'Toner again spins a tale that is enjoyable and informative.' The Times Tour the Roman Empire at its height with Marcus Sidonius Falx and his amanuensis, Dr Jerry Toner. Travelling east, Falx explores the great cultural centre of Athens before trekking into rural Asia (or Turkey as we know it), past the already ancient Luxor monuments in Roman Egypt, and by the Great Library of Alexandria. Travelling west across the breadbasket of the Empire, he journeys through Gaul (France) before crossing to Britannia, where he suffers the worst that provincial life has to offer. Falx provides practical advice on surviving all things travel: from pirates and shipwrecks to bedbugs and lousy food. Even the most sedentary reader will feel they have experienced life in the Empire first-hand.

A scholar explores the history of slavery in Ancient Rome using a fictional story as a backdrop. Marcus Sidonius Falx is an average Roman citizen. Born of a relatively well-off noble family, he lives on a palatial estate in Campania, dines with senators and generals, and, like all of his ancestors before him, owns countless slaves. Having spent most of his life managing his servants—many of them prisoners from Rome’s military conquests—he decided to write a kind of owner’s manual for his friends and countrymen. The result, The Roman Guide to Slave Management, is a sly, subversive guide to the realities of servitude in ancient Rome. Cambridge scholar Jerry Toner uses Falx, his fictional but true-to-life creation, to describe where and how to Romans bought slaves, how they could tell an obedient worker from a troublemaker, and even how the ruling class reacted to the inevitable slave revolts. Toner also adds commentary throughout, analyzing the callous words and casual brutality of Falx and his compatriots and putting it all in context for the modern reader. Written with a deep knowledge of ancient culture—and the depths of its cruelty—this is the Roman Empire as you’ve never seen it before. “By turns charming, haughty, and brutal . . . an ingenious device.” —The New Yorker “[Toner’s] history and commentary provides context for the dirty institution upon which modern civilization is built.” —Publishers Weekly

The Grand Tour has become a subject of major interest to scholars and general readers interested in exploring the historic connections between nations and their intellectual and artistic production. Although traditionally associated with the eighteenth century, when wealthy Englishmen would complete their education on the continent, the Grand Tour is here investigated in a wider context, from the decline of the Roman Empire to recent times. Authors from Chaucer to Erasmus came to mock the custom but even the Reformation did not stop the urge to travel. From the mid-sixteenth century, northern Europeans justified travel to the south in terms of education. The English had previously travelled to Italy to study the classics; now they travelled to learn Italian and study medicine, diplomacy, dancing, riding, fencing, and, eventually, art and architecture. Famous men, and an increasing proportion of women, all contributed to establishing a convention which eventually came to dominate European culture. Documenting the lives and travels of these personalities, Professor Chaney's remarkable book provides a complete picture of one of the most fascinating phenomena in the history of western civilisation.

This “dashing chronicle” reveals what tourists have been visiting in Rome, from the era of the Roman Republic to contemporary times (The Independent). There is no place like Rome. Throughout its long, long history, its many changes in form and fortune, Rome has always been a tourist centre. In every age—Classical, Christian, Medieval, Renaissance, Baroque, Neoclassical, Romantic, Modern—people have flocked to see its wonders. This is the story of what Rome’s visitors have looked at over the past two thousand years, the buildings, the statues, the paintings, the artifacts that have most impressed each generation of travellers from the time of the Roman Republic in the second century BC up to the present age of mass tourism. It is the history both of how Rome has changed with the centuries and how the taste of those who have visited the city has changed with it.

A major new history of the spectacular rise and fall of the ancient world's greatest empire

A fascinating study of how British travellers experienced, described and represented the cities they visited on the Grand Tour.

In the seventeenth and eighteenth centuries, a journey to Italy was considered an indispensable part of a young man's education. On arduous coach journeys, they pursued the trail of ancient Rome and the Renaissance to Florence, Venice, Rome, and Naples. Artists soon followed them, and thus yearning also led Johann Wolfgang von Goethe south from 1786 to 1788. 'Goethe's Italian Journey' vividly conveys his profound enthusiasm but also depicts well-organized, early tourism. Just seventy years later, the first photographers captured stations on the Grand Tour on gelatin silver plates. Giorgio Sommer (1834-1914), like Goethe from Frankfurt am Main, and Carlo Naya (1816-1882) produced intensely poetic views of St. Mark's Square, the Colosseum, a smoking Vesuvius, and beautiful fisherwomen on Capri.