This second comprehensive and scholarly volume of over 500 pages on the life and work of Andres Segovia contains a biography of the years 1958-1987 and focuses on Segovia's rendition of Spanish/Romantic and Contemporary/Neo-Classical masterpieces by Tárrega, Albeniz, Granados, Llobet and Ponce. A special appendix in each volume presents the original scores for the Segovia editions discussed in the text, some of which have never been published, as well as modern editions of these pieces. Includes access to an online audio recording by Gerard Garno.

A scholarly edition of over 500 pages written to explore and evaluate Andres Segovia's achievements. Volume One contains a biography of the years of 1893 -1957 and focuses on Segovia's renditions of Renaissance, Baroque and Classical masterpieces by Narvaez, Frescobaldi, Bach, Scarlatti and Sor

This second comprehensive and scholarly volume of over 500 pages on the life and work of Andres Segovia contains a biography of the years 1958-1987 and focuses on Segovia's rendition of Spanish/Romantic and Contemporary/Neo- Classical masterpieces by T+rrega, Albeniz, Granados, Llobet and Ponce. A special appendix in each volume presents the original scores for the Segovia editions discussed in the text, some of which have never been published, as wellas modern editions of these pieces. Includes access to an online audio recordingby Gerard Garno

Recording the Classical Guitar charts the evolution of classical guitar recording practice from the early twentieth century to the present day, encompassing the careers of many of the instrument’s most influential practitioners from acoustic era to the advent of the CD. A key focus is on the ways in which guitarists’ recorded repertoire programmes have shaped the identity of the instrument, particularly where national allegiances and musical aesthetics are concerned. The book also considers the ways in which changing approaches to recording practice have conditioned guitarists’ conceptions of the instrument’s ideal representation in recorded form and situates these in relation to the development of classical music recording aesthetics more generally. An important addition to the growing body of literature in the field of phonomusicology, the book will be of interest to guitarists and producers as well as students of record production and historians of classical music recording.

Donated by Graham Wade 19.3.98.

(Amadeus). This heartbreaking tale uncovers a mystery in the life of one of the most important personalities of the twentieth century, guitarist Andres Segovia (1893-1987). He married the widowed Paquita Madriguera (1900-1965), famous child prodigy pianist and prized student of Enrique Granados, in 1935 as his international career was blossoming. They fled their native Spain under death threats when the Spanish Civil War erupted in 1936 and began an odyssey that landed them in the Uruguayan capital. Segovia's support for the fascist Franco resulted in his banishment from the lucrative American concert scene, while the travel dangers of World War II further isolated him from the rest of the world. During this time, Segovia greatly enriched the guitar repertoire through numerous arrangements and collaborations with major composers via correspondence. It was also an era of happy family life with Paquita. The couple collaborated on two of the most important contemporary guitar concertos and traveled throughout Latin America to perform. Then tragedy struck as the guitarist became entangled with a beautiful Brazilian singer in an affair that ruined his marriage and brought tragic consequences to his family life. In writing his autobiography, Segovia could never face this period. With the help of tenacious research and Paquita's two surviving daughters, Alfredo Escande diligently lifts the veil of secrecy and reveals a magical age of music history framed around the couple's decade together.