From Double Indemnity to La Femme Nikita, this comprehensive video renter's guide covers films both classic and modern, foreign and domestic. Each entry includes a concise plot summary and complete screen credits.

Diana Nammi became a fighter with the Peshmerga when she was only seventeen. Originally known as Galavezh, she grew up in the Kurdish region of Iran in the 1960s and 70s. She became involved in politics as a teenager and, like many students, played a part in the Iranian Revolution of 1979. But the new Islamic regime tolerated no opposition, and after Kurdistan was brutally attacked, Galavezh found that she had no choice but to become a soldier in the famed military force. She spent twelve years on the front line, and helped lead the struggle for women’s rights and equality for the Kurdish people, becoming one of the Iranian regime’s most wanted in the process. As well as being the startling account of Galavezh's time as a fighter, Girl with a Gun is also a narrative about family and resilience, with a tragic love story at its heart.

NATIONAL BESTSELLER. The first in the Kopps Sisters Novel Series, Girl Waits with Gun is an enthralling novel based on the forgotten true story of one of the nation’s first female deputy sheriffs. Constance Kopp doesn’t quite fit the mold. She towers over most men, has no interest in marriage or domestic affairs, and has been isolated from the world since a family secret sent her and her sisters into hiding fifteen years ago. One day a belligerent and powerful silk factory owner runs down their buggy, and a dispute over damages turns into a war of bricks, bullets, and threats as he unleashes his gang on their family farm. When the sheriff enlists her help in convicting the men, Constance is forced to confront her past and defend her family — and she does it in a way that few women of 1914 would have dared. A New York Times Editors' Choice “A smart, romping adventure, featuring some of the most memorable and powerful female characters I've seen in print for a long time. I loved every page as I followed the Kopp sisters through a too-good-to-be-true (but mostly true!) tale of violence, courage, stubbornness, and resourcefulness.”—Elizabeth Gilbert

"Virginie Despentes's Apocalypse Baby kept me up several nights in a row—in part because it's a terrific page-turner, and in part because I was anxious to see how Despentes would sustain her narrative ride. Apocalypse Baby is more than a compelling punk, queerish spin on the noir genre. It is a choral performance that tumbles its readers into the heart of violent spectacle, with all its attendant grief, unease, and unclarity."—Maggie Nelson, author of The Argonauts Apocalypse Baby is a smart, fast-paced mystery about a missing adolescent girl traveling through Paris and Barcelona. She is tailed by two mismatched private investigators: the Hyena, part ruthless interrogator, part oversexed rock star, and Lucie, her plain and passive—almost to the point of invisible—sidekick. As their desperate search unfolds, they interrogate a suspicious cast of characters, and the dark heart of contemporary youth culture is exposed.

The two-time Newbery medalist has crafted “a loving representation of a relationship between parent and child” in post-WWII America (Publishers Weekly, starred review). This is the story of young Liz, her father, and their strained relationship. Dad has been away at WWII for longer than she can remember, and they begin their journey of reconnection through a hunting shirt, cherry pie, tender conversation, and the crow call. This allegorical story shows how, like the birds gathering above, the relationship between the girl and her father is graced with the chance to fly. “The memory of a treasured day spent with a special person will resonate with readers everywhere.” —School Library Journal (starred review) “Beautifully written, the piece reads much like a traditional short story . . . the details of [Ibatoulline’s] renderings gracefully capture a moment in time that was lost. Relevant for families whose parents are returning from war, the text is also ripe for classroom discussion and for advanced readers.” —Kirkus Reviews

Dry fire - practicing without live ammunition - is an essential tool for every gun owner who wants to learn how to handle their firearms more proficiently. It saves time and money while remaining an effective training method whether you are interested in guns for a hobby, for self-defense, or for competition. While there are many books that describe specific dry fire regimens, they don't always give you the information you need to use them best. That's where The Dry Fire Primer comes in. It bridges the gap between "I've heard of dry fire" and "I'm going to be a dry fire maniac and use it to its greatest potential." Whether you're brand-new to dry fire or just feel like you could be getting a bit more out of it, this book is for you.

New York Times bestselling master of mystery Phillip Margolin transcends his traditional territory in this new and different book, a haunting thriller inspired by an unforgettable photograph. Visiting an art museum displaying a retrospective of acclaimed photographer Kathy Moran's work, aspiring novelist Stacey Kim is stunned by the photo at the center of the show—the famous "Woman with a Gun," which won a Pulitzer Prize and launched the photographer's career. Shot from behind, the enigmatic black-and-white image is a picture of a woman in a wedding dress, standing on the shore at night, facing the sea. Behind her back, she holds a six-shooter. The image captures Stacey's imagination, raising a host of compelling questions. Has the woman killed her husband on their wedding night? Is she going to commit suicide? Is she waiting for someone she plans to kill? Obsessed with finding answers, Stacey discovers that the woman in the photograph is Megan Cahill, suspected of killing her husband, millionaire Raymond Cahill, with the six-shooter on their wedding night. But the murder was never solved. Drawn deeper into the case, Stacey finds that everyone involved has a different opinion of Megan's culpability. But the one person who may know the whole story—Kathy Moran—isn't talking. Stacey must find a way to get to the reclusive photographer or the truth may never see the light of day.