Media history is millions, even billions, of years old. That is the premise of this pioneering and provocative book, which argues that to adequately understand contemporary media culture we must set out from material realities that precede media themselves—Earth’s history, geological formations, minerals, and energy. And to do so, writes Jussi Parikka, is to confront the profound environmental and social implications of this ubiquitous, but hardly ephemeral, realm of modern-day life. Exploring the resource depletion and material resourcing required for us to use our devices to live networked lives, Parikka grounds his analysis in Siegfried Zielinski’s widely discussed notion of deep time—but takes it back millennia. Not only are rare earth minerals and many other materials needed to make our digital media machines work, he observes, but used and obsolete media technologies return to the earth as residue of digital culture, contributing to growing layers of toxic waste for future archaeologists to ponder. He shows that these materials must be considered alongside the often dangerous and exploitative labor processes that refine them into the devices underlying our seemingly virtual or immaterial practices. A Geology of Media demonstrates that the environment does not just surround our media cultural world—it runs through it, enables it, and hosts it in an era of unprecedented climate change. While looking backward to Earth’s distant past, it also looks forward to a more expansive media theory—and, implicitly, media activism—to come.

Over the past 20 years, the concept of storing or permanently storing carbon dioxide in geological media has gained increasing attention as part of the important technology option of carbon capture and storage within a portfolio of options aimed at reducing anthropogenic emissions of greenhouse gases to the earths atmosphere. This book is structured into eight parts, and, among other topics, provides an overview of the current status and challenges of the science, regional assessment studies of carbon dioxide geological sequestration potential, and a discussion of the economics and regulatory aspects of carbon dioxide sequestration.

Smartphones, laptops, tablets, and e-readers all at one time held the promise of a more environmentally healthy world not dependent on paper and deforestation. The result of our ubiquitous digital lives is, as we see in The Anthrobscene, actually quite the opposite: not ecological health but an environmental wasteland, where media never die. Jussi Parikka critiques corporate and human desires as a geophysical force, analyzing the material side of the earth as essential for the existence of media and introducing the notion of an alternative deep time in which media live on in the layer of toxic waste we will leave behind as our geological legacy. Forerunners: Ideas First is a thought-in-process series of breakthrough digital publications. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.

The explosion of interest, effort, and information about the ocean since about 1950 has produced many thousand scientific articles and many hun dred books. In fact, the outpouring has been so large that authors have been unable to read much of what has been published, so they have tended to concentrate their own work within smaller and smaller subfields of oceanog raphy. Summaries of information published in books have taken two main paths. One is the grouping of separately authored chapters into symposia type books, with their inevitable overlaps and gaps between chapters. The other is production of lightly researched books containing drawings and tables from previous pUblications, with due credit given but showing assem bly-line writing with little penetration of the unknown. Only a few books have combined new and previous data and thoughts into new maps and syntheses that relate the contributions of observed biological, chemical, geological, and physical processes to solve broad problems associated with the shape, composition, and history of the oceans. Such a broad synthesis is the objective of this book, in which we tried to bring together many of the pieces of research that were deemed to be of manageable size by their originators. The composite may form a sort of plateau above which later studies can rise, possibly benefited by our assem bly of data in the form of new maps and figures.

"You can't really know the place where you live until you know the shapes and origins of the land around you. To feel truly at home in the Bay Area, read Doris Sloan's intriguing stories of this region's spectacular, quirky landscapes."—Hal Gilliam, author of Weather of the San Francisco Bay Region "This is a fascinating look at some of the world's most complex and engaging geology. I highly recommend this book to anyone interested in an understanding of the beautiful landscape and dynamic geology of the Bay Area."—Mel Erskine, geological consultant "This accessible summary of San Francisco Bay Area geology is particularly timely. We are living in an age where we must deal with our impact on our environment and the impact of the environment on us. Earthquake hazards, and to a lesser extent landslide hazards, are well known, but the public also needs to be aware of other important engineering and environmental impacts and geologic resources. This book will allow Bay Area residents to make more intelligent decisions about the geological issues affecting their lives."—John Wakabayashi, geological consultant

Digital Contagions is the first book to offer a comprehensive and critical analysis of the culture and history of the computer virus phenomenon. The book maps the anomalies of network culture from the angles of security concerns, the biopolitics of digital systems, and the aspirations for artificial life in software. The genealogy of network culture is approached from the standpoint of accidents that are endemic to the digital media ecology. Viruses, worms, and other software objects are not, then, seen merely from the perspective of anti-virus research or practical security concerns, but as cultural and historical expressions that traverse a non-linear field from fiction to technical media, from net art to politics of software. Jussi Parikka mobilizes an extensive array of source materials and intertwines them with an inventive new materialist cultural analysis. Digital Contagions draws from the cultural theories of Gilles Deleuze and Félix Guattari, Friedrich Kittler, and Paul Virilio, among others, and offers novel insights into historical media analysis.

Geoarchaeological studies can significantly enhance interpretations of human prehistory by allowing archaeologists to decipher from sediments and soils the effects of earth processes on the evidence of human activity. While a number of previous books have provided broad geographic and temporal treatments of geoarchaeology, this new volume presents a single author's view intended for North American archaeologists. Waters deals with those aspects of geoarchaeologyÑstratigraphy, site formation processes, and landscape reconstructionÑmost fundamental to archaeology, and he focuses on the late Quaternary of North America, permitting in-depth discussions of the concepts directly applicable to that research. Assuming no prior geologic knowledge on the part of the reader, Waters provides a background in fundamental geological processes and the basic tools of geoarchaeology. He then proceeds to relate specific physical processes, microenvironments, deposits, and landforms associated with riverine, desert, lake, glacial, cave, coastal, and other environments to archaeological site formation, location, and context. This practical volume illustrates the contributions of geoarchaeological investigations and demonstrates the need to make such studies an integral part of archaeological research. The text is enhanced by more than a hundred line drawings and photographs. CONTENTS 1. Research Objectives of Geoarchaeology 2. Geoarchaeological Foundations: The Archaeological Site Matrix: Sediments and Soils / Stratigraphy / The Geoarchaeological Interpretation of Sediments, Soils, and Stratigraphy 3. Alluvial Environments: Streamflow / Sediment Erosion, Transport, and Deposition / Alluvial Environments: Rivers, Arroyos, Terraces, and Fans / Alluvial Landscapes Evolution and the Archaeological Record / Alluvial Landscape Reconstruction 4. Eolian Environments: Sediment Erosion, Transport, and Deposition / Sand Dunes / Loess and Dust / Stone Pavements / Eolian Erosion / Volcanic Ash (Tephra) 5. Springs, Lakes, Rockshelters, and Other Terrestrial Environments: Springs / Lakes / Slopes / Glaciers / Rockshelters and Caves 6. Coastal Environments: Coastal Processes / Late Quaternary Sea Level Changes / Coastal Environments / Coastal Landscape Evolution and the Archaeological Record / Coastal Landscape Reconstruction 7. The Postburial Disturbance af Archaeological Site Contexts: Cryoturbation / Argilliturbation / Graviturbation / Deformation / Other Physical Disturbances / Floralturbation / Faunalturbation 8. Geoarchaeological Research Appendix A: Geoarchaeological Studies Illustrating the Effects of Fluvial Landscape Evolution on the Archaeological Record Appendix B: Geoarchaeological Studies Illustrating Site-Specific Synchronic and Diachronic Alluvial Landscape Reconstructions Appendix C: Geoarchaeological Studies Illustrating Regional Synchronic and Diachronic Alluvial Landscape Reconstructions