A set of four visual inventories are proposed. They are designed to document scenic resources for varied scales of application, from regional and general to local and specific. The Northern Great Plains is used as a case study. Scenic analysis and identification of criteria extend earlier work. The inventory is based on (1) study of previously developed landscape analysis methods and their terminology; (2) examination of high altitude imagery and topographic maps as sources of visual information; and (3) field observations in the Northern Great Plains. Criteria include visual characteristics and patterns of land forms, vegetation cover, water, and land use.

A Landscape Inventory is a richly illustrated and elegantly designed manifesto on landscape experimentation, the work of the internationally renowned architect, Michel Desvigne. As an "anti-monograph," this publication is not comprehensive and projects are not discussed in depth. Instead, it features a composite view of elements such as tree pattern and density across scales, from diminutive urban courtyard to territory, to reveal the weight of planting and material choices in shaping landscapes, irrespective of design language. Highly idiosyncratic, A Landscape Inventory offers a broader reflection on how to present and represent landscapes, organized in two parts - equally casual and purposeful. The first discusses Desvigne's trajectory, influences, and design method; the second is an inventory of elements, a contact sheet of details to be assembled and reconfigured without prescribed order. Both focused and panoramic, Desvigne's antipathy for "recognizable design" is revealed with his ambition to resist political shifts and master planning with a panoply of landscape strategies such as pilot, demonstration garden, and prototype. Intended to be of great interest to those concerned with the shaping of the environment, this publication can be used as a thesaurus of landscape components - a quick reference to trigger the design imagination of students and other curious individuals.

In Kelly Ann Jacobson's An Inventory of Abandoned Things, winner of the 2020 Split/Lip Press Fiction Chapbook Contest, there are cockroaches in the walls and anoles trapped in the doors. Squirrels roll across the attic rafters, and red ants patrol the car floor. A lazy gopher tortoise chews lettuce in the neighbor's butterfly garden. At once the story of a pregnant graduate student separated from her wife and an inventory of the Florida panhandle, this book of linked stories questions what it means to fight the land for a place in it-and whether, in the fighting, there can be a bond between human and landscape formed that is stronger than love.

A call for landscape architects to leave the office and return to the garden. Addressing one of the most repressed subjects in landscape architecture, this book could only have been written by someone who is both an experienced gardener and a landscape architect. With Overgrown, Julian Raxworthy offers a watershed work in the tradition of Ian McHarg, Anne Whiston Spirn, Kevin Lynch, and J. B. Jackson. As a discipline, landscape architecture has distanced itself from gardening, and landscape architects take pains to distinguish themselves from gardeners or landscapers. Landscape architects tend to imagine gardens from the office, representing plants with drawings or other simulations, whereas gardeners work in the dirt, in real time, planting, pruning, and maintaining. In Overgrown, Raxworthy calls for the integration of landscape architecture and gardening. Each has something to offer the other: Landscape architecture can design beautiful spaces, and gardening can enhance and deepen the beauty of garden environments over time. Growth, says Raxworthy, is the medium of garden development; landscape architects should leave the office and go into the garden in order to know growth in an organic, nonsimulated way. Raxworthy proposes a new practice for working with plant material that he terms “the viridic” (after “the tectonic” in architecture), from the Latin word for green, with its associations of spring and growth. He builds his argument for the viridic through six generously illustrated case studies of gardens that range from “formal” to “informal” approaches—from a sixteenth-century French Renaissance water garden to a Scottish poet-scientist's “marginal” garden, barely differentiated from nature. Raxworthy argues that landscape architectural practice itself needs to be “gardened,” brought back into the field. He offers a “Manifesto for the Viridic” that casts designers and plants as vegetal partners in a renewed practice of landscape gardening.

This publication offers a comprehensive look at the management of oaks in urban areas. As development moves into oak woodland areas, more and more oaks are becoming "urban" oaks. Oaks are highly valued in urban areas for their aesthetic, environmental, economic and cultural benefits. However, significant impacts to the health and structural stability of oaks have resulted from urban encroachment. Changes in environment, incompatible cultural practices, and pest problems can all lead to the early demise of our stately oaks. Using this book you'll learn how to effectively manage and protect oaks in urban areas - existing oaks as well as the planting of new oaks. Three key areas are addressed: selection, care, and preservation. You'll learn how cultural practices, pest management, risk management, preservation during development, and genetic diversity can all play a role in preserving urban oaks. Arborists, urban foresters, landscape architects, planners and designers, golf course superintendents, academics, and Master Gardeners alike will find this to be an invaluable reference guide.

The Living Landscape is a manifesto, resource, and textbook for architects, landscape architects, environmental planners, students, and others involved in creating human communities. Since its first edition, published in 1990, it has taught its readers how to develop new built environments while conserving natural resources. No other book presents such a comprehensive approach to planning that is rooted in ecology and design. And no other book offers a similar step-by-step method for planning with an emphasis on sustainable development. This second edition of The Living Landscape offers Frederick Steiner’s design-oriented ecological methods to a new generation of students and professionals. The Living Landscape offers • a systematic, highly practical approach to landscape planning that maximizes ecological objectives, community service, and citizen participation • more than 20 challenging case studies that demonstrate how problems were met and overcome, from rural America to large cities • scores of checklists and step-by-step guides • hands-on help with practical zoning, land use, and regulatory issues • coverage of major advances in GIS technology and global sustainability standards • more than 150 illustrations. As Steiner emphasizes throughout this book, all of us have a responsibility to the Earth and to our fellow residents on this planet to plan with vision. We are merely visiting this planet, he notes; we should leave good impressions.