Patrick Khumandaty has a great reputation in the narcotic world as the best drug trafficker. When he used the Vatican without its knowledge, he discovered a genealogy that has been furtively hidden. Now he is on a revenge mission and a major scandal is about to be blown open.

A private meeting, chance encounters, and a mysterious tour of Lisbon, in this brilliant homage to Fernando Pessoa. In this enchanting and evocative novel, Antonio Tabucchi takes the reader on a dream-like trip to Portugal, a country he is deeply attached to. He spent many years there as director of the Italian Cultural Institute in Lisbon. He even wrote Requiem in Portuguese; it had to be translated into Italian for publication in his native Italy. Requiem's narrator has an appointment to meet someone on a quay by the Tagus at twelve. But, it turns out, not twelve noon, twelve midnight, so he has a long time to while away. As the day unfolds, he has many encounters—a young junky, a taxi driver who is not familiar with the streets, several waiters, a gypsy, a cemetery keeper, the mysterious Isabel, an accordionist, in all almost two dozen people both real and illusionary. Finally he meets The Guest, the ghost of the long dead great poet Fernando Pessoa. Part travelog, part autobiography, part fiction, and even a bit of a cookbook, Requiem becomes an homage to a country and its people, and a farewell to the past as the narrator lays claim to a literary forebear who, like himself, is an evasive and many-sided personality.

William S. Burroughs is one of the twentieth century's most visible, controversial, and baffling literary figures. In the first comprehensive study of the writer, Timothy S. Murphy places Burroughs in the company of the most significant intellectual minds of our time. In doing so, he gives us an immensely readable and convincing account of a man whose achievements continue to have a major influence on American art and culture. Murphy draws on the work of such philosophers as Gilles Deleuze, Félix Guattari, Theodor Adorno, and Jean-Paul Sartre, and also investigates the historical contexts from which Burroughs's writings arose. From the paranoid isolationism of the Cold War through the countercultural activism of the sixties to the resurgence of corporate and state control in the eighties, Burroughs's novels, films, and music hold a mirror to the American psyche. Murphy coins the term "amodernism" as a way to describe Burroughs's contested relationship to the canon while acknowledging the writer's explicit desire for a destruction of such systems of classification. Despite the popular mythology that surrounds Burroughs, his work has been largely excluded from the academy of American letters. Finally here is a book that presents a solid portrait of a major artistic innovator, a writer who combines aesthetics and politics and who can perform as anthropologist, social goad, or media icon, all with consummate skill.

In this time where children are fighting the battles of low self esteem and self worth, this book will be the equivalent to a refreshing glass of water to those who are thirsty or a breath of fresh air to those who need to breathe. It is my hope that this book will rekindle the fire of a declining American art form. This book is about healing. It contains essays, poems, and insights into dance and it works in a powerful effective way to change the quality of the individual's life experience for the better. Through dance, individuals can display pride, self-expression, and identity. For the students of Dr. E. Alma Flagg School, the history of Modem dance will speak to them personally, as well as culturally. A dance would look quite different without the influence of the African and Latin contribution. Throughout history we have discovered how dance has enabled people to communicate their thoughts and ideas and provide comfort in times of sorrow and misery. I Dance Because.... Is a gift of comfort, peace, hope and inspiration. Page by page you will feel the passion and heartfelt thoughts as dancers describe the reasons they dance. Mrs. Pope has enlisted the talents of many individuals, from many different places to speak to one thing that they all love, DANCING!! She serves as a teacher truly committed towards the promotion of her students as well as her art form. In a short time, I have witnessed her transform some of the most challenging students into individuals who believe in themselves and work diligently to meet her approval. She is truly an asset to our school and I applaud her efforts in compiling this extensive volume of information to motivate the next generations of dancers. Roy T. Wilson Principal Dr. E. Alma Flagg School

50 immortals, chosen by the emperor lead humanity in an endless war against hordes of ginant insects. Their immortality, conferred on them by the emperror can be taken away if they lose a challange to be part of the circle of 50. Jant, the emperor's drug-addicted messanger, the only man who can fly, tells the story of mankinds savage fight for survival in a uniquely imagined, beautiful fantasy world.

Junk is not, like alcohol or a weed, a means to increased enjoyment of life. Junk is not a kick. It is a way of life. In his debut novel, Junky, Burroughs fictionalized his experiences using and peddling heroin and other drugs in the 1950s into a work that reads like a field report from the underworld of post-war America. The Burroughs-like protagonist of the novel, Bill Lee, see-saws between periods of addiction and rehab, using a panoply of substances including heroin, cocaine, marijuana, paregoric (a weak tincture of opium) and goof balls (barbiturate), amongst others. For this definitive edition, renowned Burroughs scholar Oliver Harris has gone back to archival typescripts to re-created the author's original text word by word. From the tenements of New York to the queer bars of New Orleans, Junky takes the reader into a world at once long-forgotten and still with us today. Burroughs’s first novel is a cult classic and a critical part of his oeuvre.