What is the occupation? -- Why has the occupation lasted this long? -- How has the occupation transformed the Israeli-Palestinian conflict?

The Israel-Palestine conflict is one of the world’s most polarizing confrontations. Its current phase, Israel’s “temporary” occupation of the West Bank, Gaza, and East Jerusalem, turned a half century old in June 2017. In these timely and provocative essays, Gershon Shafir asks three questions—What is the occupation, why has it lasted so long, and how has it transformed the Israeli-Palestinian conflict? His cogent answers illuminate how we got here, what here is, and where we are likely to go. Shafir expertly demonstrates that at its fiftieth year, the occupation is riven with paradoxes, legal inconsistencies, and conflicting interests that weaken the occupiers’ hold and leave the occupation itself vulnerable to challenge.

Janowitz examines the societal changes that have weakened the electoral system and contributed to the further decline of social control, and encourages the development of new forms of citizen participation.

In Apartheid Israel: The Politics of an Analogy, eighteen scholars of Africa and its diaspora reflect on the similarities and differences between apartheid-era South Africa and contemporary Israel, with an eye to strengthening and broadening today’s movement for justice in Palestine.

Bringing together essays and photographs by leading Israeli practitioners, and complemented by maps, plans and statistical data, A Civilian Occupation explores the processes and repercussions of Israeli planning and its underlying ideology. It demonstrates how, over the last century, planning and architecture have been transformed from everyday professional practices into strategic weapons in the service of the state, which has sought to secure national and geopolitical objectives through the organization of space and in the redistribution of its population. In fact, as the book shows, Israeli architecture has consistently provided the concrete means for the pursuit of the Zionist project of building a national home for the Jewish people in the Land of Israel. As such, it is the first study to supplement the more familiar political, military and historical analysis of the Israel-Palestine conflict with a detailed description of the physical environments in which it is played out. The banning of the first edition of this book by its original publisher was proof, if any were needed, that architecture in Israel, indeed architecture anywhere, can no longer be considered a politically naive activity: the politics of Israeli architecture is the politics of any architecture.

A landmark history of one hundred years of war waged against the Palestinians from the foremost US historian of the Middle East, told through pivotal events and family history In 1899, Yusuf Diya al-Khalidi, mayor of Jerusalem, alarmed by the Zionist call to create a Jewish national home in Palestine, wrote a letter aimed at Theodore Herzl: the country had an indigenous people who would not easily accept their own displacement. He warned of the perils ahead, ending his note, “in the name of God, let Palestine be left alone.” Thus Rashid Khalidi, al-Khalidi’s great-great-nephew, begins this sweeping history, the first general account of the conflict told from an explicitly Palestinian perspective. Drawing on a wealth of untapped archival materials and the reports of generations of family members—mayors, judges, scholars, diplomats, and journalists—The Hundred Years' War on Palestine upends accepted interpretations of the conflict, which tend, at best, to describe a tragic clash between two peoples with claims to the same territory. Instead, Khalidi traces a hundred years of colonial war on the Palestinians, waged first by the Zionist movement and then Israel, but backed by Britain and the United States, the great powers of the age. He highlights the key episodes in this colonial campaign, from the 1917 Balfour Declaration to the destruction of Palestine in 1948, from Israel’s 1982 invasion of Lebanon to the endless and futile peace process. Original, authoritative, and important, The Hundred Years' War on Palestine is not a chronicle of victimization, nor does it whitewash the mistakes of Palestinian leaders or deny the emergence of national movements on both sides. In reevaluating the forces arrayed against the Palestinians, it offers an illuminating new view of a conflict that continues to this day.

In An Aesthetic Occupation Daniel Bertrand Monk unearths the history of the unquestioned political immediacy of “sacred” architecture in the conflict between Palestinians and Israelis. Monk combines groundbreaking archival research with theoretical insights to examine in particular the Mandate era—the period in the first half of the twentieth century when Britain held sovereignty over Palestine. While examining the relation between monuments and mass violence in this context, he documents Palestinian, Zionist, and British attempts to advance competing arguments concerning architecture’s utility to politics. Succumbing neither to the view that monuments are autonomous figures onto which political meaning has been projected, nor to the obverse claim that in Jerusalem shrines are immediate manifestations of the political, Monk traces the reciprocal history of both these positions as well as describes how opponents in the conflict debated and theorized their own participation in its self-representation. Analyzing controversies over the authenticity of holy sites, the restorations of the Dome of the Rock, and the discourse of accusation following the Buraq, or Wailing Wall, riots of 1929, Monk discloses for the first time that, as combatants looked to architecture and invoked the transparency of their own historical situation, they simultaneously advanced—and normalized—the conflict’s inability to account for itself. This balanced and unique study will appeal to anyone interested in Israel or Zionism, the Palestinians, the Middle East conflict, Jerusalem, or its monuments. Scholars of architecture, political theory, and religion, as well as cultural and critical studies will also be informed by its arguments.