Shortly after Grace King wrote her first stories in post-Reconstruction New Orleans, she entered a world of famous figures and literary giants greater than she could ever have imagined. Notable writers and publishers of the Northeast bolstered her career, and she began a decades-long friendship with Mark Twain and his family that was as unlikely as it was remarkable. Beginning in 1887, King paid long visits to the homes of friends and associates in New England and benefited from their extended circles. She interacted with her mentor, Charles Dudley Warner; writers Harriet Beecher Stowe and William Dean Howells; painter Frederic E. Church; suffragist Isabella Beecher Hooker; Chaucer scholar Thomas Lounsbury; impresario Augustin Daly; actor Will Gillette;cleric Joseph Twichell; and other stars of the era. As compelling as a novel, this audacious story of King’s northern ties unfolds in eloquent letters. They hint at the fictional themes that would end up in her own art; they trace her development from literary novice to sophisticated businesswoman who leverages her own independence and success. Through excerpts from scores of new transcriptions, as well as contextualizing narrative and annotations, Miki Pfeffer weaves a cultural tapestry that includes King’s volatile southern family as it struggles to reclaim antebellum status and a Gilded Age northern community that ignores inevitable change. King’s correspondence with the Clemens family reveals incomparable affection. As a regular guest in their household, she quickly distinguished “Mark,” the rowdy public persona, from “Mr. Clemens,” the loving husband of Livy and father of Susy, Clara, and Jean, all of whom King came to know intimately. Their unguarded, casual revelations of heartbreaks and joys tell something more than the usual Twain lore, and they bring King into sharper focus. All of their existing letters are gathered here, many published for the first time. A New Orleans Author in Mark Twain’s Court paints a fascinating picture of the northern literary personalities who caused King’s budding career to blossom.

Shortly after Grace King wrote her first stories in post-Reconstruction New Orleans, she entered a world of famous figures and literary giants greater than she could ever have imagined. Notable writers and publishers of the Northeast bolstered her career, and she began a decades-long friendship with Mark Twain and his family that was as unlikely as it was remarkable. Beginning in 1887, King paid long visits to the homes of friends and associates in New England and benefited from their extended circles. She interacted with her mentor, Charles Dudley Warner; writers Harriet Beecher Stowe and William Dean Howells; painter Frederic E. Church; suffragist Isabella Beecher Hooker; Chaucer scholar Thomas Lounsbury; impresario Augustin Daly; actor Will Gillette;cleric Joseph Twichell; and other stars of the era. As compelling as a novel, this audacious story of King’s northern ties unfolds in eloquent letters. They hint at the fictional themes that would end up in her own art; they trace her development from literary novice to sophisticated businesswoman who leverages her own independence and success. Through excerpts from scores of new transcriptions, as well as contextualizing narrative and annotations, Miki Pfeffer weaves a cultural tapestry that includes King’s volatile southern family as it struggles to reclaim antebellum status and a Gilded Age northern community that ignores inevitable change. King’s correspondence with the Clemens family reveals incomparable affection. As a regular guest in their household, she quickly distinguished “Mark,” the rowdy public persona, from “Mr. Clemens,” the loving husband of Livy and father of Susy, Clara, and Jean, all of whom King came to know intimately. Their unguarded, casual revelations of heartbreaks and joys tell something more than the usual Twain lore, and they bring King into sharper focus. All of their existing letters are gathered here, many published for the first time. A New Orleans Author in Mark Twain’s Court paints a fascinating picture of the northern literary personalities who caused King’s budding career to blossom.

Featuring the brilliantly drawn Roxanna, a mulatto slave who suffers dire consequences after switching her infant son with her master's baby, and the clever Pudd'nhead Wilson, an ostracized small-town lawyer, Twain's darkly comic masterpiece is a provocative exploration of slavery and miscegenation. Leslie A. Fiedler described the novel as "half melodramatic detective story, half bleak tragedy," noting that "morally, it is one of the most honest books in our literature." Those Extraordinary Twins, the slapstick story that evolved into Pudd'nhead Wilson, provides a fascinating view of the author's process.

Not as well-known as some of her contemporaries—Mark Twain, George W. Cable, and Joel Chandler Harris, to name a few—author and historian Grace King (1851–1932) was nonetheless highly praised in her own right. She garnered attention from such eminent critics as William Dean Howells, and her work frequently appeared in Harper’s and Century Magazine. She published thirteen volumes of fiction, history, biography, and memoir. What contributed to King’s critical acclaim, and her continued importance across time, was the panoramic view of social and historical New Orleans that she captured in her writing. She was, scholar Robert Bush argues, one of the most talented and perceptive citizens of New Orleans during the post–Civil War period. In pursuing an intellectual career, King broke with many Old South traditions. She embraced Anglo-Saxon and Creole French cultures. Much of her work is especially interesting for the way in which her view of the southern temper and cultural contribution supplemented that of other writers of the period. In his introduction, Bush analyzes the breadth of King’s work, leading the reader on a biographical journey that clearly establishes King as an important symbol of a bygone era. He then offers selections that cover the full range of her writing: chapters from her autobiography, Memories of a Southern Woman of Letters; her major short fiction, including five uncollected stories and the best of her Balcony Stories; a large portion of The Pleasant Ways of St. Médard, a novel about life during Reconstruction; sections from her historical writings, including New Orleans: The Place and the People; a series of biographical sketches of Mark Twain and others; excerpts from her notebooks; and a group of more than twenty letters. Grace King of New Orleans offers readers a nuanced understanding of King’s impressions of the people and places of New Orleans as well as southern life and culture.

Life on the Mississippi, Part 10. by Mark Twain THE largest annual event in New Orleans is a something which we arrived too late to sample-the Mardi-Gras festivities. I saw the procession of the Mystic Crew of Comus there, twenty-four years ago-with knights and nobles and so on, clothed in silken and golden Paris-made gorgeousnesses, planned and bought for that single night's use; and in their train all manner of giants, dwarfs, monstrosities, and other diverting grotesquerie-a startling and wonderful sort of show, as it filed solemnly and silently down the street in the light of its smoking and flickering torches; but it is said that in these latter days the spectacle is mightily augmented, as to cost, splendor, and variety. There is a chief personage-'Rex;' and if I remember rightly, neither this king nor any of his great following of subordinates is known to any outsider. All these people are gentlemen of position and consequence; and it is a proud thing to belong to the organization; so the mystery in which they hide their personality is merely for romance's sake, and not on account of the police. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

In this new volume of letters, readers are invited to meet Olivia Louise Langdon Clemens on her own terms, in her own voice—as complementary partner to her world-famous spouse, Mark Twain, and as enduring friend, mother to four children, world traveler, and much more. The frail woman often portrayed by scholars, biographers, and Twain himself is largely absent in these letters. Instead, Olivia (who Twain affectionately referred to as “Gravity” in their early correspondence) emerges as a resilient and energetic nineteenth-century woman, her family’s source and center of stability, and a well of private and public grace in an ever-changing landscape. Mark Twain’s biography recounted in Olivia’s letters offers new insights, and her captivating voice is certain to engage and enlighten readers.

Life on the Mississippi, Part 4. by Mark Twain Chapter 16 Racing Days IT was always the custom for the boats to leave New Orleans between four and five o'clock in the afternoon. From three o'clock onward they would be burning rosin and pitch pine (the sign of preparation), and so one had the picturesque spectacle of a rank, some two or three miles long, of tall, ascending columns of coal-black smoke; a colonnade which supported a sable roof of the same smoke blended together and spreading abroad over the city. Every outward-bound boat had its flag flying at the jack-staff, and sometimes a duplicate on the verge staff astern. Two or three miles of mates were commanding and swearing with more than usual emphasis; countless processions of freight barrels and boxes were spinning athwart the levee and flying aboard the stage-planks, belated passengers were dodging and skipping among these frantic things, hoping to reach the forecastle companion way alive, but having their doubts about it; women with reticules and bandboxes were trying to keep up with husbands freighted with carpet-sacks and crying babies, and making a failure of it by losing their heads in the whirl and roar and general distraction; drays and baggage-vans were clattering hither and thither in a wild hurry, every now and then getting blocked and jammed together, and then during ten seconds one could not see them for the profanity, except vaguely and dimly; every windlass connected with every forehatch, from one end of that long array of steamboats to the other, was keeping up a deafening whiz and whir, lowering freight into the hold, and the half-naked crews of perspiring negroes that worked them were roaring such songs as 'De Las' Sack! De Las' Sack!'-inspired to unimaginable exaltation by the chaos of turmoil and racket that was driving everybody else mad. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.