Throughout his career, photographer John Hedgecoe maintained a close and creative friendship with the celebrated sculptor Henry Moore. This handsome volume, divided into three sections, features all the sculptural forms created by Moore in his lifetime. Hedgecoe begins with a personal reminiscence, a masterful photographic essay, and an evocation of the roots of Moore's genius. In the second section, Hedgecoe presents a photographic exposition of many of Moore's most important works; and the final section reproduces, in chronological order, more than 750 thumbnail images of the sculptural forms Moore created throughout his life. A magnificent resource for students, teachers, and the many admirers of Moore's work. John Hedgecoe is Professor Emeritus at the Royal College of Art in London.

A reassessment of self-taught artist William Edmondson, exploring the enduring relevance of his work This richly illustrated volume reintroduces readers to American sculptor William Edmondson (1874-1951) more than 80 years after his historic solo exhibition at the Museum of Modern Art. Edmondson began carving at the onset of the Depression in Tennessee. Initially creating tombstones for his community, over time he expanded his practice to include biblical subjects, the natural world, and recognizable figures including nurses and preachers. This book features new essays that explore Edmondson's life in the South and his reception on the East Coast in the 1930s. Reading the artist through lenses of African American experience, the authors draw parallels between then and now, highlighting the complex relationship between Black cultural production and the American museum. Countering existing narratives that have viewed Edmondson as a passive actor in an unfolding drama--a self-taught sculptor "discovered" by White patrons and institutions--this book considers how the artist's identity and position within history influenced his life and work. Distributed for the Barnes Foundation Exhibition Schedule: The Barnes Foundation, Philadelphia (June 25-September 10, 2023)

An authoritative reference which offers more than 750 photographs of the sculptural forms Moore created throughout his life.

This spirited history of public television offers an insider's account of its topsy-turvy forty-year odyssey. James Day, a founder of San Francisco's KQED and a past president of New York's WNET, provides a vivid and often amusing behind-the-screens history. Day tells how a program producer, desperate to locate a family willing to live with television cameras for seven months, borrowed a dime—and a suggestion—from a blind date and telephoned the Louds of Santa Barbara. The result was the mesmerizing twelve-hour documentary An American Family. Day relates how Big Bird and his friends were created to spice up Sesame Street when test runs showed a flagging interest in the program's "live-action" segments. And he describes how Frieda Hennock, the first woman appointed to the FCC, overpowered the resistance of her male colleagues to lay the foundation for public television. Day identifies the particular forces that have shaped public television and produced a Byzantine bureaucracy kept on a leash by an untrusting Congress, with a fragmented leadership that lacks a clearly defined mission in today's multimedia environment. Day calls for a bold rethinking of public television's mission, advocating a system that is adequately funded, independent of government, and capable of countering commercial television's "lowest-common-denominator" approach with a full range of substantive programs, comedy as well as culture, entertainment as well as information. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1995.

This textbook on vision reflects the integrated computational approach of modern research scientists, combining psychological, computational and neuroscientific perspectives.

The only child of an influential Scottish family, Gabriel Baaldur Proudmoore had now secured his PHD in English literature, Scandinavian mythology and the Ancient Northern languages. Hed grown restless with his life, legalistic religion, and trying to please his family. One afternoon, after an explosive argument with his father, he stormed out and walked down to the Aberdeen docks. There, he chanced upon the schooner Heimdall and its crew talking excitedly about an e-mail from a man named Jonah. Thoroughly intrigued, he stood inconspicuously and listened. Jonahs words revealed that a young man would be standing there listening to them read his letter, and it would not be fortuitous. Shining their spotlight around the docks, to satisfy their curiosity, the crew found Gabriel listening in the shadows and all chorused together, Greetings little brother, come aboard the Heimdall. Gabriel gasped in amazement, it made no sense. How could this be? What was this strange connection between them? One week later, embarking on a journey fraught with mystery and danger, Gabriel and his newfound friends are pushed beyond all their human capabilities through a changing world, an incomprehensible drought, and threatened by a malevolent ancient tribe reemerging from the Northern Territories.