This book reviews the history of the interface between morpho-syntax and phonology roughly since World War II. Structuralist and generative interface thinking is presented chronologically, but also theory by theory from the point of view of a historically interested observer who however in the last third of the book distills lessons in order to assess present-day interface theories, and to establish a catalogue of properties that a correct interface theory should or must not have. The book also introduces modularity, the rationalist theory of the (human) cognitive system that underlies the generative approach to language, from a Cognitive Science perspective. Modularity is used as a referee for interface theories in the book. Finally, the book locates the interface debate in the landscape of current minimalist syntax and phase theory and fosters intermodular argumentation: how can we use properties of morpho-syntactic theory in order to argue for or against competing theories of phonology (and vice-versa)?

The Routledge Handbook of Phonological Theory provides a comprehensive overview of the major contemporary approaches to phonology. Phonology is frequently defined as the systematic organisation of the sounds of human language. For some, this includes aspects of both the surface phonetics together with systematic structural properties of the sound system; for others, phonology is seen as distinct from, and autonomous from, phonetics. The Routledge Handbook of Phonological Theory surveys the differing ways in which phonology is viewed, with a focus on current approaches to phonology. Divided into two parts, this handbook: covers major conceptual frameworks within phonology, including: rule-based phonology; Optimality Theory; Government Phonology; Dependency Phonology; and connectionist approaches to generative phonology; explores the central issue of the relationship between phonetics and phonology; features 23 chapters written by leading academics from around the world. The Routledge Handbook of Phonological Theory is an authoritative survey of this key field in linguistics, and is essential reading for students studying phonology.

Following up on the Guide to Morphosyntax-Phonology Interface Theories (2011), written from a theory-neutral point of view, this book lays out the author’s approach to the representational side of the interface. The book is thus about how information is transmitted to phonology when an object is inserted into phonological representations (as opposed to the derivational means, i.e. phase theory today). The idea of Direct Interface is that diacritics such as hash-marks in SPE or prosodic constituency since the early 80s, which mediate between morpho-syntax and phonology, are illegal in a modular environment where computational systems can only process domain-specific vocabulary. Direct Interface instead holds that only truly phonological vocabulary can carry morpho-syntactic information. It is shown that of all representational objects only syllabic space qualifies. Couched in CVCV (or strict CV), i.e. Government Phonology, this insight is then applied in detailed case studies of Belarusian, Corsican, Greek and the exhaustive lexical inventory of sonorant-obstruent-initial words in 13 Slavic languages,. In this sense, the book is the 2nd volume of A Lateral Theory of Phonology (2004).

This book presents a comprehensive and critical overview of historical phonology as it stands today. Scholars from around the world consider and advance research in every aspect of the field. In doing so they demonstrate the continuing vitality and some continuing themes of one of the oldest sub-disciplines of linguistics. The book is divided into six parts. The first considers key current research questions, the early history of the field, and the structuralist context for work on segmental change. The second examines evidence and methods, including phonological reconstruction, typology, and computational and quantitative approaches. Part III looks at types of phonological change, including stress, tone, and morphophonological change. Part IV explores a series of controversial aspects within the field, including the effects of first language acquisition, the status of lexical diffusion and exceptionless change, and the role of individuals in innovation. Part V considers theoretical perspectives on phonological change, including those of evolutionary phonology and generative historical phonology. The final part examines sociolinguistic and exogenous factors in phonological change, including the study of change in real time, the role of second language acquisition, and loanword adaptation. The authors, who represent leading proponents of every theoretical perspective, consider phonological change over a wide range of the world's language families. The handbook is, in sum, a valuable resource for phonologists and historical linguists and a stimulating guide for their students.

This volume brings together new work on prosody and prosodic interfaces from international experts in the field. The book is divided into three parts that explore topics in word prosody and phrase prosody, lexical tone and intonation, and the syntax-prosody interface. While many recent studies have focused on prosody and related questions, a significant number of languages, dialects, and varieties remain largely undocumented or understudied in this respect. The chapters in this volume help to fill this empirical gap, with investigations into languages such as Choguita Rarámuri (Mexico), Poko (Papua New Guinea), Rere (Sudan), and Uspanteko (Guatemala), alongside more widely studied languages such as Japanese and Serbian. The authors also address a range of important questions pertaining to, for example, the interactions between lexical and postlexical tones and the relationship between prosodic and syntactic structure. The volume as a whole sheds light on how prosody is structured in language and how it functions in human communication.

Element Theory (ET) covers a range of approaches that consider privativity a central tenet defining the internal structure of segments. This volume provides an overview and extension of this program, exploring new lines of research within phonology and at its interface (phonetics and syntax). The present collection reflects on issues concerning the definition of privative primes, their interactions, organization, and the operations that constrain phonological and syntactic representations. The contributions reassess theoretical questions, which have been implicitly taken for granted, regarding privativity and its corollaries. On the empirical side, it explores the possibilities ET offers to analyze specific languages and phonological phenomena.

This volume takes a variety of approaches to the question 'what is a word?', with particular emphasis on where in the grammar wordhood is determined. Chapters in the book all start from the assumption that structures at, above, and below the 'word' are built in the same derivational system: there is no lexicalist grammatical subsystem dedicated to word-building. This type of framework foregrounds the difficulty in defining wordhood. Questions such as whether there are restrictions on the size of structures that distinguish words from phrases, or whether there are combinatory operations that are specific to one or the other, are central to the debate. In this respect, chapters in the volume do not all agree. Some propose wordhood to be limited to entities defined by syntactic heads, while others propose that phrasal structure can be found within words. Some propose that head-movement and adjunction (and Morphological Merger, as its mirror image) are the manner in which words are built, while others propose that phrasal movements are crucial to determining the order of morphemes word-internally. All chapters point to the conclusion that the phonological domains that we call words are read off of the morphosyntactic structure in particular ways. It is the study of this interface, between the syntactic and phonological modules of Universal Grammar, that underpins the discussion in this volume.