Poetic drama.

No poet is more emblematically American than Robert Frost. This is a collection of rich cornucopia of Frost's speeches, interviews, correspondence, one-act plays, and other prose.

Known for his favorite themes of New England and nature, Robert Frost may well be the most famous American poet of the 20th century. This is an encyclopedic guide to the life and works of this great American poet. It combines critical analysis with information on Frost's life, providing a one-stop resource for students.

Robert Frost: The Ethics of Ambiguity examines Frost's ethical positioning as a poet in the age of modernism. The argument is that Frost constructs his poetry with deliberate formal ambiguity, withholding clear resolutions from the reader. Therefore, the poem itself functions as metaphor, inviting the reader into a participation in constructing meaning. Furthermore, the ambiguity of ethical positioning was intrinsic to Frost himself. Nonetheless, by holding his poetry up to several traditional ethical views -- Rationalist, Theological, Existentialist, Deotological, and Social Ethics -- one may define a congruent ethical pattern in both the poetry and the person.

This Book Plans To Discuss Robert Frost S Constructive Attitude Towards Life As Portrayed In Most Of His Poems. The Author Has Given A New Perspective To Frost S Criticism. The Sense Of Death, Decay, Degeneration, Devaluation, Disintegration And Alienation Has Been The Prominent Wing Of Modern Poetry. Frost Is Conscious Of All These Aspects Of Modern Life. It Is Not That He Is Unaware Of The Modern Predicament. Rather He Is Useless To Call Our Time Bad. In His Poetry One Finds A Different Approach To The Problems Of Life. In Spite Of The Fact That Life Is Full Of Distressing Aspects, Frost Describes Life Worth Living . In Birches He Declares: Earth S The Right Place For Love: / I Don T Know Where It S Likely To Go Better. This Reveals The Fact That He Is Not One Among The Palayana Panthis, Neither Is He A Nirashavadi: He Is An Ashavadi Who Believes In This Creation.

Studies in American Culture was first published in 1960. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The last decade has seen a revolutionary interest at colleges and universities both in this country and abroad in the field known variously as American Studies, American Civilization, or American Culture. Now the time is ripe for a critical look at the field, to assess its intellectual and cultural problems, and to anticipate its future. This is what the contributors to this volume do, through thoughtful discussions and interesting examples of studies in American ideas and images. There are sixteen contributors, members of the faculties of a number of colleges and universities, and representatives of various specialties such as literary history and criticism; social, intellectual, and aesthetic history; political, economic, and social theory. In the introductory chapter, Henry Nash Smith discusses the problems of method which confront scholars in American Studies. The chapters which follow contain outstanding examples of scholarship in American Studies. The authors are Reuel Denney, John W. Ward, Mulford Q. Sibley, David R. Weimer, William Van O'Connor, Bernard Bowron, Leo Marx, Arnold Rose, Allen Tate, David W. Noble, J. C. Levenson, Joseph J. Kwiat, Theodore C. Blegen, and Charles H. Foster. In the final chapter, Robert E. Spiller looks at the past, present, and future of American Studies. All the contributors as well as the editors are now or have been associated with the American Studies program at the University of Minnesota and with the late Tremaine McDowell, chairman of the program for thirteen years and a pioneer in the development of the discipline. The book will be useful to anyone interested in American thought, culture, and society, to those conducting American Studies programs, and to their students.

A sexy, post-Apocalyptic reimagining of Poe's gothic horror story of the same name. It's 1870 and a deadly virus has decimated the population of North America. Masked corpse-collectors roam the streets, removing the bodies before the contagion can spread. Though Araby tries to escape it all with drugs and parties, even at her most intoxicated she can't forget her brother's death - or her guilt for causing it. But things begin to change when William, the fascinating proprietor of The Debauchery Club where she searches for oblivion, and Elliott, nephew of the insane dictator, enter her life. One wants her heart, and the other her name. Convinced that he has won over his uncle's army, Elliott believes that having Araby on his arm will charm the populace into supporting a new government. After all, her father is the inventor of the mask which prevents the spread of the plague and saved civilisation - for those who can afford it... But Araby's greatest interest is that his plans will make protective masks available to all citizens and, in particular, to Will's young siblings, whom she has come to love despite herself. But nothing is what it seems. A new contagion called the Red Death is sweeping the city and a shocking revelation about the origin of the new virus puts Araby's life in danger. The mob wants her. The rebels want her. And both boys want her. In this superb two-book series, what and whom Araby chooses may just decide the fate of humanity...