A boy and his bunny discover the magic of listening and sharing their dreams with others and themselves. This fun and whimsical story is intended for children growing up and becoming aware of the great life skill of listening.

This book gives teachers an understanding of speech training through specially selected exercises. The book's exercises aim to help develop clear speaking in the classroom. Methodically and perceptively used, the book will assist those concerned with the creative powers of speech as a teaching art. In Part 1, there are sections on the links between speech and child development, the speech organs, the effects of artificially produced sound on speech development, rhythm and meter, and the sound groups. In Part 2, the consonants are linked to the constellations of the zodiac and applied to classroom work. Part 3 contains: a bibliographic note from Imma von Eckhardtstein; "Introduction Motifs of the Twelve Constellations" (Fiona Tweedale); "Appendix: Live Music and Recorded Sound" (Norbert Visser); 30 references; a bibliography and a list of useful addresses and resources. (CR)

In his first book, Time to Talk, Michael Healy-Rae established himself as part of the great tradition of Kerry storytellers with his chronicles of life in rural Ireland. Now, in his second book, his superior storytelling skills come to the fore once again as he shares more stories of what he's witnessed and heard in the heart of the country. From his Kerry childhood to musings on rural Ireland today, A Listening Ear brings readers back to the countryside and characters that we have grown to love. With his quick wit and remarkable observations, Michael is a consummate chronicler of country life and the charm of local heroes.

"The true story about a dog no one thought could be saved. Through laughter and tears, she taught the lesson that no creature created by God is irredeemable."--Page 4 of cover.

Audio Production and Critical Listening: Technical Ear Training, Second Edition develops your critical and expert listening skills, enabling you to listen to audio like an award-winning engineer. Featuring an accessible writing style, this new edition includes information on objective measurements of sound, technical descriptions of signal processing, and their relationships to subjective impressions of sound. It also includes information on hearing conservation, ear plugs, and listening levels, as well as bias in the listening process. The interactive web browser-based "ear training" software practice modules provide experience identifying various types of signal processes and manipulations. Working alongside the clear and detailed explanations in the book, this software completes the learning package that will help you train you ears to listen and really "hear" your recordings. This all-new edition has been updated to include: Audio and psychoacoustic theories to inform and expand your critical listening practice. Access to integrated software that promotes listening skills development through audio examples found in actual recording and production work, listening exercises, and tests. Cutting-edge interactive practice modules created to increase your experience. More examples of sound recordings analysis. New outline for progressing through the EQ ear training software module with listening exercises and tips.

Dr. Tournier shares his discoveries about accepting suffering, practicing quiet meditation in marriage, discovering God through personal encounters, entering into the new adventure of growing older, and more.

Inside the global music industry and the racialized and gendered assumptions we make about what we hear Fearing the rapid disappearance of indigenous cultures, twentieth-century American ethnographers turned to the phonograph to salvage native languages and musical practices. Prominent among these early “songcatchers” were white women of comfortable class standing, similar to the female consumers targeted by the music industry as the gramophone became increasingly present in bourgeois homes. Through these simultaneous movements, listening became constructed as a feminized practice, one that craved exotic sounds and mythologized the ‘other’ that made them. In Modernity’s Ear, Roshanak Kheshti examines the ways in which racialized and gendered sounds became fetishized and, in turn, capitalized on by an emergent American world music industry through the promotion of an economy of desire. Taking a mixed-methods approach that draws on anthropology and sound studies, Kheshti locates sound as both representative and constitutive of culture and power. Through analyses of film, photography, recordings, and radio, as well as ethnographic fieldwork at a San Francisco-based world music company, Kheshti politicizes the feminine in the contemporary world music industry. Deploying critical theory to read the fantasy of the feminized listener and feminized organ of the ear, Modernity’s Ear ultimately explores the importance of pleasure in constituting the listening self.