When you are within my walls, I am God. I have always been here and I will always be. I have complete dominion. I control what you see, what you feel, and how you think. I will bend reality to whatever I wish. I will show you your worst fears and make you indulge in your darkest desires. Your pain is my pleasure. Your tears are my ambrosia. Your despair is my joy. I will break you. I will ruin you. Once you enter me, there is no escape. I will own you, forever. From Wonderland Book Award winning author, Garrett Cook, comes a haunted house novel unlike any you've ever read. Told entirely from the perspective of the haunting, A GOD OF HUNGRY WALLS is a perverse, violent, and soul-crushing take on supernatural horror.

For fans of The Giver, a futuristic thriller with a diverse cast. In Thalia's world, there is no more food and no need for food, as everyone takes medication to ward off hunger. Her parents both work for the company that developed the drugs society consumes to quell any food cravings, and they live a life of privilege as a result. When Thalia meets a boy who is part of an underground movement to bring food back, she realizes that there is an entire world outside her own. She also starts to feel hunger, and so does the boy. Are the meds no longer working? Together, they set out to find the only thing that will quell their hunger: real food. It's a journey that will change everything Thalia thought she knew. But can a "privy" like her ever truly be part of a revolution?

Can a barren city lot become a church? This is the story of an audacious journey. It’s the story of what happens when people garden, worship, and eat together—and invite anyone and everyone to join them. In This Is God’s Table, writer and pastor Anna Woofenden describes the way that the wealthy and the poor, the aged and the young, the housed and unhoused become a community in this once-empty lot. Together they plant and sustain a thriving urban farm, worship God, and share a weekly meal. Together they craft a shared life and a place of authenticity where all are welcome. Readers of Nadia Bolz-Weber, Sara Miles, and Diana Butler Bass will find here a kindred vision for a church without walls. As churches across the Western world wither, what would it take to find a raw, honest, gritty way of doing church—one rooted in place, nurtured by grace, and grounded in God’s expansive love? What would it take to carry the liturgy outside the gates? What if we were to discover that in feeding others, we are fed? This is God’s table. Come and eat.

Can a Canaanite harlot who made her living enticing men be a fitting wife for a leader of Israel? Shockingly, the Bible’s answer is yes. This 10th anniversary edition of Pearl in the Sand includes new features that will invite you into the untold story of Rahab’s journey from lowly outcast to redeemed child of God. Rahab’s home is built into a wall, a wall that fortifies and protects the City of Jericho. However, other walls surround her too, walls of fear, rejection, and unworthiness… Years of pain and betrayal have wounded Rahab’s heart—she doubts whether her dreams of experiencing true love will ever come true… A woman with a wrecked past—a man of success, of faith... of pride. A marriage only God would conceive! Through the heartaches of a stormy relationship, Rahab and Salmone learn the true source of one another’s worth and find healing in God.

Previously listed (and titled "The F Word") in the Spring/Summer 2013 Hotlist. Back orders are holding. From bad blind dates to modern childbirth to handling her six-year-old daughter's use of the f-word -fat - for the first time, Jennifer Weiner goes there, with the wit and candor that have endeared her to readers all over the world. Print run 250,000.

Carter Cox is a talented but dissipated freelance photojournalist living in New York City's East Village with his sad dog and bad habits. Though he travels to exotic places taking pictures of models and celebrities, he yearns to do more meaningful work and to mend his womanizing ways. He also wants to put into practice the lessons he learns from his Buddhist betters, but he continues to carry with him his “seduction kit”: a chessboard, cigarettes, and a Cormac McCarthy novel. At a Buddhist retreat, he meets Mia Malone, a beautiful, smart devout Catholic determined to remain a virgin until she is married. Carter falls hard, and Mia nervously agrees to join him on a photo shoot in Morocco. With both of their souls hanging in the balance, they quickly go from the ocean to hot water: crashing their car, getting arrested, running afoul of a sadistic gendarme, and trying to flee the country. Over the course of their adventure, they discover that karma and the human heart work in very mysterious ways.

Anna Suarez's debut collection, Papi Doesn't Love Me No More explores themes of love, loss, sex work, and abuse. Anna Suarez utilizes folklore and myths to explore who Papi is and what he means to her. Her poetry is a friend, lover, and confessional narrative celebrating the cathartic power of desire and the self. "Glowing, shattering poetry about blood and being blue-hooded and glistening as Woman, Whore, Slut, God-Seeking Catholic Girl seeking home. Love. Also autonomy. Agency. She's the one always being spoken of, and should be. Suarez rewrites scripture summoning the sweet strength of survival, having learned power through yielding to it. Visceral. Opalescent." - Jenny Forrester, author of Narrow River, Wide Sky: A Memoir "Anna takes you on a journey from sensuality to despair and from hope to harsh realism. She captures the peril of intimacy through shattered rose colored glasses and takes you back to potential and most importantly, to awe." - Garrett Cook, author of A God of Hungry Walls