Cordelia Jameson is left alone after her brother’s death. He left her with $5000 which she knows won’t last forever and she doesn’t want to be alone. She wants a husband and children. She decides to become a mail-order bride and goes to Brides for the West to sign up. David Thomas survived his sociopath wife’s machinations. She was hung for attempted murder and kidnapping, though he would have divorced her in any case. He’d do anything to protect his four-year-old daughter Margie. But now that he’s moved out west, he realizes he needs someone to care for Margie and he needs a wife for himself since he wants more children, too. He’s vowed he won’t allow his emotions to get involved, not after what he went through with his first wife. While Cordelia is living at the boarding house, waiting for her mail-order groom, her brother’s former partner, Richard Lynch, finds her. He demands the money that her brother left her. She refuses and he backhands her sending her to the floor. If not for the interference of another of the brides, he might have beat her to death. When Cordelia leaves to marry David, she believes she’s left Richard behind her. But like a bad penny, he shows up in her new town making the same demands only this time he threatens Margie. Cordelia knows he won’t go away and even if she does give him the money, when he finds out that David is rich, he’ll be back again and again, blackmailing them. He has to be stopped. Now. But how?

When Enemies Become More than Friends -- THEY WIN In her first trial by fire, Cordelia Naismith captained a throwaway ship of the Betan Expeditionary Force on a mission to destroy an enemy armada. Discovering deception within deception, treachery within treachery, she was forced into a separate peace with her chief opponent, Lord Aral Vorkosigan -- he who was called "The Butcher of Komarr" -- and would consequently become an outcast on her own planet and the Lady Vorkosigan on his. Sick of combat and betrayal, she was ready to settle down to a quiet life, interrupted only by the occasional ceremonial appearances required of the Lady Vorkosigan. But when the Emperor died, Aral became guardian of the infant heir to the imperial throne of Barrayar -- and the target of high-tech assassins in a dynastic civil war that was reminiscent of Earth's Middle Ages, but fought with up-to-the minute biowar technology. Neither Aral nor Cordelia guessed the part that their cell-damaged unborn would play in Barrayari's bloody legacy.

FOLGER Shakespeare Library The world's leading center for Shakespeare studies Each edition includes: Freshly edited text based on the best early printed version of the play Full explanatory notes conveniently placed on pages facing the text of the play Scene-by-scene plot summaries A key to famous lines and phrases An introduction to reading Shakespeare's language An essay by a leading Shakespeare scholar providing a modern perspective on the play Illustrations from the Folger Shakespeare Library's vast holdings of rare books Essay by Susan Snyder The Folger Shakespeare Library in Washington, D.C., is home to theworld's largest collection of Shakespeare's printed works, and a magnet forShakespeare scholars from around the globe. In addition to exhibitions open tothe public throughout the year, the Folger offers a full calendar of performancesand programs. For more information, visit www.folger.edu

FIVE full-length standalone light historical mysteries in one volume! Join Cordelia, Lady Cornbrook and her eclectic household as she fights crime, unearths secrets, and fends off the advances of unsuitable men. These Victorian murder mysteries are set in Britain in the 1840s, and take a light, frothy look at the fun side of history. It's not quite Dickens. Maybe Dickens at a party after a few too many brandies. They are rooted in accuracy, though (there are author's notes at the back and everything, which makes it legit). In An Unmourned Man, we meet Cordelia for the first time. She's widowed, titled, entitled, and plunged into an exciting adventure which features a country doctor wearing only his shirt and breeches. There's callisthenics, a surly coachman, a cad with copious facial hair, laudanum and society balls. Riots and Revelations takes us to the grim north, which is all mills and rain and working class uprisings. There's a dashing cavalry officer and a passionate rabble-rousing Chartist, trouble at t'mill, wayward servants, night-time escapades with weaponry, and a large pig. In The House of Secrets and Lies returns Cordelia to London, and to the heart of British politics, which is actually more interesting than it sounds. Cordelia vows to stop a miscarriage of justice. But she is too rich to go into the lowest parts of Victorian London, too female to go into the clubs and coffee houses, and too scandalous to go to the parties and balls. The fourth book, Daughters of Disguise, leaves England and takes Cordelia and her household to Wales. It's a different country, with its own language, its own traditions, and its own history of justice. Cordelia has joined forces with the local constable, and together they are up against not only the murderer, but the local council ... and even the local people. And finally, in The Continental Gentleman, she confronts her past. It's not pleasant, but luckily she's armed with a short, stabby sword. It's late summer and Cordelia is rattling around her Surrey estate, annoying the servants and causing the gardeners to hide in the bushes. Her old friend – or nemesis – Hugo Hawke turns up, and he's closely followed by his own past. It's good news … at first. These novels contain innuendo but no graphic scenes or language, and may be considered clean and suitable for all readers.