The definitive short story collection by the Nobel Laureate and master of the form These diverse, psychologically rich, and morally profound stories explore the consequences of war on individuals and on an entire culture. The Collected Stories of Heinrich Böll provides readers with the only comprehensive collection by this master of the short-story form. Includes all the stories from Böll’s The Mad Dog, Eighteen Short Stories, The Casualty, and The Stories of Heinrich Böll. A Nobel Laureate, Böll was considered a master 20th century literature, and The Collected Stories of Heinrich Böll contains some of his finest work.

Examines the issue of human suffering and explores why a good God allows it.

ISBN 9042003375 (paperback) NLG 55.00 From the contents: Beckettissimo: Beckett virtuose de l'echo: 'fin de partie' et l'essence du bouddhisme (Emmanuel Jacquart).- Staging of institutional tensions in Beckett's plays (Juergen Siess).- Postmodern staging of 'waiting for Godot' (Mariko Hori Tanaka).- Staging himself, or Beckett's late style in the theatre (S.E. Gontarski). figure.

Samuel Beckett's Play, written 1962-63, was an aesthetic watershed inaugurating his late, 'abstract' dramatic style. This book gets close to Beckett's creative process by examining the possible influence of Arnold Schoenberg's twelve-tone music and Vassily Kandinsky's abstract painting upon this formal shift; by tracing Beckett's developing attitude to abstraction and its relation to his long-standing preoccupation with the 'breakdown' of the subject-object relation and the ultimate failure of all expression; and by following his formal choices through manuscript drafts. The author goes on to analyse Beckett's attempt to adapt his new methods to the media of film and television, and to demonstrate how Beckett's late works for stage and screen develop alongside one another right up to his 1985 adaptation of the play What Where for television. Throughout the book, unpublished manuscript materials such as Beckett's letters, drafts, notes on philosophy, psychology and art, and his 'German diaries' augment a detailed account of the submerged sources that Beckett appropriated to the evolving needs of his abstract dramatic art.

‘Dialogues on Beckett’ is a collection of 12 conversations about 12 plays by Samuel Beckett, discussions about the meaning of life and the universe between an agnostic and a Christian, based on a close reading of the text. It is also based on the thesis that Beckett’s main concern in his plays is Christian theology or, more broadly, the religious interpretation of the world. All his plays are an argument with that interpretation; in particular, they question the idea of theodicy and the philosophy of consolation. The aim of ‘Dialogues on Beckett’ is to make the reader aware of this essential theme in the playwright’s work, to interpret it in this light and to show his original approach to the subject. Beckett argues that we live in a post-Christian era. But for him this knowledge is no reason for joy; rather, it is a source of sadness, fear and even despair.

Ex-U.S. Army intelligence officer, Michael Hazzard, and the only foreign private detective in Japan, is offered $10,000 to deliver a cheap $5.00 string of Buddhist prayer beads to someone in Saigon, who will be identified by the phrase, “There is terror in the bamboo only for the wicked.” When he finally agrees, he finds himself the target in a bizarre plot of Oriental intrigue when he is taken hostage and brought to a guerrilla camp in the jungles of North Viet Nam.