Catalogue from the exhibition held at the Institute for the Study of the Ancient World at New York University, March 7-June 3, 2012.

This fascinating book examines the artistic exchange between the nomadic peoples of what is now Inner Mongolia and their settled Chinese neighbors during the first millennium B.C.

The art of being Tuareg has fascinated travellers and scholars alike throughout recorded history. The elegance and beauty of the Tuareg peoples, their dress and exquisite ornament, their large white riding camels, their refined song, speech and dance -- all have been subjects of rhapsodic descriptions. Together they suggest a Tuareg "mystique," an existence made into art and lived out in one of the world's harshest environments. Art of Being Tuareg: Sahara Nomads in a Modern World examines this "mystique," or identity, as it has been constructed by the Tuareg themselves and by their observers. Historically, the Tuareg have been stereotyped in the West, seen as romantic desert-dwelling warriors and nomads, or even as "bandits" resisting central governmental authority. What these generalizations fail to acknowledge are the complexities of Tuareg history and the remarkable resilience and responsiveness of this people to dramatically changing circumstances, especially their late-twentieth century adaptations to modernity. Art of Being Tuareg, the rich, vibrant result of three decades of research and collaboration on the part of American, European, and Tuareg scholars and institutions, is one of only a handful of English-language volumes on Tuareg life and culture. Bringing together essays by many of today's most accomplished scholars of Tuareg art and society, it presents a comprehensive view of what it is to be Tuareg, exploring the remarkable arts that remain dynamic markers of the strength and perseverance of this highly inventive people.

Woven by women to adorn tents and camel caravans, kilims are enduring records of life in Turkeyʹs nomadic communities, as well as stunning examples of abstract art. This exhibition marks the public debut of treasures from the museumʹs Murad Megalli Collection of Anatolian Kilims dating to the eighteenth and nineteenth centuries.

Transform Your Mind. Expand Your Universe. Reach for Mars. Imagine a better tomorrow with interstellar essays and art—drawing on the aspirational futurism that fuels Star Trek, The Martian, and 2001: A Space Odyssey, renowned contemporary artist Camomile Hixon reminds us that by reaching for the stars, we can chase our full potential beyond Earth, while also transforming ourselves and our understanding of the Pale Blue Dot we call home. We stand at the threshold of interplanetary travel: SpaceX rockets are now routinely leaving Earth and NASA’s new Perseverance rover is searching for signs of ancient life on the Red Planet. Not since the moon landing in 1969 has space—or the promise of a transformational future for humankind—felt so close. Do we dare to reach for it? Yearning to know the stars has long united humanity and ignited our imaginations. And while here on Earth we grapple with deep unrest—economic struggle, political upheaval, gender discrimination, pandemics, racial tensions, climate change—the potential of a colony on Mars has sparked a new, universal hope and a heightened sense of collective purpose as we discover our ultimate destiny beyond Earth’s orbit. Celebrating the limitless potential of space and the human spirit, Hixon’s indelible essays and fantastical works of art invite us to imagine a transcendent future where we reach together for absolute freedom, unconditional love, and wellness on our grand quest for world peace. Weaving science, history, art, and philosophy with meditations on higher consciousness inspired by seeing the Earth from Space, Space Nomads is a book of unbridled optimism for the future.

The artist has created an emphatic and complex oeuvre at the interface of art, architecture and design. Since 2001 he has been building living systems for homeless people and other urban nomads

"The author describes Wodaabe cultural choices as "active archaisation". Different art forms are analysed in the light of identity construction by the Wodaabe. Their elaborate cultivation of beauty in make-up, tattoos, body paintings, calabash carvings, embroideries, and architecture all follow the principle of symmetry and order in the cosmos. The author emphasizes the gendered aspects of social life and identity construction and explores masculinity among nomadic Wodaabe men, who are living sculptures displaying their beauty as a spiritual act, full of honour and dignity."--BOOK JACKET.