The core of the work is a systematically arranged listing of 2,558 sound glosses and 345 Buddhist transcriptions. Chinese characters in each entry are supplied with Middle Chinese and Eastern Han reconstructed forms.

This is the first Western study of the philosophy of Xu Gan (170-217), a Confucian thinker who lived at a nodal point in the history of Chinese thought, when Han scholasticism had become ossified and the creative and independent quality that characterized Wei-Jin thought was just emerging. As the theme of his study, Makeham develops an original and richly detailed account of ming shi, ‘name and actuality,’ one of the key pairs of concepts in early Chinese thought. He shows how Xu Gan’s understanding of the ‘name and actuality’ relationship was most immediately influenced by Xu Gan’s understanding of why the Han dynasty had collapsed, yet had its roots in a tradition of discourse that spanned the classical period (circa 500-150 B.C.E.). In reconstructing the philosophical background of Xu Gan’s understanding of the relationship between ‘name and actuality,’ Makeham identifies two antithetical theories of naming in early Chinese thought—nominalist and correlative—a distinction that is as great as the Realist-Nominalist distinction of Western thought. He shows how Xu Gan’s views on the name and actuality relationship were animated, on the one hand, by a rejection of nominalist theories of naming, and on the other hand, by a novel appropriation of correlative theories of naming. The study also analyzes two of the more immediate social and intellectual issues in the late Eastern Han (25-220) period that had prompted Xu Gan to discuss the name and actuality relationship: the ethos of the scholar-gentry (ming jiao) and Han approaches to classical scholarship. Makeham demonstrates how Xu Gan’s critique of these matters is valuable not only as a late Han philosophical account of what had led to the demise of the 400-year-old Han dynasty, but also as a mode of conceptualizing that contributed to the new direction that philosophical thinking took in the third century C.E..

Although long out of date, Bernard Karlgren’s (1957) remains the most convenient work for looking up Middle Chinese (ca. A.D. 600) and Old Chinese (before 200 B.C.) reconstructions of all graphs that occur in literature from the beginning of writing (ca. 1250 B.C.) down to the third century B.C. In the present volume, Axel Schuessler provides a more current reconstruction of Old Chinese, limiting it, as far as possible, to those post-Karlgrenian phonological features of Old Chinese that enjoy some consensus among today’s investigators. At the same time, the updating of the material disregards more speculative theories and proposals. Schuessler refers to these minimal forms as "Minimal Old Chinese" (OCM). He bases OCM on Baxter’s 1992 reconstructions but with some changes, mostly notational. In keeping with its minimal aspect, the OCM forms are kept as simple as possible and transcribed in an equally simple notation. Some issues in Old Chinese phonology still await clarification; hence interpolations and proposals of limited currency appear in this update. Karlgren’s Middle Chinese reconstructions, as emended by Li Fang-kuei, are widely cited as points of reference for historical forms of Chinese as well as dialects. This emended Middle Chinese is also supplied by Schuessler. Another important addition to Karlgren’s work is an intermediate layer midway between the Old and Middle Chinese periods known as "Later Han Chinese" (ca. second century A.D.) The additional layer makes this volume a useful resource for those working on Han sources, especially poetry. This book is intended as a "companion" to the original Grammata Serica Recensa and therefore does not repeat other information provided there. Matters such as English glosses and references to the earliest occurrence of a graph can be looked up in Grammata Serica Recensa itself or in other relevant dictionaries. The great accomplishment of this companion volume is to update an essential reference and thereby fulfill the need for an accessible and user-friendly source for citing the various historically reconstructed stages of Chinese.

TRENDS IN LINGUISTICS is a series of books that open new perspectives in our understanding of language. The series publishes state-of-the-art work on core areas of linguistics across theoretical frameworks as well as studies that provide new insights by building bridges to neighbouring fields such as neuroscience and cognitive science. TRENDS IN LINGUISTICS considers itself a forum for cutting-edge research based on solid empirical data on language in its various manifestations, including sign languages. It regards linguistic variation in its synchronic and diachronic dimensions as well as in its social contexts as important sources of insight for a better understanding of the design of linguistic systems and the ecology and evolution of language. TRENDS IN LINGUISTICS publishes monographs and outstanding dissertations as well as edited volumes, which provide the opportunity to address controversial topics from different empirical and theoretical viewpoints. High quality standards are ensured through anonymous reviewing.

This work offers a sweeping re-assessment of the Jiankang Empire (3rd-6th centuries CE), known as the Chinese "Southern Dynasties." It shows how, although one of the medieval world's largest empires, Jiankang has been rendered politically invisible by the standard narrative of Chinese nationalist history, and proposes a new framework and terminology for writing about medieval East Asia. The book pays particular attention to the problem of ethnic identification, rejecting the idea of "ethnic Chinese," and delineating several other, more useful ethnographic categories, using case studies in agriculture/foodways and vernacular languages. The most important, the Wuren of the lower Yangzi region, were believed to be inherently different from the peoples of the Central Plains, and the rest of the book addresses the extent of their ethnogenesis in the medieval era. It assesses the political culture of the Jiankang Empire, emphasizing military strategy, institutional cultures, and political economy, showing how it differed from Central Plains-based empires, while having significant similarities to Southeast Asian regimes. It then explores how the Jiankang monarchs deployed three distinct repertoires of political legitimation (vernacular, Sinitic universalist, and Buddhist), arguing that the Sinitic repertoire was largely eclipsed in the sixth century, rendering the regime yet more similar to neighboring South Seas states. The conclusion points out how the research re-orients our understanding of acculturation and ethnic identification in medieval East Asia, generates new insights into the Tang-Song transition period, and offers new avenues of comparison with Southeast Asian and medieval European history.

The Wen xuan, compiled by Xiao Tong (501-531), is the oldest surviving anthology of Chinese literary genres. It was one of the primary sources of literary knowledge for educated Chinese in the premodern period, and it is still the essential handbook for specialists in pre-Tang literature. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This unique study argues that in the Qin-Han period, there arose in China a regime of textual authority_one that overlapped but did not coincide with imperial authority. Drawing on a wide range of research and theory, Connery makes an original contribution to the analysis of early imperial elite culture, particularly in the fields of literature and linguistics, intellectual, and institutional history. The author provides new contexts for thinking about canonization and textual transmission systems, an innovative framework for analysis and discussion of the early imperial elite, a socio-ideological exploration of one strand of late Han 'Confucian' thought, and a critique of the concepts of subjectivity and the 'birth of lyricism' in China.