In their moral tales, writers such as Hannah More, Amelia Opie, and Maria Edgeworth embraced explicitly didactic aims, seeking to instill normative moral behavior in their readers while entertaining them with vivid, emotional storytelling. In More’s “Tawney Rachel,” for example, a servant girl suffers severe consequences for succumbing to superstition; in Opie’s “The Black Velvet Pelisse,” a young woman is rewarded for a charitable act with a desirable marriage; and in Edgeworth’s “The Dun,” a wealthy man’s selfishness destroys a poor family before he finally sees the error of his ways. This edition offers a selection of five short fictions by More, Opie, and Edgeworth—the best-known writers of the moral tale—prefaced by a critical introduction to the genre and its place in the complex and fascinating debates surrounding the writing and reading of fiction in the Romantic period. The volume concludes with a variety of background materials that help situate the moral tale in its late eighteenth- and early nineteenth-century literary contexts, including moral tales for children, theories of education, and contemporary reviews.

'To make a pact with the thing that threatens you is arguably the smartest trick of all.' From the brilliant, sui generis Anne Serre come three bewitching, thoroughly out-of-the-way tales, in which kernels of trauma, loss, loneliness and obsession are glimpsed through the glittering gauze of fiction. 'The Fool' may have stepped out of a tarot pack - to walk a mountain trail or worm his way into a writer's mind. 'The Narrator' proposes his mirror image, a storyteller in sheep's clothing, who has a bone to pick with language. The power of narrative to trump a stark reality is perhaps at its strongest in the last story; in 'The Wishing Table' the orgiastic antics of an incestuous family are recounted by one of three daughters. A dream logic rules each of these unpredictable, sensual, and surreal stories: romps no doubt, yet deeply moral, and entirely unforgettable ones.

Provocative, funny, and precisely observed, this debut collection examines the way we view sex, the environment, friendship, aging, love and honesty

Now in its eighth edition, The Moral of the Story continues to bring understanding to difficult concepts in moral philosophy through storytelling and story analysis. From discussions on Aristotle’s virtues and vices to the moral complexities of the Game of Thrones series, Rosenstand’s work is lively and relatable, providing examples from contemporary film, fiction narratives, and even popular comic strips. The Connect course for this offering includes SmartBook, an adaptive reading and study experience which guides students to master, recall, and apply key concepts while providing automatically-graded assessments. McGraw-Hill Connect® is a subscription-based learning service accessible online through your personal computer or tablet. Choose this option if your instructor will require Connect to be used in the course. Your subscription to Connect includes the following: • SmartBook® - an adaptive digital version of the course textbook that personalizes your reading experience based on how well you are learning the content. • Access to your instructor’s homework assignments, quizzes, syllabus, notes, reminders, and other important files for the course. • Progress dashboards that quickly show how you are performing on your assignments and tips for improvement. • The option to purchase (for a small fee) a print version of the book. This binder-ready, loose-leaf version includes free shipping. Complete system requirements to use Connect can be found here: http://www.mheducation.com/highered/platforms/connect/training-support-students.html

Provides humorous parodies of the stories of Hamlet, Lohengrin, Salome, Perseus, and Pan, and includes information about the author's life and times

In these ten dazzling interrelated stories Atwood traces the course of a life and also the lives intertwined with it, while evoking the drama and the humour that colour common experiences—the birth of a baby, divorce and remarriage, old age and death. With settings ranging from Toronto, northern Quebec, and rural Ontario, the stories begin in the present, as a couple no longer young situate themselves in a larger world no longer safe. Then the narrative goes back in time to the forties and moves chronologically forward toward the present. In “The Art of Cooking and Serving,” the twelve-year-old narrator does her best to accommodate the arrival of a baby sister. After she boldly declares her independence, we follow the narrator into young adulthood and then through a complex relationship. In “The Entities,” the story of two women haunted by the past unfolds. The magnificent last two stories reveal the heartbreaking old age of parents but circle back again to childhood, to complete the cycle. By turns funny, lyrical, incisive, tragic, earthy, shocking, and deeply personal, Moral Disorder displays Atwood’s celebrated storytelling gifts and unmistakable style to their best advantage. This is vintage Atwood, writing at the height of her powers.