When brilliant FBI agent Kendra Donovan stumbles back in time and finds herself in a 19th century English castle under threat from a vicious serial killer, she scrambles to solve the case before it takes her life—200 years before she was even born. Beautiful and brilliant, Kendra Donovan is a rising star at the FBI. Yet her path to professional success hits a speed bump during a disastrous raid where half her team is murdered, a mole in the FBI is uncovered and she herself is severely wounded. As soon as she recovers, she goes rogue and travels to England to assassinate the man responsible for the deaths of her teammates. While fleeing from an unexpected assassin herself, Kendra escapes into a stairwell that promises sanctuary but when she stumbles out again, she is in the same place - Aldrich Castle - but in a different time: 1815, to be exact. Mistaken for a lady's maid hired to help with weekend guests, Kendra is forced to quickly adapt to the time period until she can figure out how she got there; and, more importantly, how to get back home. However, after the body of a young girl is found on the extensive grounds of the county estate, she starts to feel there's some purpose to her bizarre circumstances. Stripped of her twenty-first century tools, Kendra must use her wits alone in order to unmask a cunning madman.

When Kendra Donovan’s plan to return to the 21st century fails, leaving her stranded in 1815, the Duke of Aldridge believes he knows the reason—she must save his nephew, who has been accused of brutally murdering his ex-mistress. Former FBI agent Kendra Donovan’s attempts to return to the twenty-first century have failed, leaving her stuck at Aldridge Castle in 1815. And her problems have just begun: in London, the Duke of Aldridge’s nephew Alec—Kendra’s confidante and lover—has come under suspicion for murdering his former mistress, Lady Dover, who was found viciously stabbed with a stiletto, her face carved up in a bizarre and brutal way. Lady Dover had plenty of secrets, and her past wasn’t quite what she’d made it out to be. Nor is it entirely in the past—which becomes frighteningly clear when a crime lord emerges from London’s seamy underbelly to threaten Alec. Joining forces with Bow Street Runner Sam Kelly, Kendra must navigate the treacherous nineteenth century while she picks through the strands of Lady Dover’s life. As the noose tightens around Alec’s neck, Kendra will do anything to save him, including following every twist and turn through London’s glittering ballrooms, where deception is the norm—and any attempt to uncover the truth will get someone killed.

Still stranded in 1815, FBI agent Kendra Donovan finds herself on the trail of a vicious murderer with a shocking secret. October 1815: There is only one place Kendra Donovan wants to travel—back to her own time period in the twenty-first century. But since that’s not happening, she agrees instead to travel with her new guardian, the Duke of Aldridge, to one of his smaller estates in Lancashire. Their journey takes them through Yorkshire, a region whose breathtaking beauty masks a simmering violence brought on by the Industrial Revolution, which pits mill owner against worker. When Kendra and the Duke encounter a band of Luddites on a lonely, fog-shrouded road, the Duke informs the authorities in the nearby village of East Dingleford that mischief may have been done at the local mill. However, it isn’t just mischief but murder that is discovered, when the body of the mill manager, Mr. Stone, is found brutally bludgeoned to death in his office. The Constable is certain the radical-minded Luddites committed the murder. One look at the crime scene and Kendra knows they did not, prompting the Duke to shock the locals by volunteering their services to catch the real killer. Joined by lover Alec and Bow Street Runner Sam Kelly, Kendra must sort through the puzzle of Stone’s rather unsavory life, picking apart alibies and dissecting carefully created deceptions from a growing list of suspects. As a special agent for the FBI, Kendra thought she’d encountered every kind of evil. But when another, even more vicious murder rocks East Dingleford, Kendra realizes that they’re dealing with a stone-cold killer—one who has a shocking secret that he will do anything to protect.

In 1816 London, Kendra Donovan tries to track down a missing man, but also finds trouble brewing closer to home in the fifth book in Julie McElwain’s riveting time-travel mystery series. When Kendra Donovan is approached by Mrs. Gavenston with an unusual request—to find her business manager, Jeremy Pascoe, who recently vanished—the FBI agent is eager to accept the challenge. To Kendra’s way of thinking, spending her time locating a missing person suits her more than perfecting her embroidery, painting watercolors, practicing on the pianoforte, or any of the other activities that are socially acceptable for young ladies in the early nineteenth century. Unfortunately, the missing person’s case turns into a murder investigation after Kendra finds the man stabbed to death in a remote cottage that he’d been using as a writer’s retreat. Everyone who knew him says that Pascoe was a fine fellow. So who hated him enough to kill him? Seeking the answer to that question plunges Kendra into the world of big business, as Mrs. Gavenston happens to run one of the largest breweries in England. And if there is one thing Kendra knows hasn’t changed, it’s that big business means big money . . . and money is always a motive for murder. While Kendra works to sift through the truth and lies swirling around Mr. Pascoe’s life—and death—her world is rocked closer to home when a woman arrives claiming to be the Duke of Aldridge’s presumably dead daughter, Charlotte. It is a distraction Kendra cannot afford, not when there is a killer lurking in the shadows who will do anything to keep the truth from being exposed.

George Bentwood moved to Tennessee from Massachusetts and bought a farm. Because he is gifted in electronics he invents something called the Time Arch. So, he could travel back in time, bye specific items to sell them as antiques in his time. George saves a woman named Cynthia and marries her. Only to find out that all the evidence says that she's a psychotic killer. But there is something about Cynthia that says that she is innocent. After they hire a woman named Ruthie to help them solve the murder. Ruthie tries to use her sexuality to seduce George so she could have the Time Arch for her own research. But becomes romantically involved with some of the men of the past.

Ellie Quicke has her work cut out when past wrongdoings put the future of a child she’s grown to love at stake Ellie opens the door to a man who is a stranger but instantly recognisable as the father of her housekeeper’s brilliant but difficult young son. Mikey had been conceived at a party during which his mother Vera, a schoolgirl, had been drugged and raped. Abdi hadn’t wanted anything further to do with her – then. Twelve years later he is a high-flying consultant whose wife cannot have children, and he aims to pay off Vera and adopt Mikey: a suggestion that does not go down well. Ellie discovers that Vera still thinks fondly of her then boyfriend, even though he had also rejected her after that fatal night. But was that because he had fallen out of love with her, or because his father had been murdered that same weekend? Could the two events have been connected? And what part had Vera’s closest friends and her family played in the tragedy? Uncovering betrayals between friends and discovering the greed and jealousies behind past events only makes it more difficult for Vera and Mikey to decide on their future . . .

The prospect of a weekend on the French Riviera was an attractive one. Yet most of the nine people whom Major Mark Auty invited to join him hesitated before accepting his invitation. Each of them knew something about Auty's past - and because of their knowledge, had good reason to suspect some sinister intention. Their doubts were not unwarranted. Before the flight took off for Nice murder had been committed - and one of the nine guests had to be guilty. But it was Major Auty himself who was the victim and it seems he was killed just in time . . .