"Legend doesn't merely survive the hype, it deserves it." From the New York Times bestselling author of The Young Elites What was once the western United States is now home to the Republic, a nation perpetually at war with its neighbors. Born into an elite family in one of the Republic's wealthiest districts, fifteen-year-old June is a prodigy being groomed for success in the Republic's highest military circles. Born into the slums, fifteen-year-old Day is the country's most wanted criminal. But his motives may not be as malicious as they seem. From very different worlds, June and Day have no reason to cross paths - until the day June's brother, Metias, is murdered and Day becomes the prime suspect. Caught in the ultimate game of cat and mouse, Day is in a race for his family's survival, while June seeks to avenge Metias's death. But in a shocking turn of events, the two uncover the truth of what has really brought them together, and the sinister lengths their country will go to keep its secrets. Full of nonstop action, suspense, and romance, this novel is sure to move readers as much as it thrills.

An examination of the modern journalist's interests, relationships, and career, based on her private papers and interviews with friends and associates.

This new fantasy-adventure series from N. D. Wilson, bestselling author of 100 Cupboards, pits a misfit twelve-year-old against a maniacal villain with a deadly vendetta. This one-of-a kind story is must read for fans of Brandon Mull and Soman Chainani, and the start of a thrilling tale from a masterful storyteller. Sam Miracle’s life is made up of dreams, dreams where he’s a courageous, legendary hero instead of a foster kid with two bad arms that can barely move. Sometimes these dreams feel so real, they seem like forgotten memories. And sometimes they make him believe that his arms might come alive again. But Sam is about to discover that the world he knows and the world he imagines are separated by only one thing: time. And that separation is only an illusion. The laws of time can be bent and shifted by people with special magic that allows them to travel through the past, present, and future. But not all of these “time walkers” can be trusted. One is out to protect Sam so that he can accept his greatest destiny, and another is out to kill him so that a prophecy will never be fulfilled. However, it’s an adventurous girl named Glory and two peculiar snakes who show Sam the way through the dark paths of yesterday to help him make sure there will be a tomorrow for every last person on earth.

(Piano/Vocal/Guitar Artist Songbook). This powerful, posthumous release is the coda in the acclaimed American series featuring the legendary Johnny Cash produced by Rick Rubin. Its 12 sadly beautiful tracks include two Cash originals "Like the 309," the last song he ever wrote, and "I Came to Believe," plus covers such as: Four Strong Winds * God's Gonna Cut You Down * I'm Free from the Chain Gang Now * If You Could Read My Mind * Love's Been Good to Me * and more.

New York Times Bestseller! 5 Starred Reviews! "Will have listeners in stitches." —Kirkus Reviews (starred review) "Purely absurd, sidesplitting humor." —Booklist (starred review) "Demands bombastic, full-volume performances." —Publishers Weekly (starred review) "Perfect for a guffawing share with younger sibs or buddy read." —BCCB (starred review) "The sort of story that makes children love to read." —School Library Journal (starred review) From acclaimed, bestselling creators Drew Daywalt, author of The Day the Crayons Quit and The Day the Crayons Came Home, and Adam Rex, author-illustrator of Frankenstein Makes a Sandwich, comes a laugh-out-loud hilarious picture book about the epic tale of the classic game Rock, Paper, Scissors. "I couldn’t stop laughing while reading this aloud to a group of kids," commented the founder of Bookopolis.com, Kari Ness Riedel.

Critical analysis of the music of the iconic 1998 Nintendo 64 video game. More than twenty years after its creation, The Legend of Zelda: Ocarina of Time is still held in high critical regard as one of the finest examples of the video game medium. The same is true of the game's music, whose superlative reception continues to be evident, whether in the context of the game or in orchestral concerts and recordings of the game's music. Given music's well-established significance for the video game form, it is no coincidence that music is placed at the forefront of this most lauded and loved of games. In Ocarina of Time, music connects and unifies all aspects of the game, from the narrative conceit to the interactive mechanics, from the characters to the virtual worlds, and even into the activity of legions of fans and gamers, who play, replay, and reconfigure the music in an enduring cultural site that has Ocarina of Time at its center. As video game music studies begins to mature into a coherent field, it is now possible to take the theoretical apparatus and critical approaches that have been developed in antecedent scholarship and put these into practice in the context of an extended concrete game example. The most extensive investigation into the music of a single game yet undertaken, this book serves three important primary purposes: first, it provides a historical-critical account of the music of an important video game text; second, it uses this investigation to explore wider issues in music and media studies (including interactivity, fan cultures, and music and technology); and third, it serves as a model for future in-depth studies of video game music.

Sam S. Shubert Theatre, David Merrick, in association with Bernard Delfont presents Anthony Newley in "Stop the World, I Want to Get Off," with Anna Quayle, Jennifer Baker, Susan Baker, a new-style musical, book, music and lyrics by Leslie Bricusse and Anthony Newley, setting and lighting by Sean Kenny, musical supervision by Ian Fraser, musical director Milton Rosenstock, orchestrations by Ian Fraser with David Lindup, Burt Rhodes, Gordon Langford, John Broome's choreography restaged by Virginia Mason, directed by Anthony Newley.