Praise for Mind Gym "Believing in yourself is paramount to success for any athlete. Gary's lessons and David's writing provide examples of the importance of the mental game." --Ben Crenshaw, two-time Masters champion and former Ryder Cup captain "Mind Gym hits a home run. If you want to build mental muscle for the major leagues, read this book." --Ken Griffey Jr., Major League Baseball MVP "I read Mind Gym on my way to the Sydney Olympics and really got a lot out of it. Gary has important lessons to teach, and you'll find the exercises fun and beneficial." --Jason Kidd, NBA All-Star and Olympic gold-medal winner In Mind Gym, noted sports psychology consultant Gary Mack explains how your mind influences your performance on the field or on the court as much as your physical skill does, if not more so. Through forty accessible lessons and inspirational anecdotes from prominent athletes--many of whom he has worked with--you will learn the same techniques and exercises Mack uses to help elite athletes build mental "muscle." Mind Gym will give you the "head edge" over the competition.

Part of the regionalist movement that included Grant Wood, Paul Engle, Hamlin Garland, and Jay G. Sigmund, James Hearst helped create what Iowa novelist Ruth Suckow called a poetry of place. A lifelong Iowa farner, Hearst began writing poetry at age nineteen and eventually wrote thirteen books of poems, a novel, short stories, cantatas, and essays, which gained him a devoted following Many of his poems were published in the regionalist periodicals of the time, including the Midland, and by the great regional presses, including Carroll Coleman's Prairie Press. Drawing on his experiences as a farmer, Hearst wrote with a distinct voice of rural life and its joys and conflicts, of his own battles with physical and emotional pain (he was partially paralyzed in a farm accident), and of his own place in the world. His clear eye offered a vision of the midwestern agrarian life that was sympathetic but not sentimental - a people and an art rooted in place.

The e-mail Danny and Allison read on their new computer in 1996 looks no different from the millions of others received by Web users around the world, with one glaring exception--it was sent by their dads who died during the 1970s. While residing in the afterworld at an amenity-laden paradise called Midway Manor, guitar-strumming Mickey Parks and piano-playing Lloyd Wallace monitor and manipulate the lives of their adult children on earth from the mid-'70s through the 1990s. Tampering with the facility's sophisticated computer, the dads thrust Mickey's daughter Allison and Lloyd's son Danny into a passionate but sometimes stormy relationship-a relationship steeped in Danny's heavy drinking and entangled in the often-zany world of men's adventure magazine publishing. After carefully implementing a plan to send their son and daughter a gift of knowledge that could enrich their lives forever, the dads' brief contact is cut short. They are banished to another destination in the afterworld, but not before they impart indisputable proof of life after death--and unwittingly put Danny's and Allison's earthbound lives on the line.

This autobiography details the life of Daisy Hurst (Mrs. J. Borden) Harriman, a wealthy New York woman who worked diligently for issues concerning working-class women. Harriman was one of the women who lent her financial support to the shirtwaist workers' strike in 1909. In addition, with Mrs. Oliver H.P. Belmont and Miss Anne Morgan, she helped organize a strike meeting of the WTUL at the Colony Club, the first women's social club in New York City, which she also helped organize. In 1912, she was named by Woodrow Wilson to serve on the Federal Industrial Relations Commission.

Framed by his father, "reformed" supervillain Colonel Chaos, super-speedster Chris Fairborne, AKA Crimsonstreak, is sent to the Clermont Institution for the Criminally Insane. A hero surrounded by dastardly inmates and heartless guards, Chris struggles to keep his wits about him, until the arrival of some unexpected new "guests" at the facility provides him with a means for escape. Once out, though, he discovers that the world he knew is gone, replaced by a fascist, supposedly utopian state run by none other than Colonel Chaos himself. With the heroes of the world locked away or fighting in a disorganized resistance, Crimsonstreak teams up with a snarky British butler and a teenage superhero-to-be. Together, the unlikely (and bickering) allies must take down Crimsonstreak's dad and set the world right. Not easy when your only powers are super-speed and looking good in spandex. But hey, someone's got to save the world. - - - I, Crimsonstreak is a first-person superhero novel brimming with parallel universes, stuffy British butlers, crafty supervillains, cloning, gadgets, a fascist police state disguised as a utopian society, and enough geeky pop culture references to stun a Wookie.

Poetry. Spanning more than forty years of writing, UNION RIVER takes us across the national landscape and mindscape with poems and sketches that delve into our common experience. This lyrical Americana address combines memory work, ecstatic reports from the field, invented scenes, street voices, blog posts, daily news, and representations of life in these states. Writing in closed and open forms, Marion works the language for the best it can give. He shows us the difference between looking and seeing, between hearing and listening, between knowing and understanding. Our nation is a place of grandeur, pain, constant churn, and regular renewal. Every person makes the democratic republic new each day, for good or bad. Paul Marion wants us to use "America" as a verb, an action word.

The definitive collection of Tom Sexton's poems about his hometown of Lowell, Massachusetts, where he grew up after World War II before leaving for military service and higher education. He would settle in Alaska and teach for decades at the University of Alaska, where he co-founded the respected Alaska Quarterly Review. His Lowell poems are lyrical and candid, extracting the innate beauty and tragedy in a working-class mill town down on its luck but full of people with gumption and sometimes incredible optimism. He paints the people, the streetscapes, and the nature of an historic river city, a one-time tribal capital before the label New England and then the archetypal factory city of the American Industrial Revolution before the Civil War, a place that had to been seen by Charles Dickens, Davy Crockett, and young Abe Lincoln, a break-out location for working women who became labor organizers, and eventually a classic post-industrial city passed by when the business titans moved manufacturing to less expensive places. Sexton captures the reality of a hard-luck place without nostalgia and finds the dignity in lives lived within a tight circle. He was able to rise to an upper orbit through service and study, returning to his starting place through poems that offer a priceless gift, a lasting literature for present and future generations.