A Look At Cubism introduces students to one of the most influential visual art styles of the early twentieth century. From Picasso to Braque, students will have the opportunity to further explore the inherited concept that cubist artwork should copy nature, or it should adopt the traditional techniques of perspective. The Art and Music series introduces young learners to some of the most popular artistic movements in history. Featuring beautiful images of famous works of art, a word glossary, comprehension and extension activities, and much more, each 24-page title in this series allows students to explain events, procedures, or concepts in a historical text, including what happened and why, based on specific information in the text.

Which Style Of Art Taught The World How To Rearrange And Experiment With Perspective? Cubism! Learn About Works By Picasso And Braque. Supports Emphasis On Increasing Steam (Science, Technology, Engineering, Art, And Math) Content.

This beautifully illustrated volume tells the story of Cubism through twenty-two essays that explore the most significant private holding of Cubist art in the world today, the Leonard A. Lauder Collection, now a promised gift to The Metropolitan Museum of Art. The eighty works featured in this volume—by Georges Braque, Juan Gris, Fernand Léger, and Pablo Picasso‐are among the most important and visually arresting in the movement’s history. These masterpieces, critical to the development of Cubism, include such groundbreaking paintings as Braque’s Trees at L’Estaque, considered one of the very first Cubist pictures; Picasso’s Still Life with Fan: “L’Indépendant,” one of the first to introduce typography; Gris’s noirish, uncanny The Man at the Café, one of his most celebrated collages; and Léger’s uniquely ambitious Composition (The Typographer). Written by renowned experts on this subject, the essays trace the evolution of Cubism from its origins in the still lifes, portraits, and collages of Braque and Picasso through the precisely delineated compositions by Gris that prefigure the Synthetic Cubism of the war years to Léger’s distinctive intersections of spherical, cylindrical, and cubic forms that evoke the syncopated rhythms of modern life. Also included are a fascinating interview in which Leonard Lauder discusses his approach to collecting, an investigative essay on the information gleaned from the backs of the works themselves, and an authoritative catalogue that further establishes the lives of these magnificent objects. A publication to place alongside the great histories of Modernism, this comprehensive book will stand as the resource for understanding Cubism for many years to come. -

Together, these essays show that although there were many points of intersection—historical, metaphorical, theoretical, and ideological—between cubism and architecture, there was no simple, direct link between them.

David Cottington describes how the artistic avant-garde, and especially Cubism, were formed by events taking place in France during the era known as 'la belle époque', prior to the outbreak of World War 1.

"This is a book whose great achievement is to bring out the importance of the Cubists in a history far bigger than the history of art." Christopher Green, Courtauld Institute of Art"

Published on the occasion of an exhibition held at the Kimbell Art Museum, Fort Worth, Tex., May 29-Aug. 21, 2011 and the Santa Barbara Museum of Art, Santa Barbara, Calif., Sept. 17, 2011-Jan. 8, 2012.