“An excellent account and analysis of the Mexican Revolution, its background, its course, and its legacy . . . an important contribution [and] a must read!” (Samuel Farber, author of Cuba Since the Revolution of 1959). The most significant event in modern Mexican history, the Mexican Revolution of 1910-20 remains a subject of debate and controversy. Why did it happen? What makes it distinctive? Was it even a revolution at all? In The Mexican Revolution, Stuart Easterling offers a concise chronicle of events from the fall of the longstanding Díaz regime to Gen. Obregón’s ascent to the presidency. In a comprehensible style, aimed at students and general readers, Easterling sorts through the revolution’s many internal conflicts, and asks whether or not its leaders achieved their goals.

Drawing on archives on both sides of the border, the author chronicles the political currents which created and then undermined the Mexican border as a relative safe haven for African Americans.

The Willows describe themselves as a group consciousness, consisting of thousands of entities existing within a multidimensional framework. From this perspective, The Willows are able to offer advice and guidance to those on the physical plane on subjects concerning both the spiritual and the physical. The Conscious Omniverse takes the reader on a multidimensional journey through consciousness. Topics include: God, soul, death, reincarnation, extraterrestrials, angels, and numerous other themes which can offer an enquirer insights into the meaning of life and the purpose of a human existence. The Willows state that they are not divine teachers, but merely a reflection of our own inner knowingness. The energies of the earth are shifting at this time, and those seeking personal growth and understanding during the uncertain times ahead, will find The Conscious Omniverse a welcome guidepost at this point in their physical journey.

The Mexican Revolution (1910-19) was the first seismic social convulsion of the twentieth century, superseded in historical importance only by the Russian and Chinese revolutions. Tierra y Libertad (land and liberty) was the watchword of the revolutionaries who fought a succession of autocrats in Mexico City. But the revolution was fired by a confusing multiplicity of issues- local, national, international, cultural, racial and economic. The two greatest rebel leaders were Francisco (Pancho) Villa and Emiliano Zapata, and Frank McLynn here tells the story of the Revolution through a dual biography of these legendary heroes.The great ten-year struggle that devastated Mexico was essentially a war on two fronts- in the north waged by Villa and a mobile army of ex-cowboys and ranchers; and in the south carried on by Zapata and an infantry army recruited from the peons of the sugar plantations. Villa was the Revolution's great military hero, but Zapata was its soul and the only rebel whose revolt was aimed at a genuine root-and-branch transformation of Mexican society. The two men reached the peak of their careers in 1914 when they met briefly in triumph in Mexico City. Failing to make common cause, over the next five years they gradually fell victim to their great rivals.

The Mexican Revolution of 1910–1920 is among the world’s most visually documented revolutions. Coinciding with the birth of filmmaking and the increased mobility offered by the reflex camera, it received extraordinary coverage by photographers and cineastes—commercial and amateur, national and international. Many images of the Revolution remain iconic to this day—Francisco Villa galloping toward the camera; Villa lolling in the presidential chair next to Emiliano Zapata; and Zapata standing stolidly in charro raiment with a carbine in one hand and the other hand on a sword, to mention only a few. But the identities of those who created the thousands of extant images of the Mexican Revolution, and what their purposes were, remain a huge puzzle because photographers constantly plagiarized each other’s images. In this pathfinding book, acclaimed photography historian John Mraz carries out a monumental analysis of photographs produced during the Mexican Revolution, focusing primarily on those made by Mexicans, in order to discover who took the images and why, to what ends, with what intentions, and for whom. He explores how photographers expressed their commitments visually, what aesthetic strategies they employed, and which identifications and identities they forged. Mraz demonstrates that, contrary to the myth that Agustín Víctor Casasola was “the photographer of the Revolution,” there were many who covered the long civil war, including women. He shows that specific photographers can even be linked to the contending forces and reveals a pattern of commitment that has been little commented upon in previous studies (and completely unexplored in the photography of other revolutions).

This comprehensive two-volume history of the Mexican Revolution presents a new interpretation of one of the world's most important revolutions. While it reflects the many facets of this complex and far-reaching historical subject it emphasises its fundamentally local, popular and agrarian character and locates it within a more general comparative context.-- Publisher.