Poetry. Fiction. Pacific Island Studies. The anthology is the product of the combined vision of three organizations dedicated to the enhancement of education in Hawaii: Bamboo Ridge Press, Curriculum Research and Development Group, and Hawaii Education Association.

This imaginative and colorful collection of more than 150 poems contains work by poets from many Pacific lands as well as from Europe, Asia, and the Americas. The poems were gathered especially but not exclusively for young readers. Most were written in English, but a few were translated from their original languages. Unlike conventional anthologies, Fire in the Sea places the rich traditional and contemporary poetry of Hawai‘i and the Pacific (often overlooked by anthologists) alongside better-known works from the East and West. Selected works of art from the collections of the Honolulu Academy of Arts accompany the poems.

Hanahana, reduplication of the Hawaiian word, hana, is a pidgin term for work. Originally used by those who labored on the sugar plantations, it later came to be used by other workers in Hawaii. The term, as well as the hard work and way of life it connotes, transcended ethnic and cultural barriers, providing people with a shared understanding of the work experience. Thus, the term's meaning, mixed origin, and common use by workers make it an appropriate title for this anthology, which features oral history narratives of twelve working people. These narratives show us how some workers felt and lived, enrich our understanding of workers in twentieth-century Hawaii, and remind us that history is in the main about men and women like ourselves, who - when given a chance - can present their life stories with eloquence, understanding, and an unmatched sense of realism.

Portraits of paradise : the Hawaii of history, legend, and literature by Mark Twain, Robert Louis Stevenson, Jack London, Herman Melville and others.

This revised, expanded anthology, compiled and edited by pioneering scholar and translator Peter H. Lee, offers a representative selection of traditional Korean literature. Its rich and diverse selections, covering all genres and forms written in classical (literary) Chinese and the vernacular Korean language, were chosen for both their literary merit and socio-historical engagement with their times. Divided into four parts—verse, prose, fiction, and oral literature—representing the four major branches of traditional Korean literature, it includes previously undervalued or suppressed texts such as Koryǒ love lyrics, shamanist narrative songs, and p’ansori—creations composed in the mind, retained in memory, sung to audiences, and heard, not read. Every effort has been made to render Korea’s literary past credibly and meaningfully. With its fresh translations and new examples of oral literature and fiction, this comprehensive, one-volume anthology will provide students and general readers with the means to gain a deep appreciation of Korean literature and its interconnections with other East Asian literatures.