Is our life no more than a vivid dream? Could we travel through time or fall through a wormhole in outer space?

Returning to her Midwest roots, award-winning author Jane Kirkpatrick draws a page from her grandmother's photo album to capture the interplay between shadow and light, temptation and faith that marks a woman's pursuit of her dreams. She took exquisite photographs, but her heart was the true image exposed. Fifteen-year-old Jessie Ann Gaebele loves nothing more than capturing a gorgeous Minnesota landscape when the sunlight casts its most mesmerizing shadows. So when F.J. Bauer hires her in 1907 to assist in his studio and darkroom, her dreams for a career in photography appear to find root in reality. With the infamous hazards of the explosive powder used for lighting and the toxic darkroom chemicals, photography is considered a man' s profession. Yet Jessie shows remarkable talent in both the artistry and business of running a studio. She proves less skillful, however, at managing her growing attraction to the very married Mr. Bauer. This luminous coming-of-age tale deftly exposes the intricate shadows that play across every dream worth pursuing–and the irresistible light that beckons the dreamer on.

"The methods change, but the message stays the same." This saying is the guiding light for faithful Christians in a changing world. But author Shane Hipps reveals the error in this thinking. Instead he demonstrates how changing the methods always changes the message. He shows us the hidden power of technology to shape our faith in unexpected ways.

How is it that a patch of flickering light on a wall can produce experiences that engage our imaginations and can feel totally real? From the vertigo of a skydive to the emotional charge of an unexpected victory or defeat, movies give us some of our most vivid experiences and most lasting memories. They reshape our emotions and worldviews--but why? In Flicker, Jeff Zacks delves into the history of cinema and the latest research to explain what happens between your ears when you sit down in the theatre and the lights go out. Some of the questions Flicker answers: Why do we flinch when Rocky takes a punch in Sylvester Stallone's movies, duck when the jet careens towards the tower in Airplane, and tap our toes to the dance numbers in Chicago or Moulin Rouge? Why do so many of us cry at the movies? What's the difference between remembering what happened in a movie and what happened in real life--and can we always tell the difference? To answer these questions and more, Flicker gives us an engaging, fast-paced look at what happens in your head when you watch a movie.

Can You Ever Trust the Enemy?Things finally seem to be falling into place for Sadie. Bear season is over, and her relationship with her art teacher is on the mend. Her home life is going better than ever, and even her enemy, Frankie, wants to be friends. But can Frankie be trusted? Ruth and Andrew think she’s spying for her father, helping him find a way to capture Sadie’s favorite bear. But Sadie suspects something else is going on with Frankie. She must decide who to trust and find out if—and how—her growing faith can get her through.

Juliette Fay—“one of the best authors of women’s fiction” (Library Journal)—transports us back to the Golden Age of Hollywood and the raucous Roaring Twenties, as three friends struggle to earn their places among the stars of the silent screen—perfect for fans of La La Land and Rules of Civility. It’s July 1921, “flickers” are all the rage, and Irene Van Beck has just declared her own independence by jumping off a moving train to escape her fate in a traveling burlesque show. When her friends, fellow dancer Millie Martin and comedian Henry Weiss, leap after her, the trio finds their way to the bright lights of Hollywood with hopes of making it big in the burgeoning silent film industry. At first glance, Hollywood in the 1920s is like no other place on earth—iridescent, scandalous, and utterly exhilarating—and the three friends yearn for a life they could only have dreamed of before. But despite the glamour and seduction of Tinseltown, success doesn’t come easy, and nothing can prepare Irene, Millie, and Henry for the poverty, temptation, and heartbreak that lie ahead. With their ambitions challenged by both the men above them and the prejudice surrounding them, their friendship is the only constant through desperate times, as each struggles to find their true calling in an uncertain world. What begins as a quest for fame and fortune soon becomes a collective search for love, acceptance, and fulfillment as they navigate the backlots and stage sets where the illusions of the silver screen are brought to life. With her “trademark wit and grace” (Randy Susan Meyers, author of The Murderer’s Daughters), Juliette Fay crafts another radiant and fascinating historical novel as thrilling as the bygone era of Hollywood itself.

When Frank Juszczyks wife died, he grappled with big questions: How could his reality persist without her being a part of it? And what was it about reality that interrupted their time together? He told himself that hed discover the operative dynamic that split them apart and where shed gone. In this exploration of quantum physics, he seeks to answer questions such as: Why does there have to be a here and a not-here? Is reality taught to us or does it simply exist? If we were to reduce or eliminate the persistence of reality, what would that be like? Are there possible parallel universes that have the same degree of reality as ours, and if so, what does that say about how our reality is determined in the first place? Albert Einstein said that reality is merely an illusion, and while the concepts in this book are complicated, you dont have to be a physicist to learn how his statement is true or how to deal with it on a personal level. Overcome consensus thinking, minimize the persistence of an illusory reality, and discover freedom of choice with the powerful revelations in Disobliging Reality.