Chicago has for decades years been one of the most prominent cities where European surrealism is avidly collected and displayed. However, there has yet to be a scholarly exhibition and catalogue that addresses the local manifestations of this international mode of art. A Home for Surrealism focuses on a select group of painters whose work in the 1940s and '50s both transformed the domestic and domesticated the surrealist, particularly in Chicago. Working independently, but within a chain of social and artistic relationships, this group explored the interior as a site of projected imagination and fantasy, and the self as the generator of such altered perception. Including contributions by Robert Cozzolino, Adam Jolles, and Joanna Pawlik, the book provides a richly illustrated account of an international movement's unlikely--but somehow ever so fitting--home in America.

"This multi-disciplinary and cross-generational project explores the central importance of the house within surrealism and its legacies. It brings the first surrealists together with contemporary artists, film-makers and architects. Through a strategy of accumulation and poetic contamination, each informs the other."--Back cover.

"An indispensable tool ... for the student of Surrealism and book illustration ... [and] also for those interested in the complicated intrications between literature and pictorial movements from Romanticism to present-day Postmodernism"--Blurb.

Born in 1989 to wealthy American parents in upstate New York, American Surrealist painter Kay Sage became a member of the Surrealist art movement in Paris in 1937. Along with an eloquent chronicle of Sage's life, Judith Suther shows how not only Sage's art but also the iconoclastic themes of her poetic works were related to Sage's lifelong revolt against social and artistic convention. 78 illustrations. 10 color plates.

A revised edition of Whitney Chadwick’s seminal work on the women artists who shaped the Surrealist art movement. This pioneering book stands as the most comprehensive treatment of the lives, ideas, and art works of the remarkable group of women who were an essential part of the Surrealist movement. Leonora Carrington, Frida Kahlo, and Dorothea Tanning, among many others, embodied their age as they struggled toward artistic maturity and their own “liberation of the spirit” in the context of the Surrealist revolution. Their stories and achievements are presented here against the background of the turbulent decades of the 1920s, ’30s, and ’40s and the war that forced Surrealism into exile in New York and Mexico. Whitney Chadwick, author of the highly acclaimed Women, Art, and Society, interviewed and corresponded with most of the artists themselves in the course of her research. Women Artists and the Surrealist Movement, now revised with a new foreword by art historian Dawn Ades, contains a wealth of extracts from unpublished writings and numerous illustrations never before reproduced. Since this book was first published, it has acquired the undeniable status of a classic among artists, art historians, critics, and cultural historians. It has inspired and necessitated a revision of the story of the Surrealist movement.

Drawing, often considered a minor art form, was central to surrealism from its very beginnings. Automatic drawing, exquisite corpses, and frottage are just a few of the techniques invented by surrealists to tap into the subconscious realm. Drawing Surrealism recognizes the medium as a fundamental form of surrealist expression and explores its impact on other media. Works of collage, photography, and even painting are presented in the context of drawing as a metaphor for innovation and experimentation. This volume, in addition to brilliant reproductions of drawings and other works by approximately one hundred artists, includes a substantial historical essay and illustrated chronology by the exhibition's curator, Leslie Jones, as well as informative essays by leading scholars Isabelle Dervaux and Susan Laxton. It also encompasses the contributions of a wide array of artists on a global scale - from the great figures in surrealist history to lesser-known surrealists from Japan, central Europe, and the Americas, where the movement had profound and lasting effects on the arts. Drawing Surrealism, which will become a definitive resource on the subject, offers a deep understanding of the techniques and concerns that made surrealism such an intimate perceptual revolution.

Surrealism Beyond Borders challenges conventional narratives of a revolutionary artistic, literary, and philosophical movement. Tracing Surrealism's influence and legacy from the 1920s to the late 1970s in places as geographically diverse as Colombia, Czechoslovakia, Egypt, Japan, Korea, Mexico, the Philippines, Romania, Syria, Thailand, and Turkey, this publication includes more than 300 works of art in a variety of media by well-known figures—including Dalí, Ernst, Kahlo, Magritte, and Miró—as well as numerous artists who are less widely known. Contributions from more than forty distinguished international scholars explore the network of Surrealist exchange and collaboration, artists' responses to the challenges of social and political unrest, and the experience of displacement and exile in the twentieth century. The multiple narratives addressed in this expansive book move beyond the borders of history, geography, and nationality to provocatively redraw the map of Surrealism.