Till the researches of modern historians proved the contrary, a widespread belief existed in this country that the accession of Elizabeth was hailed by the majority of the nation as the deliverance of an enthralled and coerced people from the bondage of Home. In view, however, of known facts, even hostile critics are forced to admit that the final establishment of the tenets of the Heformation ill England was the outcome of a slow process of evolution-assisted, it is true, by a protestant legislature and several favorable local circumstances, but still an evolution-which lasted the greater part of a century. At the outset, little if anything presaged the ultimate and mighty change. The Queen received the congratulations of the episcopate with approbation and caused Masses to be duly sung for her sister's soul. In her own domestic chapel she continued to be present at the angnst sacrifice of the Catholic Church, frequently availed herself of Confession, manifested respect for sacred images and pictures, and was I indulgent to the affectionate practice of praying for the souls of the departed.' In a word, she showed by her whole demeanour her resolution of abiding by her solemn oath to the late Queen' to live and die a true Roman Catholic.'

The twelfth-century French poet Chrétien de Troyes is a major figure in European literature. His courtly romances fathered the Arthurian tradition and influenced countless other poets in England as well as on the continent. Yet because of the difficulty of capturing his swift-moving style in translation, English-speaking audiences are largely unfamiliar with the pleasures of reading his poems. Now, for the first time, an experienced translator of medieval verse who is himself a poet provides a translation of Chrétien’s major poem, Yvain, in verse that fully and satisfyingly captures the movement, the sense, and the spirit of the Old French original. Yvain is a courtly romance with a moral tenor; it is ironic and sometimes bawdy; the poetry is crisp and vivid. In addition, the psychological and the socio-historical perceptions of the poem are of profound literary and historical importance, for it evokes the emotions and the values of a flourishing, vibrant medieval past.

"Swedenborg's brief summary of his teachings about the New Jerusalem, the new spiritual age that he said began in the eighteenth century, with extensive references to his multi-volume Secrets of Heaven for further reading"--

In 1770 there were fewer than 1,000 Methodists in America. Fifty years later, the church counted more than 250,000 adherents. Identifying Methodism as America's most significant large-scale popular religious movement of the antebellum period, John H. Wigger reveals what made Methodism so attractive to post-revolutionary America. Taking Heaven by Storm shows how Methodism fed into popular religious enthusiasm as well as the social and economic ambitions of the "middling people on the make"--skilled artisans, shopkeepers, small planters, petty merchants--who constituted its core. Wigger describes how the movement expanded its reach and fostered communal intimacy and "intemperate zeal" by means of an efficient system of itinerant and local preachers, class meetings, love feasts, quarterly meetings, and camp meetings. He also examines the important role of African Americans and women in early American Methodism and explains how the movement's willingness to accept impressions, dreams, and visions as evidence of the work and call of God circumvented conventional assumptions about education, social standing, gender, and race. A pivotal text on the role of religion in American life, Taking Heaven by Storm shows how the enthusiastic, egalitarian, entrepreneurial, lay-oriented spirit of early American Methodism continues to shape popular religion today.