For Lucy Campion, a seventeenth-century English chambermaid serving in the household of the local magistrate, life is an endless repetition of polishing pewter, emptying chamber pots, and dealing with other household chores until a fellow servant is ruthlessly killed, and someone close to Lucy falls under suspicion. Lucy can't believe it, but in a time where the accused are presumed guilty until proven innocent, lawyers aren't permitted to defend their clients, and—if the plague doesn't kill the suspect first—public executions draw a large crowd of spectators, Lucy knows she may never find out what really happened. Unless, that is, she can uncover the truth herself. Determined to do just that, Lucy finds herself venturing out of her expected station and into raucous printers' shops, secretive gypsy camps, the foul streets of London, and even the bowels of Newgate prison on a trail that might lead her straight into the arms of the killer. In her debut novel Murder at Rosamund's Gate, Susanna Calkins seamlessly blends historical detail, romance, and mystery in a moving and highly entertaining tale.

It's 1666 and the Great Fire has just decimated an already plague-ridden London. Lady's maid Lucy Campion, along with pretty much everyone else left standing, is doing her part to help the city clean up and recover. But their efforts come to a standstill when a couple of local boys stumble across a dead body that should have been burned up in the fire but miraculously remained intact—the body of a man who died not from the plague or the fire, but from the knife plunged into his chest. Searching for a purpose now that there's no lady in the magistrate's household for her to wait on, Lucy has apprenticed herself to a printmaker. But she can't help but use her free time to help the local constable, and she quickly finds herself embroiled in the murder investigation. It will take all of her wits and charm, not to mention a strong stomach and a will of steel, if Lucy hopes to make it through alive herself, in From the Charred Remains by Susanna Calkins.

The first mystery in Susanna Calkins’ captivating new series takes readers into the dark, dangerous, and glittering underworld of a 1920s Chicago speakeasy. Gina Ricci takes on a job as a cigarette girl to earn money for her ailing father—and to prove to herself that she can hold her own at Chicago’s most notorious speakeasy, the Third Door. She’s enchanted by the harsh, glamorous world she discovers: the sleek socialites sipping bootlegged cocktails, the rowdy ex-servicemen playing poker in a curtained back room, the flirtatious jazz pianist and the brooding photographer—all overseen by the club’s imposing owner, Signora Castallazzo. But the staff buzzes with whispers about Gina’s predecessor, who died under mysterious circumstances, and the photographer, Marty, warns her to be careful. When Marty is brutally murdered, with Gina as the only witness, she’s determined to track down his killer. What secrets did Marty capture on his camera—and who would do anything to destroy it? As Gina searches for answers, she’s pulled deeper into the shadowy truths hiding behind the Third Door.

In Susanna Calkins's next richly drawn mystery set in 17th century England, Lucy Campion, formerly a ladies' maid in the local magistrate's household, has now found gainful employment as a printer's apprentice. On a freezing winter afternoon in 1667, she accompanies the magistrate's daughter, Sarah, to the home of a severely injured Quaker man to record his dying words, a common practice of the time. The man, having been trampled by a horse and cart the night before, only has a few hours left to live. Lucy scribbles down the Quaker man's last utterances, but she's unprepared for what he reveals to her—that someone deliberately pushed him into the path of the horse, because of a secret he had recently uncovered. Fearful that Sarah might be traveling in the company of a murderer, Lucy feels compelled to seek the truth, with the help of the magistrate's son, Adam, and the local constable. But delving into the dead man's background might prove more dangerous than any of them had imagined. In The Masque of a Murderer, Susanna Calkins has once again combined finely wrought characters, a richly detailed historical atmosphere, and a tightly-plotted mystery into a compelling read.

A dead man at a crossroads. A secret message. A ring with a warning about death . . . Printer’s apprentice Lucy Campion is caught up in a strange and puzzling murder case in this twisty historical mystery set in seventeenth-century London. London, 1667. On her way to a new market to peddle her True Accounts and Strange News, printer’s apprentice Lucy Campion quickly regrets her decision to take the northwestern road. Dark and desolate, the path leads her to the crossroads – and to the old hanging tree. She doesn’t believe in ghosts, but she’s not sure ghosts don’t believe in her. But before she even reaches the crossroads, she’s knocked off her feet by two men in a hurry. What were they running from? To her dismay, she soon discovers for herself: there, dangling from the tree, is the body of a man. Did he commit self-murder, or is there something darker afoot? The more Lucy learns, the more determined she is to uncover the truth. But this time, even the help and protection of magistrate’s son Adam, and steadfast Constable Duncan, may not be enough to keep her safe from harm . . .

The Fate of a Flapper, the second mystery in this captivating new series, takes readers into the dark, dangerous, and glittering underworld of a 1920's Chicago speakeasy. A 2019 Agatha Award Nominee for "Best Historical Mystery"! After nine months as a cigarette girl at the Third Door, one of Chicago’s premier moonshine parlors, Gina Ricci feels like she's finally getting into the swing of things. The year is 1929, the Chicago Cubs are almost in the World Series, neighborhood gangs are all-powerful, and though Prohibition is the law of the land, the Third Door can't serve the cocktails fast enough. Two women in particular are throwing drinks back with abandon while chatting up a couple of bankers, and Gina can't help but notice the levels of inebriation and the tension at their table. When the group stumbles out in the early morning, she tries to put them out of her head. But once at home that night, Gina's sleep is interrupted when her cousin Nancy, a police officer, calls—she's found a body. Gina hurries over to photograph the crime scene, but stops short when she recognizes the body: it’s one of the women from the night before. Could the Third Door have served the woman bad liquor? Or, Gina wonders, could this be murder? As the gangs and bombings draw ever closer, all of Chicago starts to feel like a warzone, and Gina is determined to find out if this death was an unlucky accident, or a casualty of combat.

Murder always sells. But when a series of dark and puzzling crimes takes place in seventeenth-century London, will printer’s apprentice Lucy Campion be publishing the news – or starring in it? London, 1667. Printer’s apprentice Lucy Campion is unsettled when, on a frozen December morning after church, an elderly woman dressed in mourning clothes whispers an ominous warning in her ear. Lucy sternly tells herself it’s nonsense, but then her much-loved former master, Magistrate Hargrave, is viciously attacked with a brass hourglass during a break-in. But what exactly was the intruder searching for? And why did they first stop to steal a piece of Cook’s lamb and lentil pie? The puzzling case is just the start of a series of dark, bizarre crimes. Lucy’s determined to uncover the truth and see that justice is done. But someone is equally determined to stop her – whatever it takes. This page-turning historical mystery set in Renaissance London is a great choice for readers who like their heroines lively, their mysteries twisty and their historical settings brimming with authenticity.