IN presenting the following fragments to the attention of the public, it appears necessary to state the manner in which they came into my possession, and to give the reader a brief account of the Author, Solomon Bayley. During the early part of my residence in America in the year 1820, I met with the piece containing the account of his escape from slavery, with the mental and bodily trials he underwent, resulting from that step: being much interested in the perusal of this simple and unadorned narrative, I was induced to make some inquiry into the character and circumstances of a man, the recital of whose sufferings and wrongs had deeply excited my sympathy. The information which, in consequence, I obtained from many respectable inhabitants of Wilmington, where I then resided, was in all respects gratifying, so far as related to his character; and was, besides, such as to induce a hope that his situation in life was about to become comparatively easy and independent.

Slavery, Surveillance, and Genre in Antebellum United States Literature argues for the existence of deep, often unexamined, interconnections between genre and race by tracing how surveillance migrates from the literature of slavery to crime, gothic, and detective fiction. Attending to the long history of surveillance and policing of African Americans, the book challenges the traditional conception of surveillance as a top-down enterprise, equally addressing the tactics of sousveillance (watching from below) that enslaved people and their allies used to resist, escape, or merely survive racial subjugation. Examining the dialectic of racialized surveillance and sousveillance from fugitive slave narratives to fictional genres focused on crime and detection, the book shows how these genres share a thematic concern with the surveillance of racialized bodies and formal experimentation with ways of telling a story in which certain information is either rendered visible or kept hidden. Through close readings of understudied fugitive slave narratives published in the 1820s and 1830s, as well as texts by Edgar Allan Poe, Herman Melville, Frederick Douglass, Hannah Crafts, and Harriet Jacobs, Ross analyzes the different ways white and black authors take up these issues in their writing—from calming white fears of enslaved rebellion to abolishing slavery—and demonstrates how literary representations ultimately destabilize any clear-cut opposition between watching from above and below. In so doing, the book demonstrates the importance of race to surveillance studies and claims a greater role for the impact of surveillance on literary expression in the US during the era of slavery.

Introduces the essential history of slavery from the American Revolution to post-Civil War Reconstruction in twelve thematic chapters.

Considering that the Bible was used to justify and perpetuate African American enslavement, why would it be given such authority? In this fascinating volume, Powery and Sadler explore how the Bible became a source of liberation for enslaved African Americans by analyzing its function in pre-Civil War freedom narratives. They explain the various ways in which enslaved African Americans interpreted the Bible and used it as a source for hope, empowerment, and literacy. The authors show that through their own engagement with the biblical text, enslaved African Americans found a liberating word. The Genesis of Liberation recovers the early history of black biblical interpretation and will help to expand understandings of African American hermeneutics.

Contributions by W. Fitzhugh Brundage, Jordan Burke, Rebecca Bennett Clark, James C. Cobb, Anna Creadick, Colin Dayan, Wai Chee Dimock, Sarah E. Gardner, Hannah Godwin, Brooks E. Hefner, Andrew B. Leiter, Sean McCann, Conor Picken, Natalie J. Ring, Calvin Schermerhorn, and Jay Watson William Faulkner remains a historian’s writer. A distinguished roster of historians are drawn to him as a fellow historian, a shaper of narrative reflections on the meaning of the past; as a historiographer, a theorist and dramatist of the fraught enterprise of doing history; and as a historical figure himself, especially following his mid-century emergence as a public intellectual after winning the Nobel Prize for Literature. This volume brings together historians and literary scholars to explore the many facets of Faulkner’s relationship to history: the historical contexts of his novels and stories; his explorations of the historiographic imagination; his engagement with historical figures from both the regional and national past; his influence on professional historians; his pursuit of alternate modes of temporal awareness; and the histories of print culture that shaped the production, reception, and criticism of Faulkner’s work. Contributors draw on the history of development in the Mississippi Valley, the construction of Confederate memory, the history and curriculum of Harvard University, twentieth-century debates over police brutality and temperance reform, the history of modern childhood, and the literary histories of antislavery writing and pulp fiction to illuminate Faulkner’s work. Others in the collection explore the meaning of Faulkner’s fiction for such professional historians as C. Vann Woodward and Albert Bushnell Hart. In these ways and more, Faulkner and History offers fresh insights into one of the most persistent and long-recognized elements of the Mississippian’s artistic vision.