Throughout his career Jacques Barzun, author of the New York Times bestseller and National Book Award Finalist From Dawn to Decadence, has always been known as a witty and graceful essayist, one who combines a depth of knowledge and a rare facility with words. Now Michael Murray has carefully selected eighty of Barzun's most inventive, accomplished, and insightful essays, and compiled them in one impressive volume. With subjects ranging from history to baseball to crime novels, A Jacques Barzun Reader is a feast for any reader.

A collection of 45 columns and essays by the three eminent writers, originally written for the bulletin of the Readers' Subscription Book Club.

This is the story of the career and ideas of one of the twentieth-century's leading intellectuals. Jacques Barzun was the author of some thirty books of biography, history, and cultural criticism, among them the best-sellers "The House of Intellect," an indictment of governmental and foundation interference with the autonomy of scholars and universities, and "From Dawn to Decadence," an argument that the West was falling into decay and incapacity.

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Criticizes the current educational system, and offers suggestions on curriculum, testing, grading, and teaching methods

A fter a lifetime of writing and editing prose, Jacques Barzun has set down his view of the best ways to improve one's style. His discussions of diction, syntax, tone, meaning, composition, and revision guide the reader through the technique of making the written word clear and agreeable to read. Exercises, model passages both literary and casual, and hundreds of amusing examples of usage gone wrong show how to choose the right path to self-expression in forceful and distinctive words.

From the celebrated cultural historian and bestselling author, a provocative history of the evolution of our ideas about art since the early nineteenth century In this witty, provocative, and learned book, acclaimed cultural historian and writer Jacques Barzun traces our changing attitudes to the arts over the past 150 years, suggesting that we are living in a period of cultural liquidation, nothing less than the ending of the modern age that began with the Renaissance. He challenges our conceptions and misconceptions about art “in order to reach a conclusion about its value and its drawbacks for life at the present time.”