This new addition to the Author Chronologies series details the tumultuous and tragic life of Katherine Mansfield (she died from tuberculosis aged only thirty-four) and sheds new light on her approach and attitudes to writing.

Contains all the short stories written during the last year of Katherine Mansfield's life at Montana, with a new and lengthy publisher's note.

The resurgence of interest in Katherine Mansfield (1888-1923) in recent years has grown to the extent that she is now perceived as 'the most emblematic woman writer of her time'. The Edinburgh edition of her stories is a truly complete collection of the author's fiction writing.

Explores Mansfield's identity as a (post)colonial writer in relation to her foremost reputation as a European modernistIn seeking new possibilities for alignments with, and resolutions to, the contradictory agendas implied by the terms '(post)colonial' and 'modernist', the essays in this volume address the clashing perspectives between Mansfield's life in Europe, where her troubled self-designation as the 'little colonial' became a fertile source of her distinctive brand of literary modernism, and her ongoing, complex relationship with her New Zealand homeland. The contributors investigate Mansfield's (post)colonial modernism in the context both of New Zealand settler-colonial fiction and of her European literary inheritance. Affinities with writers such as Edith Wharton and Robert Louis Stevenson reveal that 'home' can be a diasporic place, combining alienation with belonging. The volume also registers initial responses to the widened scope for Mansfield scholarship launched by the first two volumes of the new Edinburgh Collected Works of Katherine Mansfield.Includes:*Previously unpublished poetry and fiction*Reports of current research findings on Katherine Mansfield*An introduction by Janet Wilson, Professor of English and Postcolonial Studies, University of Northampton *Reviews of recent publications on Mansfield and her contemporaries

'I was jealous of her writing – the only writing I have been jealous of.' —Virginia Woolf Widely acknowledged as New Zealand's finest writer, Katherine Mansfield holds a special place in the hearts of New Zealanders. A new biography is a significant literary event. Katherine Mansfield: The Story-teller is the first new biography of Mansfield for a quarter of a century. It is published at a time when interest in Mansfield and her work is increasing throughout the world. Kathleen Jones gives a vivid portrayal of Mansfield, correcting previous misinterpretations of her illnesses and relationships, and weaving a compelling drama from the detail. The story extends further still, beyond Mansfield's death in 1923, to include the subsequent life of her husband, John Middleton Murry, shedding fascinating new light on the way Murry controversially manipulated the publication of some of Mansfield's unpublished work. Drawing astutely on Mansfield's own letters and journals, biographer Kathleen Jones, using the present tense throughout, has crafted a text unusually sparkling and intimate, providing a new kind of picture of this brilliant, original yet fragile writer. This is a major work, and a worthy addition to our understanding and appreciation of New Zealand's greatest writer.

Katherine Mansfield had a career-long engagement with the literary marketplace from the age of eighteen. This book examines how she developed as a writer within a range of book and periodical publishing contexts, reconsidering her writing's enactment of a commercially viable modern aesthetic in her experimentation with the short story form.