Jackson is aggressive, confrontational and often volatile. His mother, Kayla, is crippled with grief after tragically losing her husband and eldest son. Struggling to cope, she puts Jackson into foster care.

Seven-year-old Reece was the last of six siblings to be taken into foster care. Cathy, Reece's foster carer, was about to unravel a truth about the reasons for his violent and aggressive behaviour - a truth more shocking than she'd ever imagined.

The Château du Ciel was once the destination for the rich and famous to play, drink and ski—complete with a private railway to shuttle those desiring extra privacy—now, however, the guests are few and far between. The New Year’s Eve party was supposed to hoist the rundown hotel back to its former status, until a massive blizzard hits, trapping the guests who’ve come to celebrate the grand hotel’s last hurrah. The circumstances might even be romantic, if the hotel wasn't reputed to be haunted. When hotel employee Mave Michael finds the resident artist dead, and shortly thereafter hotel security finds Mave alone with the body, the reputation that Mave has fought long and hard to outrun comes back to haunt her. You see, her father is a notorious hitman who is serving multiple life sentences in prison. She has changed her name and location dozens of times, but he somehow manages to track her down—even sending her a postcard on the eve of her birthday, January 1st. She’s the perfect choice to frame for murder, and now the number one suspect. Mave can no longer deny the lessons in survival her father taught her, and calls on that and her uncanny sixth-sense in “finding” lost objects to navigate the maze of the hotel. To save herself, she not only has to stop running from her own past, she must unearth the history of the hotel, its elite guests and buried secrets—one deadly sin at a time. An homage to classic gothic horror, that proves that the ghosts of family and classism are alive and well.

Winner of the Bram Stoker Award for Best Novel In her quickly gentrifying rural lake town Jade sees recent events only her encyclopedic knowledge of horror films could have prepared her for in this latest chilling novel that “will give you nightmares. The good kind, of course” (BuzzFeed) from the Jordan Peele of horror literature, Stephen Graham Jones. “Some girls just don’t know how to die…” Shirley Jackson meets Friday the 13th in My Heart Is a Chainsaw, written by the New York Times bestselling author of The Only Good Indians Stephen Graham Jones, called “a literary master” by National Book Award winner Tananarive Due and “one of our most talented living writers” by Tommy Orange. Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life. Jade Daniels is an angry, half-Indian outcast with an abusive father, an absent mother, and an entire town that wants nothing to do with her. She lives in her own world, a world in which protection comes from an unusual source: horror movies…especially the ones where a masked killer seeks revenge on a world that wronged them. And Jade narrates the quirky history of Proofrock as if it is one of those movies. But when blood actually starts to spill into the waters of Indian Lake, she pulls us into her dizzying, encyclopedic mind of blood and masked murderers, and predicts exactly how the plot will unfold. Yet, even as Jade drags us into her dark fever dream, a surprising and intimate portrait emerges…a portrait of the scared and traumatized little girl beneath the Jason Voorhees mask: angry, yes, but also a girl who easily cries, fiercely loves, and desperately wants a home. A girl whose feelings are too big for her body. My Heart Is a Chainsaw is her story, her homage to horror and revenge and triumph.

A haunting and psychologically driven collection from Shirley Jackson that includes her best-known story "The Lottery" At last, Shirley Jackson's "The Lottery" enters Penguin Classics, sixty-five years after it shocked America audiences and elicited the most responses of any piece in New Yorker history. In her gothic visions of small-town America, Jackson, the author of such masterworks as The Haunting of Hill House and We Have Always Lived in the Castle, turns an ordinary world into a supernatural nightmare. This eclectic collection goes beyond her horror writing, revealing the full spectrum of her literary genius. In addition to Come Along with Me, Jackson's unfinished novel about the quirky inner life of a lonely widow, it features sixteen short stories and three lectures she delivered during her last years. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

PART 1 OF 3 Little Jamey, 21⁄2 years old, is placed with experienced foster carer, Cathy Glass, as an emergency.

Little Jamey, 21⁄2 years old, is placed with experienced foster carer, Cathy Glass, as an emergency.