A House and its Atmosphere is a meditative essay about the experience of designing and building a house of one¿s own. Told in seventy black and white photographs and a series of narrative excursions, architect Ben Jacks reflects on a lifetime of influences as he reveals the personal nature of inhabiting a place at the edge of a tidal cove on an island in Maine. In the book he quietly advocates for the simple logic and modest ease of direct experience and an observational perspective in architecture. In chapters about imagining, walking, and designing Ben Jacks reflects on the essence of architectural experience, describing what it is like to begin to make momentous decisions, arguing that aesthetic experience is the result of how one has learned to see. Memory, family, nature, relationships, and work inform design at every step. A House and its Atmosphere is a grounded story about designing and building a small work of architecture. With students of architecture and amateur builders in mind, Ben Jacks makes a case for design informed by theories of place-identification, detail, and craft. The book is a primary source and a chronicle of experience of radical empiricism. As such it offers a kind of conceptual tool kit for those interested in thinking about the processes of architecture, designing, and placemaking. The book is a fresh and valuable contribution to the shelter memoir genre, from a professional architect¿s perspective.

Earth's atmospheric layers include the exosphere, thermosphere, mesosphere, stratosphere, and troposphere. How and why have scientists divided Earth's atmosphere into these layers? What exactly are these layers made up of? What happens in each layer? Readers will learn the answers to these questions and more in this enriching text that supports curricular science studies. Readers will identify the various traits of each of the atmospheric layers, ascertain their functions, and appreciate their significance in regulating conditions on Earth.

While there is a tacit appreciation that freedom from violence will lead to more prosperous relations among peoples, violence continues to be deployed for various political and social ends. Yet the problem of violence still defies neat description, subject to many competing interpretations. Histories of Violence offers an accessible yet compelling examination of the problem of violence as it appears in the corpus of canonical figures – from Hannah Arendt to Frantz Fanon, Michel Foucault to Slavoj Žižek – who continue to influence and inform contemporary political, philosophical, sociological, cultural, and anthropological study. Written by a team of internationally renowned experts, this is an essential interrogation of post-war critical thought as it relates to violence.

Incorporating historical, sociological, and philosophical approaches, Changing the Atmosphere presents detailed empirical studies of climate science and its uptake into public policy.

How will the human body, collective and individual, cope with the estimated increases in global air temperatures and in the earth's corresponding thermal stress? Atmosphere Anatomies: On Design, Weather, and Sensation offers an in-depth examination of design strategies that situate the body and its bioclimatic milieu at the core of their spatial formation. Drawing upon ten paradigmatic projects in urban design and landscape architecture - from Rousham Gardens, Oxfordshire, to the city of Chandigarh in India - the book investigates the designers' bioclimatic aims and their spatial outcomes. Woven throughout the book, the evocative photographic essays of Iwan Baan showcase the selected projects as inhabited spaces for everyday life.

Elements of Architecture explores new ways of engaging architecture in archaeology. It conceives of architecture both as the physical evidence of past societies and as existing beyond the physical environment, considering how people in the past have not just dwelled in buildings but have existed within them. The book engages with the meeting point between these two perspectives. For although archaeologists must deal with the presence and absence of physicality as a discipline, which studies humans through things, to understand humans they must also address the performances, as well as temporal and affective impacts, of these material remains. The contributions in this volume investigate the way time, performance and movement, both physically and emotionally, are central aspects of understanding architectural assemblages. It is a book about the constellations of people, places and things that emerge and dissolve as affective, mobile, performative and temporal engagements. This volume juxtaposes archaeological research with perspectives from anthropology, architecture, cultural geography and philosophy in order to explore the kaleidoscopic intersections of elements coming together in architecture. Documenting the ephemeral, relational, and emotional meeting points with a category of material objects that have defined much research into what it means to be human, Elements of Architecture elucidates and expands upon a crucial body of evidence which allows us to explore the lives and interactions of past societies.

Stylistics has become the most common name for a discipline which at various times has been termed 'literary linguistics', 'rhetoric', 'poetics', 'literary philology' and 'close textual reading'. This Handbook is the definitive account of the field, drawing on linguistics and related subject areas such as psychology, sociology, anthropology, educational pedagogy, computational methods, literary criticism and critical theory. Placing stylistics in its intellectual and international context, each chapter includes a detailed illustrative example and case study of stylistic practice, with arguments and methods open to examination, replication and constructive critical discussion. As an accessible guide to the theory and practice of stylistics, it will equip the reader with a clear understanding of the ethos and principles of the discipline, as well as with the capacity and confidence to engage in stylistic analysis.