Poetic Song Verse: Blues-Based Popular Music and Poetry invokes and critiques the relationship between blues-based popular music and poetry in the twentieth and twenty-first centuries. The volume is anchored in music from the 1960s, when a concentration of artists transformed modes of popular music from entertainment to art-that-entertains. Musician Mike Mattison and literary historian Ernest Suarez synthesize a wide range of writing about blues and rock—biographies, histories, articles in popular magazines, personal reminiscences, and a selective smattering of academic studies—to examine the development of a relatively new literary genre dubbed by the authors as “poetic song verse.” They argue that poetic song verse was nurtured in the fifties and early sixties by the blues and in Beat coffee houses, and matured in the mid-to-late sixties in the art of Bob Dylan, the Beatles, the Rolling Stones, the Doors, Jimi Hendrix, Joni Mitchell, Leonard Cohen, Gil Scott-Heron, Van Morrison, and others who used voice, instrumentation, arrangement, and production to foreground semantically textured, often allusive, and evocative lyrics that resembled and engaged poetry. Among the questions asked in Poetic Song Verse are: What, exactly, is this new genre? What were its origins? And how has it developed? How do we study and assess it? To answer these questions, Mattison and Suarez engage in an extended discussion of the roots of the relationship between blues-based music and poetry and address how it developed into a distinct literary genre. Unlocking the combination of richly textured lyrics wedded to recorded music reveals a dynamism at the core of poetic song verse that can often go unrealized in what often has been considered merely popular entertainment. This volume balances historical details and analysis of particular songs with accessibility to create a lively, intelligent, and cohesive narrative that provides scholars, teachers, students, music influencers, and devoted fans with an overarching perspective on the poetic power and blues roots of this new literary genre.

Finalist for the 2020 Foreword INDIES Book of the Year Awards! It's spring on Washington Island. Despite her concerns about Roger's desire to bartend, Elisabeth is eager to plan a grand opening for their newly remodeled hotel, but she quickly realizes that she may also need to make accommodations for Roger's proposed goat yoga classes. Bored and lonely, Oliver Robert joins bartender Eddie in forming a great books club at Nelsen's, and Emily Martin, determined to make her mark on the community, forms a new Committee of the Concerned. When Emily decides that the Island needs a literary festival, complete with a famous author, she imprudently seeks out a notorious celebrity, hoping, as always, to enhance her own prestige. Real estate agent Marcie Landmeier confides that an unknown someone is buying up the Island's shoreline, newly-appointed Fire Chief Jim Freeberg contends with a string of suspicious fires, and Pali and Ben have a spiritual encounter that will change them both. Meanwhile, drawn once more into local controversy, and awash in suspicion herself, Fiona Campbell must determine the answers to questions that will affect her future, and the future of the entire Island. A Small Earnest Question is Book Four in the award-winning North of the Tension Line series, set on a remote island in the Great Lakes. Called a modern-day Jane Austen, author J.F. Riordan creates wry, engaging tales and vivid characters that celebrate the beauty and mysteries of everyday life.

A poor African American boy and his mother experience both discrimination and kindness during a trip to town to see the dentist.

Offers advice on writing essays about the works of author Ernest Hemingway and lists sample topics from his novels and stories.

As the last leader of the Chartist movement, Ernest Charles Jones (1819-69) is a significant historical figure, but he is just as well-known for his political verse. His prison-composed epic The New World lays claim to being the first poetic exploration of Marxist historical materialism, and his caustic short lyric ‘The Song of the Low’ appears in most modern anthologies of Victorian poetry. Despite the prominence of Jones’s verse in Labour history circles, and several major inclusions in critical discussions of working-class Victorian literature, this volume represents the first full-length study of his poetry. Through close analysis and careful contextualization, this work traces Jones’s poetic development from his early German and British Romantic influences through his radicalization, imprisonment, and years of leadership. The poetry of this complex and controversial figure is here fully mapped for the first time.