Odes, hymns, and lyrics from many of Greece's most noted classical poets--including Homer, Hesiod, Sappho, Sophocles, and Euripides--are beautifully illustrated here with details of ancient Greek frescoes, vase paintings, and sculptures. Over the centuries, celebrated writers such as George Chapman, Mary Barnard, John Dryden, Alexander Pope, and W. B. Yeats have been inspired to create contemporary translations of these enduring verses. In this volume are their and other modern poets' captivating translations, accompanied by the original Greek text. This lively combination of the poetry and illustrations, along with notes on each poet and on archaeological sites such as Knossos, Akrotiri, Mycenae, Lipari, and Paestum where the Greek art objects in this book were excavated, makes this volume a perfect introduction to Greek verse.

In this anthology of Greek verse, poets from Homer and Sappho to Sophoclesnd Euripides provide a glimpse of the lost world of Ancient Greece. Theriginal Greek verse is accompanied by the translations of celebrated writersuch as Alexander Pope, W.B. Yeats and Oscar Wilde. Evocative frescoes andase paintings from sites closely linked with Greek myth and history -ncluding Knossos, Mycenae, Paestum and Syracuse - illustrate each page.rief biographical information about each of the Greek poets, as well as aote on the art, complete the book.

Selected and translated by George Economou, this sexy, modern collection of ancient Greek love poetry is ideal for readers of Pinsky and "Playboy" alike. In a collection of fresh, accessible translations, Hellenistic master poets and two dozen other writers explore the power of Eros.

“This is a book for anyone,” Glyn Maxwell declares of On Poetry. A guide to the writing of poetry and a defense of the art, it will be especially prized by writers and readers who wish to understand why and how poetic technique matters. When Maxwell states, “With rhyme what matters is the distance between rhymes” or “the line-break is punctuation,” he compresses into simple, memorable phrases a great deal of practical wisdom. In seven chapters whose weird, gnomic titles announce the singularity of the book—“White,” “Black,” “Form,” “Pulse,” “Chime,” “Space,” and “Time”—the poet explores his belief that the greatest verse arises from a harmony of mind and body, and that poetic forms originate in human necessities: breath, heartbeat, footstep, posture. “The sound of form in poetry descended from song, molded by breath, is the sound of that creature yearning to leave a mark. The meter says tick-tock. The rhyme says remember. The whiteness says alone,” Maxwell writes. To illustrate his argument, he draws upon personal touchstones such as Emily Dickinson and Robert Frost. An experienced teacher, Maxwell also takes us inside the world of the creative writing class, where we learn from the experiences of four aspiring poets. “You master form you master time,” Maxwell says. In this guide to the most ancient and sublime of the realms of literature, Maxwell shares his mastery with us.

Excerpt from From the Garden of Hellas: Translations Into Verse From the Greek Anthology There have been many translations, in whole or in part, in verse or in prose, of that wonderful collection of the inscriptions, epigrams, and love songs of Ancient Greece - a literature in itself known as the Greek Anthology. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.