I am a part of you now. The words haunt Piers Veuxfort, and he has only his own recklessness to blame. By touching a magic crystal, he freed the essence of a decidedly wicked Fin Man, who now resides within Piers. If that isn?t bad enough, a surprise for Piers arrives at Falcon?s Craig Castle. A bride. A bride, moreover, who was raised to be a nun, and views him as something just short of the devil. What can he do but send her back? You are a wicked abomination. With that condemnation of her ?sight?, Giselle St. Germain?s future is irrevocably altered. Her life in the secluded nunnery is over, and she is thrown into the world, a world that includes betrothal to a man who is unrepentantly devoted to his pleasures, and who increasingly displays a dark, troubling side. What?s a girl to do but cling more tightly to what she knows? The rules have changed. For both of them. And Piers and Giselle are about to discover that sometimes fate delivers a destiny beyond your imaginings. That destiny is theirs to win. Or lose. It will take all the courage that lies within their deepest hearts to seize it, and to find ? A Lost Touch of Innocence

An internationally known dancer, choreographer, and gifted anthropologist, Katherine Dunham was born to a black American tailor and a well-to-do French Canadian woman twenty years his senior. This book is Dunham's story of the chaos and conflict that entered her childhood after her mother's early death. In stark prose, she tells of growing up in both black and white households and of the divisions of race and class in Chicago that become the harsh realities of her young life. A riveting narrative of one girl's struggle to transcend the painful confusions of a family and culture in turmoil, Dunham's story is full of the clarity, candor, and intelligence that lifted her above her troubled beginnings. "A Touch of Innocence is an absorbing family chronicle written with a gift for physical detail sometimes too real for comfort. In quietly graphic prose the growing girl, the slightly older brother, the ambitious father and the kind stepmother are pictured in such human terms that when their lives get tied into harder and harder knots beyond their undoing, one can only continue to read helplessly as doom closes in upon the household."—Langston Hughes, New York Herald Tribune "A Touch of Innocence is one of the most extraordinary life stories I have ever read . . . . The content of this book is so heartbreaking that only the strongest artistic skills can keep it from leaking out into sobbing self-pity, but Katherine Dunham's art contains it, understands it and refuses to be overwhelmed by its terrors."—Elizabeth Janeway, New York Times "The first eighteen years of the famous dancer and choreographer's life are brought vividly to the reader in this first volume of her autobiography. She writes of what it is like to be a special, gifted young woman growing up in a racially mixed family in the American Middle West. A beautiful, touching and sometimes discomforting book."—Publishers Weekly "As writing it is honest, searing, graphic and touching, giving us a rather heartbreaking early view of the young American Negro who was later to make a name for herself as a dancer and choreographer."—Arthur Todd, Saturday Review

Undercover officer George Raffield's job was to pose as a student in the small town of Midlothian, Texas and infiltrate the high school drug ring. When Raffield's cover became suspect, word spread through a small circle of friends that the young officer would pay with his life. No one stopped it. On a rainy fall evening in 1987, Raffield was lured to an isolated field. Three bullets were fired-one unloaded into his skull. The baby-faced killer, Greg Knighten, stole eighteen dollars from Raffield's wallet, divided it among his two young accomplices, and calmly said, "it's done." With chilling detail, Carlton Stowers illuminates a dark corner of America's heartland and the children who hide there. What he found was an alienated subculture of drug abuse, the occult, and an unfathomable teenage rage that exploded at point blank range on a shocking night of lost innocence...

He’s a prince, so he has to be off-limits…in this forbidden romance by USA TODAY bestselling author Carol Marinelli. A promise of pleasure… …neither can deny! PR pro Beatrice Taylor’s brief is simple—clean up playboy prince Julius’s image before he becomes king. A challenge made infinitely more complicated by the heat she feels for her scandalous, off-limits client! For the first time, innocent Beatrice wants to give in to wild temptation… Julius’s royal duty doesn’t leave room for private desire. Discovering what lies beyond Beatrice’s impenetrable emotional walls shouldn’t be his priority, but she fascinates him. And one stolen moment presents Julius with an impossible choice: his kingdom or the woman he can’t live without! From Harlequin Presents: Escape to exotic locations where passion knows no bounds. Read all the Scandalous Sicilian Cinderellas books: Book 1: The Sicilian's Defiant Maid Book 2: Innocent Until His Forbidden Touch

Winner, Outstanding Book Award, Association for Theatre in Higher Education Winner, Grace Abbott Best Book Award, Society for the History of Children and Youth Winner, Book Award, Children's Literature Association Winner, Lois P. Rudnick Book Prize, New England American Studies Association Winner, IRSCL Award, International Research Society for Children's Literature Runner-Up, John Hope Franklin Publication Prize, American Studies Association Honorable Mention, Book Award, Society for the Study of American Women Writers Part of the American Literatures Initiative Series In Racial Innocence, Robin Bernstein argues that the concept of "childhood innocence" has been central to U.S. racial formation since the mid-nineteenth century. Children--white ones imbued with innocence, black ones excluded from it, and others of color erased by it--figured pivotally in sharply divergent racial agendas from slavery and abolition to antiblack violence and the early civil rights movement. Bernstein takes up a rich archive including books, toys, theatrical props, and domestic knickknacks which she analyzes as "scriptive things" that invite or prompt historically-located practices while allowing for resistance and social improvisation. Integrating performance studies with literary and visual analysis, Bernstein offers singular readings of theatrical productions from blackface minstrelsy to Uncle Tom's Cabin to The Wonderful Wizard of Oz literary works by Joel Chandler Harris, Harriet Wilson, and Frances Hodgson Burnett; material culture including Topsy pincushions, Uncle Tom and Little Eva handkerchiefs, and Raggedy Ann dolls; and visual texts ranging from fine portraiture to advertisements for lard substitute. Throughout, Bernstein shows how "innocence" gradually became the exclusive province of white children--until the Civil Rights Movement succeeded not only in legally desegregating public spaces, but in culturally desegregating the concept of childhood itself. Check out the author's blog for the book here.

A 12-year-old boy, mourning the death of his mother, takes refuge in the myths and fairytales she always loved--and finds that his reality and a fantasy world start to meld.

Our lives are such that moral wrongdoing is sometimes inescapable for us, for we have moral responsibilites to persons which may conflict and which are wrong to violate even when they do conflict. This text argues that we must accept this conclusion if we are to make sense of our moral experiences.