Two brothers, as different as night and day: one, charming and ruthless, buys his way into Harvard, Wall Street, and high society; the other brother remains by his mother's side and makes his way to the top without the influence of money or prestige. Raised in separate worlds, these brothers are bound by a bitter rivalry for riches and power, but mostly, for the exciting, wildly captivating woman they fight all their lives to possess, a woman whose passion for one destroys her love for the other. Their story consumes an American century, spanning decades of splendor, struggle, upheaval, and war. It's an absorbing saga of innocent dreams and green desire corrupted by gilded temptation.

For Rebecca Bushnell, English gardening books tell a fascinating tale of the human love for plants and our will to make them do as we wish. These books powerfully evoke the desires of gardeners: they show us gardeners who, like poets, imagine not just what is but what should be. In particular, the earliest English garden books, such as Thomas Hill's The Gardeners Labyrinth or Hugh Platt's Floraes Paradise, mix magical practices with mundane recipes even when the authors insist that they rely completely on their own experience in these matters. Like early modern "books of secrets," early gardening manuals often promise the reader power to alter the essential properties of plants: to make the gillyflower double, to change the lily's hue, or to grow a cherry without a stone. Green Desire describes the innovative design of the old manuals, examining how writers and printers marketed them as fiction as well as practical advice for aspiring gardeners. Along with this attention to the delights of reading, it analyzes the strange dignity and pleasure of garden labor and the division of men's and women's roles in creating garden art. The book ends by recounting the heated debate over how much people could do to create marvels in their own gardens. For writers and readers alike, these green desires inspired dreams of power and self-improvement, fantasies of beauty achieved without work, and hopes for order in an unpredictable world--not so different from the dreams of gardeners today.

Two brothers, as different as night and day: one, charming and ruthless, buys his way into Harvard, Wall Street, and high society; the other brother remains by his mother's side and makes his way to the top without the influence of money or prestige.Raised in separate worlds, these brothers are bound by a bitter rivalry for riches and power, but mostly, for the exciting, wildly captivating woman they fight all their lives to possess, a woman whose passion for one destroys her love for the other.Their story consumes an American century, spanning decades of splendor, struggle, upheaval, and war. It's an absorbing saga of innocent dreams and green desire corrupted by gilded temptation.

For Rebecca Bushnell, English gardening books tell a fascinating tale of the human love for plants and our will to make them do as we wish. These books powerfully evoke the desires of gardeners: they show us gardeners who, like poets, imagine not just what is but what should be. In particular, the earliest English garden books, such as Thomas Hill's The Gardeners Labyrinth or Hugh Platt's Floraes Paradise, mix magical practices with mundane recipes even when the authors insist that they rely completely on their own experience in these matters. Like early modern "books of secrets," early gardening manuals often promise the reader power to alter the essential properties of plants: to make the gillyflower double, to change the lily's hue, or to grow a cherry without a stone. Green Desire describes the innovative design of the old manuals, examining how writers and printers marketed them as fiction as well as practical advice for aspiring gardeners. Along with this attention to the delights of reading, it analyzes the strange dignity and pleasure of garden labor and the division of men's and women's roles in creating garden art. The book ends by recounting the heated debate over how much people could do to create marvels in their own gardens. For writers and readers alike, these green desires inspired dreams of power and self-improvement, fantasies of beauty achieved without work, and hopes for order in an unpredictable world—not so different from the dreams of gardeners today.

“A debut story collection of the rarest kind ... you wish that every single entry could be an entire novel." —Entertainment Weekly Fresh, intimate stories of women’s lives from an extraordinary new literary voice, laying bare the unexpected beauty and irony in contemporary life A college freshman, traveling home, strikesup an odd, ephemeral friendship with the couple next to her on the plane. A mother prepares for her son’s wedding, her own life unraveling as his comes together. A long-lost stepbrother’s visit to New York prompts a family’s reckoning with its old taboos. A wife considers the secrets her marriage once contained. An office worker, exhausted by the ambitions of the men around her, emerges into a gridlocked city one afternoon to make a decision. In these eleven powerful stories, thrilling desire and melancholic yearning animate women’s lives, from the brink of adulthood to the labyrinthine path between twenty and thirty, to middle age, when certain possibilities quietly elapse. Tender, lucid, and piercingly funny, Objects of Desire is a collection pulsing with subtle drama, rich with unforgettable scenes, and alive with moments of recognition each more startling than the last—a spellbinding debut that announces a major talent.

As the top assassin at The Circle, a shadowy group of mercenaries, Olivia St. Vincent can hunt down anyone. She’s been trained since she was a teenager to kill without feeling, to interact with men without love. But when she’s kidnapped by the enigmatic leader of a rival organization, she learns she’s been lied to for years. She never worked for the good guys. Collin Ryker believes the sultry woman he’s abducted knows more than she’s telling about The Circle and its plans for complete domination. Over time, as they work together, Olivia’s tenacity and vulnerability captivate him. But if he isn’t careful, Collin will fall into the biggest trap of all: caring for a woman who can betray him to his greatest enemy.

The City of Earthly Desire is an unforgettable novel of love and lust; beauty and vulgarity; virtue and vice; and art and ethics. Occasionally dark, but always entertaining and engaging, the narrative is peopled by a memorable cast of characters who are as intense and turbulent as the times and places they occupy. Like the great novels of the nineteenth century, the story delves into the struggle between morality and immorality; meaning and nihilism; and good and evil. After the communists destroy his dream of becoming a recognized painter in Hungary, Reinhardt Drixler escapes to America to provide a better future for his young family and to further his artistic pursuits. Twenty-five years later, communism collapses in Europe; Reinhardt’s son Béla falls in love with Suzy Kiss, an ambitious and alluring Hungarian striptease dancer whose interest in the young writer can be summarized in two words: green card. When Suzy is mysteriously deported, a devastated Béla must make a decision – should he stay in New York and continue with the noble artistic ambitions his father instilled in him, or should he follow his heart to Hungary and explore the enticing and risqué opportunities blossoming in post-communist Budapest?