In the late 1830s or early 1840s, probably at the insistence of his family and friends, Alder composed his memoirs, in which he recounted his life with the Ohio Indians and his experiences as one of the area's earliest pioneers."--Jacket.

Reveals the author's tricks and tips to achieve a unique look at home from aranging pillowscapes and consoles to adding eccentric objects and artwork.

Rebecca Dickinson's powerful voice, captured through excerpts from the pages of her journal, allows colonial and revolutionary-era New England to come alive. Dickinson's life illustrates the dilemmas faced by many Americans in the decades before, during, and after the American Revolution, as well as the paradoxes presented by an unmarried woman who earned her own living and made her own way in the small town where she was born. Rebecca Dickinson: Independence for a New England Woman, uses Dickinson's world as a lens to introduce readers to the everyday experience of living in the colonial era and the social, cultural, and economic challenges faced in the transformative decades surrounding the American Revolution. About the Lives of American Women series: selected and edited by renowned women's historian Carol Berkin, these brief biographies are designed for use in undergraduate courses. Rather than a comprehensive approach, each biography focuses instead on a particular aspect of a women's life that is emblematic of her time, or which made her a pivotal figure in the era. The emphasis is on a 'good read', featuring accessible writing and compelling narratives, without sacrificing sound scholarship and academic integrity. Primary sources at the end of each biography reveal the subject's perspective in her own words. Study questions and an annotated bibliography support the student reader.

Winner of the Hemingway Foundation/PEN Award, this is one of the defining books of the 1970s, an experimental novel about a young journalist trying to navigate life in America. When Speedboat burst on the scene in the late ’70s it was like nothing readers had encountered before. It seemed to disregard the rules of the novel, but it wore its unconventionality with ease. Reading it was a pleasure of a new, unexpected kind. Above all, there was its voice, ambivalent, curious, wry, the voice of Jen Fain, a journalist negotiating the fraught landscape of contemporary urban America. Party guests, taxi drivers, brownstone dwellers, professors, journalists, presidents, and debutantes fill these dispatches from the world as Jen finds it. A touchstone over the years for writers as different as David Foster Wallace and Elizabeth Hardwick, Speedboat returns to enthrall a new generation of readers.