Beginning with the writings of Samson Occom, and extending through a range of fiction and nonfiction works by William Apess, Sarah Winnemucca, Zitkala-Ša, N. Scott Momaday, Gerald Vizenor, and Louise Erdrich, Geoff Hamilton sketches a movement of gradual but resolute ascent in Native American literature. The history of this rich tradition of storytellers begins with desperate early efforts pitted against the historical realities of genocide and cultural annihilation. It moves to attempts to preserve any sense of self and community, and finally toward expressions of a resurgent autonomy that affirm new, indigenous models of what Hamilton labels as eunomia, a fertile blending of human and natural orders. The first book to chart autonomy’s conceptual growth in Native American literature from the late eighteenth to the early twenty-first century, A New Continent of Liberty examines, against the backdrop of Euro-American Literature, how Native American authors have sought to reclaim and redefine distinctive versions of an ideal of self-rule grounded in the natural world.

"The best one-volume history of the United States ever written" (Joseph J. Ellis) It was Thomas Jefferson who envisioned the United States as a great "empire of liberty." This paradoxical phrase may be the key to the American saga: How could the anti-empire of 1776 became the world's greatest superpower? And how did the country that offered unmatched liberty nevertheless found its prosperity on slavery and the dispossession of Native Americans? In this new single-volume history spanning the entire course of US history—from 1776 through the election of Barack Obama—prize-winning historian David Reynolds explains how tensions between empire and liberty have often been resolved by faith—both the evangelical Protestantism that has energized American politics for centuries and the larger faith in American righteousness that has driven the country's expansion. Written with verve and insight, Empire of Liberty brilliantly depicts America in all of its many contradictions.

From the acclaimed author of Fordlandia, the story of a remarkable slave rebellion that illuminates America's struggle with slavery and freedom during the Age of Revolution and beyond One morning in 1805, off a remote island in the South Pacific, Captain Amasa Delano, a New England seal hunter, climbed aboard a distressed Spanish ship carrying scores of West Africans he thought were slaves. They weren't. Having earlier seized control of the vessel and slaughtered most of the crew, they were staging an elaborate ruse, acting as if they were humble servants. When Delano, an idealistic, anti-slavery republican, finally realized the deception, he responded with explosive violence. Drawing on research on four continents, The Empire of Necessity explores the multiple forces that culminated in this extraordinary event—an event that already inspired Herman Melville's masterpiece Benito Cereno. Now historian Greg Grandin, with the gripping storytelling that was praised in Fordlandia, uses the dramatic happenings of that day to map a new transnational history of slavery in the Americas, capturing the clash of peoples, economies, and faiths that was the New World in the early 1800s.

Details the merry and wildly creative tribe who produced The Beatles' Yellow Submarine, the ground-breaking, one-of-a-kind visual adventure, first released in 1968. Get to know the formerly undiscovered artists and the technical wizardry behind your favorite scenes. Symbolic interpretations and subconscious messages of peace and love, plus in-studio hijinks by frustrated animators. How does the Yellow Submarine inspire such wonderful feelings of peace and love? This book lifts the veil of the animation screen to see behind The Beatles and detail that one magical year, during the Summer of Love in Swinging London, when a band of young artist-fans fell into the groove and brought their heroes to animated life. Part two of the internationally acclaimed Inside the Yellow Submarine: The Making of the Beatles Animated Classic by Dr. Robert R. Hieronimus and Laura E. Cortner. Full-color, with 203 illustrations, 368 pages.

Luis Senarens' 'The Abandoned Country; or, Frank Reade, Jr., Exploring a New Continent' is a pioneering work of science fiction that follows the adventures of the ingenious inventor Frank Reade, Jr. as he embarks on a daring exploration of a mysterious new continent. Set in the late 19th century, the book combines elements of adventure, exploration, and technological innovation, drawing readers into a world of steampunk marvels and fantastical landscapes. Senarens' literary style is marked by vivid descriptions, intricate plot twists, and a keen sense of imagination, making 'The Abandoned Country' a captivating read for fans of the genre. The novel reflects the cultural fascination with exploration and discovery during the Victorian era, contributing to the broader literary context of science fiction and adventure fiction of the time. Luis Senarens, a prolific writer of dime novels and pulp fiction, drew inspiration from the popular tropes of his day to create this groundbreaking work, showcasing his creativity and storytelling prowess. I recommend 'The Abandoned Country; or, Frank Reade, Jr., Exploring a New Continent' to readers who enjoy immersive world-building, high-stakes adventures, and imaginative storytelling that pushes the boundaries of traditional fiction.

In this uniquely interdisciplinary work, Lisa Lowe examines the relationships between Europe, Africa, Asia, and the Americas in the late eighteenth- and early nineteenth- centuries, exploring the links between colonialism, slavery, imperial trades and Western liberalism. Reading across archives, canons, and continents, Lowe connects the liberal narrative of freedom overcoming slavery to the expansion of Anglo-American empire, observing that abstract promises of freedom often obscure their embeddedness within colonial conditions. Race and social difference, Lowe contends, are enduring remainders of colonial processes through which “the human” is universalized and “freed” by liberal forms, while the peoples who create the conditions of possibility for that freedom are assimilated or forgotten. Analyzing the archive of liberalism alongside the colonial state archives from which it has been separated, Lowe offers new methods for interpreting the past, examining events well documented in archives, and those matters absent, whether actively suppressed or merely deemed insignificant. Lowe invents a mode of reading intimately, which defies accepted national boundaries and disrupts given chronologies, complicating our conceptions of history, politics, economics, and culture, and ultimately, knowledge itself.

All aspire to liberty and security in their lives but few people truly enjoy them. This book explains why this is so. In what Conor Gearty calls our 'neo-democratic' world, the proclamation of universal liberty and security is mocked by facts on the ground: the vast inequalities in supposedly free societies, the authoritarian regimes with regular elections, and the terrible socio-economic deprivation camouflaged by cynically proclaimed commitments to human rights. Gearty's book offers an explanation of how this has come about, providing also a criticism of the present age which tolerates it. He then goes on to set out a manifesto for a better future, a place where liberty and security can be rich platforms for everyone's life. The book identifies neo-democracies as those places which play at democracy so as to disguise the injustice at their core. But it is not just the new 'democracies' that have turned 'neo', the so-called established democracies are also hurtling in the same direction, as is the United Nations. A new vision of universal freedom is urgently required. Drawing on scholarship in law, human rights and political science this book argues for just such a vision, one in which the great achievements of our democratic past are not jettisoned as easily as were the socialist ideals of the original democracy-makers.