Against her wishes, noblewoman Catherine Shreveton is sent to London to make her debut. In a pique, the saucy miss disguises herself as a dowdy, poor spinster, but as she plays a game of wits against a dashing Marquis, neither realizes that love is the prize. Original Regency romance.

The world was cruel to Simeon Duff Mad and mired in the deepest slough Nobody seemed to give a stuff 'bout Simeon, Simeon Duff Simeon Duff is working class, unemployed and desperate. His wife works. He's lost all self-esteem. He's on the scrap heap and wants to end it all . . . and so begins this brilliantly insane comedy about a man on the edge. When word gets out that Duff is going to top himself, a host of ne'er-do-wells crawl out of the woodwork, each wanting to claim his grand gesture for their 'noble cause'. Let's face it, why waste a death? But which cause shall it be . . . love, politics, religion, or the rising price of fish? Will the disillusioned Duff go through with it? Will he really top himself for a dubious cause? Is he worth it? An adaptation of Nikolai Erdman's The Suicide (1928), The Grand Gesture is a witty satire of lobbyists seeking political control.

The world was cruel to Simeon Duff Mad and mired in the deepest slough Nobody seemed to give a stuff 'bout Simeon, Simeon Duff Simeon Duff is working class, unemployed and desperate. His wife works. He's lost all self-esteem. He's on the scrap heap and wants to end it all . . . and so begins this brilliantly insane comedy about a man on the edge. When word gets out that Duff is going to top himself, a host of ne'er-do-wells crawl out of the woodwork, each wanting to claim his grand gesture for their 'noble cause'. Let's face it, why waste a death? But which cause shall it be . . . love, politics, religion, or the rising price of fish? Will the disillusioned Duff go through with it? Will he really top himself for a dubious cause? Is he worth it? An adaptation of Nikolai Erdman's The Suicide (1928), The Grand Gesture is a witty satire of lobbyists seeking political control.

An illustrated guide to more than 850 gestures and their meanings around the world, from a nod of the head to a click of the heels. Gestures convey meaning with a flourish. A vigorous nod of the head, a bold jut of the chin, an enthusiastic thumbs-up: all speak louder than words. Yet the same gesture may have different meanings in different parts of the world. What Americans understand as the “A-OK gesture,” for example, is an obscene insult in the Arab world. This volume is the reference book we didn't know we needed—an illustrated dictionary of 850 gestures and their meanings around the world. It catalogs voluntary gestures made to communicate openly—as distinct from sign language, dance moves, involuntary “tells,” or secret handshakes—and explains what the gesture conveys in a variety of locations. It is organized by body part, from top to bottom, from head (nodding, shaking, turning) to foot (scraping, kicking, playing footsie). We learn that “to oscillate the head while gently throwing it back” communicates approval in some countries even though it resembles the headshake of disapproval used in other countries; that “to tap a slightly inflated cheek” constitutes an erotic invitation when accompanied by a wink; that the middle finger pointed in the air signifies approval in South America. We may already know that it is a grave insult in the Middle East and Asia to display the sole of one's shoe, but perhaps not that motorcyclists sometimes greet each other by raising a foot. Illustrated with clever line drawings and documented with quotations from literature (the author, François Caradec, was a distinguished and prolific historian of literature, culture, and humorous oddities, as well as a novelist and poet), this dictionary offers readers unique lessons in polylingual meaning.

In this wide-ranging and probing book Erin Manning extends her previous inquiries into the politics of movement to the concept of the minor gesture. The minor gesture, although it may pass almost unperceived, transforms the field of relations. More than a chance variation, less than a volition, it requires rethinking common assumptions about human agency and political action. To embrace the minor gesture's power to fashion relations, its capacity to open new modes of experience and manners of expression, is to challenge the ways in which the neurotypical image of the human devalues alternative ways of being moved by and moving through the world—in particular what Manning terms "autistic perception." Drawing on Deleuze and Guattari's schizoanalysis and Whitehead's speculative pragmatism, Manning's far-reaching analyses range from fashion to depression to the writings of autistics, in each case affirming the neurodiversity of the minor and the alternative politics it gestures toward.

A tragicomic story of bad dates, bad news, bad performances, and one girl's determination to find the funny in high school from the author of Denton Little's Deathdate. Winnie Friedman has been waiting for the world to catch on to what she already knows: she's hilarious. It might be a long wait, though. After bombing a stand-up set at her own bat mitzvah, Winnie has kept her jokes to herself. Well, to herself and her dad, a former comedian and her inspiration. Then, on the second day of tenth grade, the funniest guy in school actually laughs at a comment she makes in the lunch line and asks her to join the improv troupe. Maybe he's even . . . flirting? Just when Winnie's ready to say yes to comedy again, her father reveals that he's been diagnosed with ALS. That is . . . not funny. Her dad's still making jokes, though, which feels like a good thing. And Winnie's prepared to be his straight man if that's what he wants. But is it what he needs? Caught up in a spiral of epically bad dates, bad news, and bad performances, Winnie's struggling to see the humor in it all. But finding a way to laugh is exactly what will see her through. **A Junior Library Guild Selection**