Arguably one of Italy’s greatest contemporary writers, Natalia Ginzburg has been best known in America as a writer’s writer, quiet beloved of her fellow wordsmiths. This collection of personal essays chosen by the eminent American writer Lynne Sharon Schwartz from four of Ginzburg’s books written over the course of Ginzburg’s lifetime was a many-years long project for Schwartz. These essays are deeply felt, but also disarmingly accessible. Full of self-doubt and searing insight, Ginzburg is merciless in her attempts to describe herself and her world—and yet paradoxically, her self-deprecating remarks reveal her deeper confidence in her own eye and writing ability, as well as the weight and nuance of her exploration of the conflict between humane values and bureaucratic rigidity.

In compelling, often stunning black-and-white photographs, this text portrays the manmade landscape of the western United States--the surreal intersection of the American appetite for suburban development and the resistant, rolling, arid country of the desert West.

Despite being part of one of the most mobile societies in history, it's easy for us to feel stuck where we are. Whether because of a recent move or because we're still in the exact same place we've been for years, many of us just aren't where we thought we'd be or doing what we thought we'd be doing. Sometimes we may wonder if God knows what he's doing. How can this be part of his plan? With enthusiasm and contagious joy, Shauna Pilgreen assures readers that, yes, God does have a plan and a purpose for them--right where they are. In fact, he sent them there. She invites readers to "live sent," showing them how to see their surroundings with fresh eyes and renewed energy. Weaving her own remarkable story with biblical habits readers can incorporate into their daily routines, Pilgreen equips us to reach out into our communities with God's love, knowing that our efforts are never in vain.

Presents a step-by-step home decorating guide to creating stylish and innovative rooms that reflect an individual's true personality, interests, tastes, and lifestyle, with photographs that provide inspirational ideas and techniques.

A Place to Live brings together in a single volume an introduction to Yi Chung-hwan’s (1690–1756) T’aengniji (Treatise on Choosing Settlement)—one of the most widely read and influential of the Korean classics—and an annotated translation of the text, including the author’s postscript. Yi composed the T’aengniji in the 1750s, a time when, despite King Yŏngjo’s (r. 1724–1776) policy of impartiality, the scholar-gentry class continued to identifiy strongly with literati factions and to participate in the political scene as such. A prominent secretary who had his career cut short because of suspected involvement in one of the largest literati purges at court, Yi endured long periods of living in exile before finishing the T’aengniji in his early sixties. The treatise, his only substantial work, is based largely on his travels throughout the Korean peninsula and presents not only his views on the desirability of places for settlement, but also his opinions on contemporary matters and criticism of government policy. As a result, the T’aengniji circulated as an anonymous work for many years. Employing the latest research on T’aengniji manuscripts, translator Inshil Yoon maintains in her introduction that the original title of the treatise was Sadaebu kagŏch’ŏ (Livable Places for the Scholar-Gentry); she goes on to discuss in detail its reception by premodern and contemporary scholars and the treatise’s ongoing popularity as evidenced by the numerous versions and translations done in this and the previous century, its having been made into a novel, and current usage of “t’aengniji” as a noun meaning “regional geography” or “travelogue.” The present translation is based on the Chosŏn Kwangmunhoe edition.

A Place to Live brings together in a single volume an introduction to Yi Chung-hwan’s (1690–1756) T’aengniji (Treatise on Choosing Settlement)—one of the most widely read and influential of the Korean classics—and an annotated translation of the text, including the author’s postscript. Yi composed the T’aengniji in the 1750s, a time when, despite King Yŏngjo’s (r. 1724–1776) policy of impartiality, the scholar-gentry class continued to identifiy strongly with literati factions and to participate in the political scene as such. A prominent secretary who had his career cut short because of suspected involvement in one of the largest literati purges at court, Yi endured long periods of living in exile before finishing the T’aengniji in his early sixties. The treatise, his only substantial work, is based largely on his travels throughout the Korean peninsula and presents not only his views on the desirability of places for settlement, but also his opinions on contemporary matters and criticism of government policy. As a result, the T’aengniji circulated as an anonymous work for many years. Employing the latest research on T’aengniji manuscripts, translator Inshil Yoon maintains in her introduction that the original title of the treatise was Sadaebu kagŏch’ŏ (Livable Places for the Scholar-Gentry); she goes on to discuss in detail its reception by premodern and contemporary scholars and the treatise’s ongoing popularity as evidenced by the numerous versions and translations done in this and the previous century, its having been made into a novel, and current usage of “t’aengniji” as a noun meaning “regional geography” or “travelogue.” The present translation is based on the Chosŏn Kwangmunhoe edition.