This book is an Augustinian interrogation of contemporary Christian accounts of empire, just war, and terrorism. Though Augustine's voice has guided much of the Christian discourse in these conjoined arenas, it has not shielded his work from being misappropriated to serve ends that are inimical to his own. The US "war on terror" is the most recent and egregious example of violence that many theologians have unjustly baptized as "Augustinian." By reading Augustine pastorally rather than merely polemically, this work offers a counter-narrative and an alternative praxis for the American Christian trying to reconcile her baptism with her citizenship.

Lord Byron's 'LORD BYRON Ultimate Collection: 300+ Poems, Verses, Dramas & Tales' is a comprehensive compilation of the renowned poet's works, showcasing his distinctive literary style that combines romanticism with wit and darkness. Byron's poems often delve into themes of love, loss, and the human experience, capturing the essence of the Romantic era with his emotive and passionate language. This collection includes a diverse range of works, from epic poems like 'Don Juan' to haunting verses like 'She Walks in Beauty,' showcasing Byron's versatility as a writer. Readers will be captivated by the lyrical beauty and melodious rhythm of Byron's verses, making this collection a must-read for lovers of poetry and literature alike. Lord Byron's tumultuous personal life and rebellious nature greatly influenced his writings, as he sought to challenge societal norms and explore the complexities of human emotions. His experiences as an exile and his travels across Europe provided him with a unique perspective that is reflected in his works, adding depth and richness to his poetic voice. This comprehensive collection serves as a testament to Byron's enduring legacy as one of the greatest poets of the Romantic period, showcasing the depth of his literary genius and the timeless relevance of his works. I highly recommend 'LORD BYRON Ultimate Collection' to anyone interested in exploring the depths of human emotion and the beauty of poetic language. Byron's masterful storytelling and evocative imagery will enchant readers and transport them to a world of passion and lyricism, making this collection a true literary treasure.

A collection of work that attempts to reflect the diversity of travel literature from the late 18th and early 19th centuries. This literature often reveals something of the cultural and gender difference of the travellers, as well as ideas on colonialism, anthropology and slavery.

In The Apocalypse of Empire, Stephen J. Shoemaker argues that earliest Islam was a movement driven by urgent eschatological belief that focused on the conquest, or liberation, of the biblical Holy Land and situates this belief within a broader cultural environment of apocalyptic anticipation. Shoemaker looks to the Qur'an's fervent representation of the imminent end of the world and the importance Muhammad and his earliest followers placed on imperial expansion. Offering important contemporary context for the imperial eschatology that seems to have fueled the rise of Islam, he surveys the political eschatologies of early Byzantine Christianity, Judaism, and Sasanian Zoroastrianism at the advent of Islam and argues that they often relate imperial ambition to beliefs about the end of the world. Moreover, he contends, formative Islam's embrace of this broader religious trend of Mediterranean late antiquity provides invaluable evidence for understanding the beginnings of the religion at a time when sources are generally scarce and often highly problematic. Scholarship on apocalyptic literature in early Judaism and Christianity frequently maintains that the genre is decidedly anti-imperial in its very nature. While it may be that early Jewish apocalyptic literature frequently displays this tendency, Shoemaker demonstrates that this quality is not characteristic of apocalypticism at all times and in all places. In the late antique Mediterranean as in the European Middle Ages, apocalypticism was regularly associated with ideas of imperial expansion and triumph, which expected the culmination of history to arrive through the universal dominion of a divinely chosen world empire. This imperial apocalypticism not only affords an invaluable backdrop for understanding the rise of Islam but also reveals an important transition within the history of Western doctrine during late antiquity.

This volume considers representations of space and movement in sources ranging from Roman comedy to late antique verse, exploring how poetry in the Roman world is fundamentally shaped by its relationship to travel within the geography of Rome’s far-reaching empire. The volume surveys Roman poetics of travel and geography in sources ranging from Plautus to Augustan poetry, from the Flavians to Ausonius. The chapters offer a range of approaches to: the complex relationship between Latin poetry, Roman identity, imperialism, and travel and geospatial narratives; and the diachronic and generic evolutions of poetic descriptions of space and mobility. In addition, two chapters, including the concluding one, contextualize and respond to the volume’s discussion of poetry by looking at ways in which Romans not only write and read poems about travel and geography, but also make writing and reading part of the experience of traveling, as demonstrated in their epigraphic practices. The collection as a whole offers important insights into Roman poetics and into ancient notions of movement and geographical space. Travel, Geography, and Empire in Latin Poetry will be of interest to specialists in Latin poetry, ancient travel, and Latin epigraphy as well as to those studying travel writing, geography, imperialism, and mobility in other periods. The chapters are written to be accessible to researchers, graduate students, and advanced undergraduates.