After the death of her little brother, Thomasine's youngest cousin makes a discovery: a wardrobe, filled with all the mirrors missing from the big house of her great-great-aunt. Through the mirrors, the cousins discover a different world -- one in which you can find not what you most wish for, but perhaps what you most need.

A girl discovers the beauty in herself by looking into her Nana's eyes.

Famous professor Joseph Wieder was brutally murdered, and the crime was never solved. Years later when literary agent Peter Katz receives an incomplete memoir written by a student of the murdered professor, he becomes obsessed with solving the crime.

A moving ghost story that explores the overcoming of loss, and how to move on Thomasine has spent months living in her great-great-aunt's dusty, dark house with her father, and her aunt, uncle and cousins. While her father's siblings bicker about how much the house must be worth, her distant, elderly aunt is upstairs, dying, and her father has disappeared inside himself, still mourning the death of Thomasine's little brother. But one day, her youngest cousin makes a discovery: a wardrobe, filled with all the mirrors missing from the big house. And through the mirrors, a different world - one in which you can find not what you most wish for, but perhaps what you most need... A beautiful tale of love, grief and growing up, A House Without Mirrors is an unforgettable adventure into families and the power of love.

“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

There's a mid-sized trailer that sets its wheels down on the fairground every year, and on that trailer is a little room. In that little room, there are about thirty mirrors that are designed to be a confusing maze, and a challenge to escape from, once entered. The object of this house of mirrors is to see if you can walk through the maze of mirrors and get out on the other end without getting lost inside that maze of illusions. When I was a young child, I would get stuck in that maze so many times. I would always get fooled by the illusion that there was a way out right in front of me. But again, I would walk straight ahead, and bam! I would hit another mirror! Clearly, not the way out! Every year, I would go back to the fair to try it again. Each time I would ultimately find my way out, but not without a few knots on my forehead and a few tears of frustration. Why did I keep torturing myself, you may ask? Well, that's an easy answer for me. I would think about this House of Mirrors all year long between fairs, and I just really wanted to figure this out! I was pretty bent on knowing there must be an easier way to do this. A rocket scientist, I'm not; however, there are always great lessons to be learned in the process of figuring things out. Even though I spent many tickets at the fair during my childhood years trying to continually master this House of Mirrors, I just never felt like I really conquered it as a kid. There was always something missing. I haven't been in one of those House of Mirrors for many years now. It's been a couple of years since God showed me what I'm about to tell you, but the message came at a very opportune time in my life--when I really needed it, of course, because that's how God is and that is when He talks to me! Because He's cool like that.

NEW YORK TIMES BESTSELLER • “From The New Yorker’s beloved cultural critic comes a bold, unflinching collection of essays about self-deception, examining everything from scammer culture to reality television.”—Esquire Book Club Pick for Now Read This, from PBS NewsHour and The New York Times • “A whip-smart, challenging book.”—Zadie Smith • “Jia Tolentino could be the Joan Didion of our time.”—Vulture FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE’S JOHN LEONARD PRIZE FOR BEST FIRST BOOK • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY THE NEW YORK PUBLIC LIBRARY AND HARVARD CRIMSON AND ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • Time • Chicago Tribune • The Washington Post • NPR • Variety • Esquire • Vox • Elle • Glamour • GQ • Good Housekeeping • The Paris Review • Paste • Town & Country • BookPage • Kirkus Reviews • BookRiot • Shelf Awareness Jia Tolentino is a peerless voice of her generation, tackling the conflicts, contradictions, and sea changes that define us and our time. Now, in this dazzling collection of nine entirely original essays, written with a rare combination of give and sharpness, wit and fearlessness, she delves into the forces that warp our vision, demonstrating an unparalleled stylistic potency and critical dexterity. Trick Mirror is an enlightening, unforgettable trip through the river of self-delusion that surges just beneath the surface of our lives. This is a book about the incentives that shape us, and about how hard it is to see ourselves clearly through a culture that revolves around the self. In each essay, Tolentino writes about a cultural prism: the rise of the nightmare social internet; the advent of scamming as the definitive millennial ethos; the literary heroine’s journey from brave to blank to bitter; the punitive dream of optimization, which insists that everything, including our bodies, should become more efficient and beautiful until we die. Gleaming with Tolentino’s sense of humor and capacity to elucidate the impossibly complex in an instant, and marked by her desire to treat the reader with profound honesty, Trick Mirror is an instant classic of the worst decade yet. FINALIST FOR THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD FOR THE ART OF THE ESSAY