Excerpt from The Works of Lucian, Vol. 1 But furely, my friend, general fatire, and true humour (and thefe you are kind enough to grant me), fiand as fair a chance of general approbation as any other fpecies of au thorial merit can entitle us to. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Hilary Wainright, a young English poet, had lost his wife and child in France during the war.

The Tucson Artifacts document the annals of a forgotten Roman-styled military governorship in Chichimec Toltec Northwest Mexico. Perfectly preserved, complete and unaltered, they are straightforwardly composed in Latin, the official language of records during the Middle Ages. They do not have to be reconstructed, pieced together, deciphered or dated. This illuminating collection of readings translated from Latin, Greek, Arabic, Chinese, Nahuatl, Hebrew and other languages by medievalist Donald N. Yates provides the cultural contexts for understanding these unique witnesses to world history. The finds come from the 1920s and consist of lost-wax, cast-lead ceremonial objects inscribed with medieval Latin historical texts and memorials of leaders with names such as Jacob, Israel, Benjamin, Joseph, Saul, Isaac and Theodore. Some also contain Hebrew phrases like “eight divisions” and “a great nation,” while others display commemorated leaders’ portraits, ships, trademarks in Tang-era seal script, temples, a Mesoamerican glyph, sacrificial fire, an anchor, Romanesque-style angels in glory and other drawings. Their iconography includes the Ten Commandments and cult objects like spice spoons, carpenter’s square, Frankish axes, snakes and trumpets. There are also military anthems and mottos. A series of thick one-sided double crosses, joined like sealed albums present what are clearly records signed by OL (Oliver), with dates ranging from 560 to 900 A.D. The overarching provenance is declared by the makers of the artifacts themselves to be Roman (Romani, monogram R), a term tantamount at this time to European. This claim to nationality is further divided into Levites (L) and Israelites (I). One of the stand-out emblems depicted is a triple tiara, a symbol of Jewish priesthood associated with the Mesoamerican figure of Quetzalcoatl.

Excerpt from A Little Boy Lost, Vol. 1 Some like to be one thing, some another. There is so much to be done, so many different things to do, so many trades! Shepherds, soldiers, sailors, ploughmen, carters - one could go on all day naming without getting to the end of them. For myself, boy and man, I have been many things, working for a living, and sometimes doing things just for pleasure; but somehow, whatever I did, it never seemed quite the right and proper thing to do - it never quite satisfied me. I always wanted to do something else - I wanted to be a carpenter. It seemed to me that to stand among wood-shavings and sawdust, making things at a bench with bright beautiful tools out of nice-smelling wood, was the cleanest, healthiest, prettiest work that any man can do. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

In this follow-up to the 1987 cult classic film, horror masters Tim Seeley and Scott Godlewski wade into the bloody, badass world of California vampires for an all-new tale of thrills, chills, and good old-fashioned heart-staking action in THE LOST BOYS VOL. 1! Welcome to scenic Santa Carla, California. Great beaches. Colorful characters. Killer nightlife. And, of course, all the damn vampires. The Emerson brothers (Sam and Michael) and the Frog brothers (Edgar and Alan) learned that last part the hard way—these underage slayers took on the vampire master Max and his pack of punked-out minions, and drove a stake right through their plans to suck Santa Carla dry. After scraping the undead goo off their shoes, they figured everything was back to normal. But now there are new vamps in town. A coven of female undead called the Blood Belles has moved in, and they’ve targeted Sam, Michael, the Frog Brothers, and every other vampire hunter in Santa Carla for bloody vengeance. It’ll take every trick in the brothers’ monster-killing book to stop these bloodsuckers from unleashing an entire army of the damned. And they’ll need help from an unexpected source—a certain shirtless sax-playing savior known only as the Believer! Do you still believe? Collects #1-6.