It's hard to think of a solo female recording artist who has been as revered or as reviled over the course of her career as Tori Amos. Amy Gentry argues that these violent aesthetic responses to Amos's performance, both positive and negative, are organized around disgust-the disgust that women are taught to feel, not only for their own bodies, but for their taste in music. Released in 1996, Amos's third album, Boys for Pele, represents the height of Amos's willingness to explore the ugly qualities that make all of her music, even her more conventionally beautiful albums, so uncomfortably, and so wonderfully, strange. Using a blend of memoir, criticism, and aesthetic theory, Gentry argues that the aesthetics of disgust are useful for thinking in a broader way about women's experience of all art forms.

Makes extensive use of ancient Near Eastern sources, and employs medieval Jewish exegesis along with modern Israeli biblical scholarship.

CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.

There's been no sign of the Beautiful Dead for weeks. Darina achingly misses Phoenix all over again. But surely he will return with the rest of the Beautiful Dead as so much still remains unresolved. It's been ten months since Arizona drowned in Hartmann Lake. Suicide, it would seem. But something doesn't add up. Drowning herself in a hidden-away lake does not sound like strong, confident, Arizona: Ellerton High School's high-maintenance drama queen. Darina needs to help Arizona the way she helped Jonas. But time is running out ...