-out" rooms, and the institutionalized system of power and abuse that protects the priests' authority, eventually take their toll, especially on the increasingly fragile Cooper. Then one of the new priests, Father Prince, starts to summon Cooper to his room at night, and Teddy watches helplessly as his friend withdraws into his own private nightmare, even as Prince targets Teddy himself as his next victim. Teddy and Cooper's only reprieve comes on Saturdays, when the school janitor, Rozey, takes the boys to his run-down farmhouse outside of town, the only place where the boys can feel normal -- fishing, playing cribbage, watching the bears at the local dump. But even this can't stop Cooper's downward spiral and eventual suicide. And just when Teddy thinks something good might come out of his friend's tragedy, he finds himself dealing with the ultimate betrayal.

Bestselling author John Boyne's A History of Loneliness tells the riveting narrative of an honorable Irish priest who finds the church collapsing around him at a pivotal moment in its history. Propelled into the priesthood by a family tragedy, Odran Yates is full of hope and ambition. When he arrives at Clonliffe Seminary in the 1970s, it is a time in Ireland when priests are highly respected, and Odran believes that he is pledging his life to "the good." Forty years later, Odran's devotion is caught in revelations that shatter the Irish people's faith in the Catholic Church. He sees his friends stand trial, colleagues jailed, the lives of young parishioners destroyed, and grows nervous of venturing out in public for fear of disapproving stares and insults. At one point, he is even arrested when he takes the hand of a young boy and leads him out of a department store looking for the boy's mother. But when a family event opens wounds from his past, he is forced to confront the demons that have raged within the church, and to recognize his own complicity in their propagation, within both the institution and his own family. A novel as intimate as it is universal, A History of Loneliness is about the stories we tell ourselves to make peace with our lives. It confirms Boyne as one of the most searching storytellers of his generation.

The day to day diary of an eighth-grade boy. Of all of Fr. Brennan's great and popular books, this is the one we have had the most requests to reprint. Grade school and Jr. High boys will love, treasure, guard and re-read this favorite many times. Of course, all young Catholics will enjoy this very special book. Any parent who ever attended the old-style Catholic grade school will have moist-happy eyes throughout the entire book. Everyone will find this edition not only good entertainment but a great teacher of Catholicity. Durable sewn signatures, 60 lb. cream paper, 128 pages, hardcover.

Norbert Krapf, past Indiana Poet Laureate, Pulitzer Prize nominee, emeritus prof. of English at Long Island University, and author of twenty-five critically acclaimed books, has written a new book, "Catholic Boy Blues: A Poet's Journal of Healing." Norbert is a survivor of childhood sexual abuse. After fifty years of struggling with his past, he felt that by confronting it in writing, he could offer fellow victims comfort, healing, and a sense of freedom from the long-term effects of abuse. He also believed that the book, seven years in the making, could help caregivers who counsel and minister to survivors of abuse. "Catholic Boy Blues" gives insight and encouragement to those who have not yet confronted their abuse and to friends and family members who want to understand better the long-term effects of abuse. After Norbert began to write about the emotional turmoil which affected him, his feelings of betrayal by God and Church, and his years of troubled silence, he experienced healing and a renewal of spirit. The 130 poems he selected from the 325 he wrote came in four voices: the boy he was, the man he became, Mr. Blues (a fictional friend, mentor, and counselor), and the Priest. The honesty and power of Norbert's words convey representative emotions and thoughts of those abused. Although the poems aren't always pleasant, they give the reader a vivid look at the helplessness, anger, betrayal, and isolation any victim suffers, but in the end, as Jason Berry says, "Norbert Krapf fuses the rolling wisdom of blues singers with incantations of his own past that echo sacred ritual. Along the way he turns trauma into elegy, and takes suffering to a plateau of human triumph."