The Bible shaped nearly every aspect of Jewish life in the ancient world, from activities as obvious as attending synagogue to those which have lost their scriptural resonance in modernity, such as drinking water and uttering one's last words. And within a scriptural universe, no work exerted more force than the Psalter, the most cherished text among all the books of the Hebrew Bible. A Life of Psalms in Jewish Late Antiquity clarifies the world of late ancient Judaism through the versatile and powerful lens of the Psalter. It asks a simple set of questions: Where did late ancient Jews encounter the Psalms? How did they engage with the work? And what meanings did they produce? A. J. Berkovitz answers these queries by reconstructing and contextualizing a diverse set of religious practices performed with and on the Psalter, such as handling a physical copy, reading from it, interpreting it exegetically, singing it as liturgy, invoking it as magic and reciting it as an act of piety. His book draws from and contributes to the fields of ancient Judaism, biblical reception, book history and the history of reading.

The historian’s task involves unmasking the systems of power that underlie our sources. A historian must not only analyze the content and context of ancient sources, but also the structures of power, authority, and political contingency that account for their transmission, preservation, and survival. But as a tool for interpreting antiquity, "authority" has a history of its own. As authority gained pride of place in the historiographical order of knowledge, other types of contingency have faded into the background. This book’s introduction traces the genesis and growth of the category, describing the lacuna that scholars seek to fill by framing texts through its lens. The subsequent chapters comprise case studies from late ancient Christian and Jewish sources, asking what lies "beyond authority" as a primary tool of analysis. Each uncovers facets of textual and social history that have been obscured by overreliance on authority as historical explanation. While chapters focus on late ancient topics, the methodological intervention speaks to the discipline of history as a whole. Scholars of classical antiquity and the early medieval world will find immediately analogous cases and applications. Furthermore, the critique of the place of authority as used by historians will find wider resonance across the academic study of history.

In this lively and intellectually engaging book, Galit Hasan-Rokem shows that religion is shaped not only in the halls of theological disputation and institutions of divine study, but also in ordinary events of everyday life. Common aspects of human relations offer a major source for the symbols of religious texts and rituals of late antique Judaism as well as its partner in narrative dialogues, early Christianity, Hasan-Rokem argues. Focusing on the "neighborhood" of the Galilee that is the birthplace of many major religious and cultural developments, this book brings to life the riddles, parables, and folktales passed down in Rabbinic stories from the first half of the first millennium of the Common Era.

Thirteen foremost scholars describe the views of death, life after death, resurrection, and the world-to-come set forth in the literary evidence for late antique Judaism. The volume covers the vie w of Scripture as a whole as against other Israelite writings; distinct parts of Scripture such as Psalms and the Wisdom literature; apocalyptic and the non-apocalyptic pseudepigraphic literature, Philo; Josephus; the Dead Sea Scrolls; earliest Christianity (the Gospels in particular); the Rabbinic sources; the Palestinian Targums to the Pentateuch; and, out of material culture, the inscriptional evidence. The result is both to highlight the range of available perspectives on this important issue and to illuminate a central problem in the study of Judaism in late antiquity, phrased neatly as “One Judaism or many?” Here we place on display indicative components of Judaism in their full diversity, leaving it for readers to determine whether the notion of a single, coherent religion falls under the weight of a mass of documentary contradictions or whether an inner harmony shines forth from a repertoire of largely shared and only superficially-diverse data.

The powerful poetry of the Hebrew Psalms articulates a unique range of experience, even in translation. They explore the deepest concerns of individuals and communities. They are central to the performance of religion for both Jews and Christians. New discoveries, such as the famous Dead Sea Scrolls, have transformed our view of their role in Judaism, as has modern re-evaluation of the complicated relationship between Judaism and Christianity. Here a group of leading scholars sheds fresh light on the uses of the Psalms in post-biblical Jewish life in a multi-cultural world.

In a major departure from previous scholarship, this volume argues that the illustrations in the famous and widely influential Utrecht Psalter manuscript were inspired by a late antique Hebrew version of Psalms, rather than a Latin, Christian version of the text. Produced during the early ninth century in a workshop near Reims, France, the Utrecht Psalter is illustrated with pen-and-ink drawings in a lively style reminiscent of Hellenistic art. The motifs are largely literal renditions of words and phrases found in the book of Psalms. However, more than three dozen motifs cannot be explained by either the Latin text that accompanies the imagery or the commentaries of the church fathers. Through a close reading of the Hebrew Psalms, Pamela Berger demonstrates that these motifs can be explained only by the Hebrew text, the Jewish commentary, or Jewish art. Drawing comparisons between the “Hellenistic” style of the Psalter images and the style of late antique Galilean mosaics and using evidence from recent archaeological discoveries, Berger argues that the model for those Psalter illustrations dependent on the Hebrew text was produced in the Galilee. Pioneering and highly persuasive, this book resolves outstanding issues surrounding the origins of one of the most extensively studied illuminated manuscripts. It will be mandatory reading for many historians of medieval art and literature and for those interested in the Hebrew text of the book of Psalms.

One of the most central figures in monotheistic traditions is King David. The volume takes a new, critical look at the process of biblical creation and exegetical transformation of this character in the intertwined words of Judaism, Christianity and Islam.